THE LIVING DAYLIGHTS
By the time I leave the office on West End Avenue, Manhattan is already performing its evening trick of becoming more itself. The windows burn gold, the taxis drag their necklaces of light downtown, and the people... my people, though not in any legal or celestial sense, spill along the pavements with their collars up, their thoughts half-finished, and their loneliness hidden beneath errands. I have spent the day listening to them. Eight patients, nine if I count the man who came in only to sit there and stare at my bookshelf as if the right spine might save him. I liked him best. Silence is only another accent of confession. I am good at this work because I have always loved human bewilderment. Their griefs are so inventive. Their hungers so embarrassingly sincere. Fascination with them was one of the reasons I fell, if one can speak of catastrophe in such a neat, polished verb. Fell. As if I had merely misplaced my footing.
I live among them without difficulty. More than that, I enjoy it. I enjoy their jokes, badly timed and overexplained. I enjoy the vanity with which they arrange flowers on restaurant tables and the tenderness with which they lie to one another. Even now, exhausted, I can still feel the day clinging to me in little human residues. A patientâs perfume with its note of orange peel, the damp wool smell of a coat left too near the radiator, the sight of a woman pressing her thumbnail into her palm while she spoke about her mother. In session I am patient, warm, irreverent when required. A touch of cheek works wonders with the defended. It gives them permission to be foolish, and foolishness is often the first honest thing to enter the room.
At home I loosen the knot of my tie and unbutton my cuffs as though I am dismantling a version of myself made for daylight. My apartment is not large, but it has height, and that helps. Old brick, tall windows, a balcony I rarely step onto. I pour a drink, bourbon tonight, dark and medicinal, and let some music move through the rooms. Something with brass in it, something nocturnal and forgiving. The glass is cold against my palm as I stand by the window and look down at the Avenue below, at the tiny theatre of people continuing without me. Somewhere a siren opens and closes like a wound. Somewhere two lovers are ending each other with admirable precision. I drink. I listen. I let the voices drain from me. This is my ritual of return.
And yet it is the nighttime itself that always strikes me. Not the city at night, which I know intimately, but night as an element, as a condition that enters the room and changes its temperature. There are hours after midnight when even New York seems to remember older darknesses. The walls become less trustworthy. The mirrors develop a depth they have not earned. Nightmares were something I had suffered with, sometimes, since my fall. I could never explain them. They were not memories, not exactly, though they carried the authority of memory. They were intense enough to seem administered by some surviving law. Worse, they brought pain with them. Real pain. A tax collected in flesh.
That night I slept badly from the beginning, like a man stepping onto rotten boards. Then the dream took me whole. I was walking through a city that had outlived mercy. Not New York, though it wore New Yorkâs bones. Bridges sagging like snapped wings, towers split open and glowing from within as if furnaces had been built in their throats. The streets were full of people moving in ordered lines, their faces smooth and blank, their mouths stitched shut with black wire. Above them hung enormous machines, cathedral-sized, turning slowly in the red weather, grinding out ash instead of snow. I remember a river thick as oil and lit from underneath, and children standing at its edge with halos of television static around their heads. When they looked up at me, their eyes were full of tiny burning rooms. Then I understood, with the hideous instant clarity dreams permit, that I was expected to bless this place. To sanction it. To call it necessary.
In the dream my back opened with pain. That is the only phrase for it. It opened. Not metaphorically, not with poetry, but with the brute, white fact of injury. I felt the old sites there, the ancient wreckage of being unmade, and from them came a heat so violent it bent me forward. I could smell my own feathers burning, though I have had no wings for longer than most empires survive. The sky lowered. The machines descended. All around me the mute city waited, patient as an audience. Then the first note of music entered the dream, not from the heavens, nothing so grand, but from my apartment, from the record I had left turning in the dark. It warped, slowed, and became a scream drawn through brass.
I woke with it in my mouth. On my knees beside the bed, one hand clawed into the sheets, the other pressed hard between my shoulders as if I could hold myself together by force. My whole body hurt. Not the vague ache of fear, but a true and local suffering, bright as metal. The room was still there, thank God. The glass on the side table, the lamp, the record spinning to its end in soft repetitions. Outside, the city continued in perfect indifference. A truck changed gears. Someone laughed in the street. I sat there breathing like an animal that had just escaped a trap.
It is one of the humiliations of my condition that after all this time I still do not know who sends these dreams, or whether anyone sends them at all. Perhaps they rise from me. Perhaps the fall was not a single event but a country I carry, and at night I wander its districts. I got up eventually and poured what remained of the bourbon into my glass. My hand shook once, then steadied. At the window the city looked almost tender again, all those lit rectangles, all those insomniacs and liars and beloved fools. I watched them and felt, despite the pain still flaring quietly in my back, the old fascination return. It has never left me. Even after terror. Even after punishment. Especially then.
In the aftermath, when the dream had loosened its claws from my throat and left me raw with its departure, I turned to the one language that had never once betrayed me. Music had always come to me with unnatural ease, as if some remnant of the first light still lived in my fingers and could be coaxed into sound. Sweat glistened on my bare chest and along my shoulders as I crossed the apartment in darkness, still half inside that ruined other world, until I found the violin by touch alone. I pressed it to my shoulder as one might lean against a trusted body, tucked my chin to it, and drew the bow slowly across the strings. The first note came out thin, almost frightened, then deepened, gathering warmth from the room, from my pulse, from the simple fact of my survival. I played standing at the window with the city black and silver around me, and little by little my breathing began to follow the music instead of the nightmare, lengthening, easing, returning to me until I was no longer a creature hunted through sleep but only a man.















