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May the stars guide you home. To the Islands.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Types and rigs of different types of sailing ships of the 18th and 19th century , by unknown c. 1940
//We all got COVID so I canāt go home, yaaaaaaay š
The Pirate Code: Real Pirates, National Geographic, 2008.
Documentary on the English slave ship Whyda, the pirate Black Sam Bellamy who captured the ship before she sank, and modern-day attempts to recover the shipās treasures.
Gifs made by purpledragongifs. All gifs are 268px wide. Ā Please do not delete credits.
//After 800 billion years (8 months) of having been unceremoniously ripped off it, Iām FINALLY going back on my ADHD medication at the end of this month and I cannot WAIT to be an organised, motivated, and generally happy person that makes time for my hobbies again

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capitansalazarĀ·:
Salazar paced towards the plea, no smirk gracing his lips. This was not a pirate vessel; there was no honour in sending it to the depths. The drive to rout a ship such as this one from the Devilās Triangle was not his own. There was no victory in this. Only another facet to his prison.
The capitĆ”n paused before the bars of the brig, golden eyes having long since adjusted to the dark of the accursed Triangle. There, standing far too boldly for a prisoner, wasā¦
āā¦A woman? Aboard a vessel?ā Salazar arched an eyebrow, and this time, a smirk did pull a the corner of his mouth. āAh. That explains the terrible luck it has come upon, eh?ā
With a rumbling and bitter laugh, the capitĆ”n stepped forwards through the bars, his form fading past the iron. āSoā¦what bargain is this, hm?ā
Under ordinary circumstances Carina would have been affronted by the āwomanā comment. But standing face to face with the figure that spoke it, the insult barely registered.Ā
The⦠person that stood before her was no pirate - she could tell that much by the dim light streaming through the crevices of her tiny prison. Glowing yellow eyes regarded her keenly from a ruined face, with deep black wounds that cut across his sallow skin like the cracks in sun-scorched earth. His head was framed by an inky pool of jet black hair that floated untethered around him as he moved and spoke. And speaking of his head - a good chunk of it appeared to be missing, leaving nothing but a blackened mess of gristle and protruding bone.Ā
Carina was no physician, but she knew a fatal injury when she saw one. And yet the figure before her was very much alive and walking (albeit with some difficulty).Ā
Impossible.Ā
And then he moved clear through the bars of her cell.Ā
With a squeak of terror she stumbled backwards over her skirts until she felt the rough wood of the cell wall bite into her back. He had passed through solid metal as if it were nothing, in direct contradiction to the laws of everything, and as no man ought to be able to do.Ā
Her fear was overwhelming now, and it was all Carina could do to avoid hyperventilating.
āAre⦠are you going to kill me?ā she managed in reply, her voice shaking with fright as all notions of striking a bargain were long forgotten. She thought suddenly of her father, and how she would die here with no name for him. How he would never know how and why sheād met her end, and all the years sheād spent searching for him.Ā
I did this for you. It was all for you.
Carina Smyth in Pirates of the Caribbean: Dead Men Tell No Tales.
Ship Painting I, 51" X 43", 2017
Expensive Painting (Ship), 64" X 64", 2016
Ship Painting II, 41" X 49", 2017
Andy Dixon
Virginia Woolf, from a letter to Vita Sackville-West c. October 1928
//FYI: I have replies written up in my drafts to everyone thatās due one, but Iāve been on holiday out of the country and am staying here until the 28th! Limited internet until then, so bear with me. For now, Iām just drinking rum cocktails on the beach and imagining Iām a POTC extra š

