Final works from the course participants, Summer 2016
Scroll bellow to see all the works
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Today's Document
he wasn't even looking at me and he found me
"I'm Dorothy Gale from Kansas"

Janaina Medeiros
Sweet Seals For You, Always
TVSTRANGERTHINGS

Product Placement
YOU ARE THE REASON
NASA

❣ Chile in a Photography ❣
noise dept.
we're not kids anymore.

if i look back, i am lost

祝日 / Permanent Vacation
Alisa U Zemlji Chuda
seen from Vietnam
seen from United States

seen from United States
seen from United States
seen from United States

seen from Germany
seen from United States

seen from United States
seen from United States
seen from Bulgaria
seen from United States

seen from Chile

seen from United States
seen from United States

seen from France
seen from United States
seen from United States
seen from United States

seen from United Kingdom

seen from United States
@b1eaa-blog
Final works from the course participants, Summer 2016
Scroll bellow to see all the works

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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SUCHETA GHOSH

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How can we have function without a form? Exploring the difference between an individual and society.
Excursion to Berlin (11. and 12. August 2016), a city of constant tension between global order and local ruptures, to search and explore interim, alternative, temporary, illegal, creative, unassimilated, transgressive, unordered and irrational places.
The sites we visited iclude: Holocaust memorial, Tiergarten, Hansaviertl, Dong Xuan Center, Hochbunker in Pallasstraße and Internationales Congress Centrum Berlin.
The photos are the impressions from the course participants.
Public Sex
On March 29, 2001, an article in London’s Evening Standard carried the headline “Sex has its place in public: Lord Rogers.” The article stated, “Architect Lord Rogers has said he supports streets and public squares being used by prostitutes, beggars and rough sleepers. [Rogers] told a packed lecture at the Royal Institute of British Architects (RIBA) that he defended the rights of buskers, vendors and ’participants in public sex’ to use London’s public places.”
read more...
Transgressive Architecture Feature Article by Gil M. Doron
Art/Architecture (Volume 4, Number 3)

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The Architecture of Transgression
Transgression suggests operating beyond accepted norms and radically reinterpreting practice by pushing at the boundaries of both what architecture is, and what it could or even should be. The current economic crisis and accompanying political/social unrest has exacerbated the difficulty into which architecture has long been sliding: challenged by other professions and a culture of conservatism, architecture is in danger of losing its prized status as one of the pre-eminent visual arts. Transgression opens up new possibilities for practice. It highlights the positive impact that working on the architectural periphery can make on the mainstream, as transgressive practices have the potential to reinvent and reposition the architectural profession: whether they are subverting notions of progress; questioning roles and mechanisms of production; aligning with political activism; pioneering urban interventions; advocating informal or incomplete development; actively destabilising environments or breaking barriers of taste. In this new dispersed and expanded field of operation, the balance of architectural endeavour is shifted from object to process, from service to speculation, and from formal to informal in a way that provides both critical and political impetus to proactively affect change.
The Architecture of Transgression AD Rachel Sara
Publisher: John Wiley & Sons, Inc. Date Published: Nov 2013
Memorial for the murdered Jews of Europe (Berlin 1995) by Horst HoheiselÂ
Among the hundreds of submissions for a German national memorial to the murdered jews ot Europe, Horst Hoheisel’s design embodied very precisely the impossible questions at the heart of Germany’s memorial process. [...] Hoheisel proposed a simple, if provocative anti-solution to the 1995 memorial competition: blow up the Brandenburger Tor, grind its stone into dust, sprinkle the remains over its former site, then cover the entire memorial area with granite plates. How better to remember a destroyed people than by a destroyed monument?