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//seems like Scotland *could* go back into lockdown again at some point soon, so I guess Iām going to have a whole lot more time to spend here š
Send me a ship
send me a ship and iāll reply with
vomit / donāt ship / okay / cute / adorable / perfect / beyond flawless / hot damn / screaming and crying / i will ship them in hellĀ
David BakerĀ Ā Ā Ā Ā Ā Ā Photographerās WebsiteĀ
capitansalazarā:
The days within the Devilās Triangle had stretched on in endless, unchanging darkness, drowning each man aboard the Silent Mary in deranged ennui. Starved of stimuli, their sense of honour, self, and humanity had withered and died in the shadows of the cursed rock formation. That the curse compelled them to attack all who entered was a point of pain to begin with.
As time went on, however, the sight of a ship sailing into the Triangle had turned from an omen of despair to one of manic elation. Something was better than nothing, and gods above, how their minds had rotted in the embrace of nothingness.
Their euphoria could hardly be put to words then when the biggest change of all had graced their miserable lives.
The Devilās Triangle had crumbled around them.
Half-drunk with glee, they had hunted down any ship on the immediate horizon, the Silent Mary arching up and swallowing vessels whole. Such was the fate of the poor HMS Roebuck, navy ship or not.
Ghosts poured over the deck like termites upon bark, and they were just as efficient in stripping life from it.
The capitƔn of the ghostly crew paced down the length of the ship, stopping for neither flame nor fallen soldier, his sword and cane scraping the deck like the hooves of a bull stomping towards its matador, his head lowered in kind.
A sound below deck. A crash. Cargo?
The curse hissed in his head; he had to check. Hunt it down. Hunt it down.
Armando didnāt head for the stairs, of course. Instead, the capitĆ”n simply phased through the floor, dropping with a thud to the lower deck.
Golden eyes ignited in the gloom, scouring for life among the dead.
One heavy footstep. The clack of his sword. The thud of his cane. Another heavy footstepā¦
The battle was over before it had even begun. āBattleā wasnāt the right word for it - what happened to the crew of the HMS Roebuck was a slaughter.Ā The attackers cut through the ship like a hot blade through butter, leaving nothing but deathly silence in their wake.Ā
Thereās nobody left, Carina realised with mounting horror, fear twisting in her gut like a cold knife. Nobody but me.Ā
She needed to escape the ship, and fast, before the boarders searched the lower decks and found her in her cell. Sheād rather die fighting for her life in the clutches of the Atlantic than in the hands of pirates - and that was assuming they didnāt torture her first.Ā
Stumbling towards the cell door, she dragged her fingers through her tangled mane for her hair pin. Trembling fingers made finding the lock a challenge, but finally, after what felt like an eternity, it disengaged with a satisfying click.Ā
It took every ounce of willpower she had to not immediately run for the stairs. Instead, she took a tenuous step forwards, ears straining over the sound of her quickened heart for any sound of the intruders above.Ā
CRASH!
In the dim light of the Roebuckās brig, sheād failed to spot the slop bucket abandoned outside her cell. Her shin caught painfully against the rusted rim, sending it skidding across the deck with an almighty racket. Teetering forwards, her hands flailed wildly in the dark for something - anything - to grasp onto. With nothing but empty space, she crashed to her knees with a sharp cry as splintered wooden tore into her skin.Ā Ā
Movement above told her that the attackers were alerted to her presence, and her vision blurred with fear as panic took hold. Run, Carina, run.Ā
But she couldnāt. Not in the dark, and not with nowhere to run to. Her only chance was to try and hide. No! To bargain. She was still in possession of her fatherās map, and she alone knew the supposed location of a fabled treasure. Sheād plead with the pirates to spare her life in return for her assistance locating it. And somewhere along the way sheād make her escape.Ā
With a sudden flash of inspiration, she dove back into her cell and pulled the door closed behind her. Better to have something between them and her when she was discovered. With her focus on the door, Carina was spared the sight of the dark figure that phased through the roof above. She only heard the sound of their boots as they dropped to the deck with a dull thud.Ā
āSpare me, and Iāll make you a dealā, she blurted into the darkness, squaring her shoulders with false confidence as she turned to face the new arrival.Ā
The words died in her throat as she caught sight of the horror that stood before her...
// Why are words so hard.Ā

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"Speak up!"
G-ghost? Ghost! GHOST!
Send meĀ āSpeak up!ā for the first three impressions my muse has of yours
(norringtxn) āspeak up!ā
Authority, danger, and then hope! Going by our plot so far, anyway! From "ahh shit, I'm busted/arrested" to "wait, this guy is helping me????"
Send me "speak up!" for the first three things my muse associates with yours