i hope they’re somewhere ice skating together ❤️🩹
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@awkward-sultana
i hope they’re somewhere ice skating together ❤️🩹

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Magnificent Century + Hairpieces in 1.12: Faint Hope
(Almost) Every Costume Per Episode + Countess Margarete von Lamberg's dark blue blouse, blue skirt and blue vest in 2x04,5
Me and the bad bitch I pulled by being autistic
DRAGONS ARE FIRE MADE FLESH.
Asoiaf, Dracarys.

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I think Fahriye’s death was very hard for Dilruba not just because she was close with her aunt and her aunt died young but because to her it shows that sultanas can also be killed in their game of thrones
Magnificent Century + More of Hürrem Sultan's Season 2 Comebacks
that rooftop scene in the finale was actually so important.
the rooftop is the setting in the pitt where people have these big emotional beats in which they reach out and attempt to find community. this is established in season one between jack and robby. in the beginning of episode one, we see jack facing the void and turning away from it to follow robby back to safety, robby does the same with jack at the end. season two reaffirms this interpretation.
all of these women we saw on the roof were on the brink this whole season. samira was personally and professionally adrift. mel was facing her malpractice suit and sister’s independence. perlah was facing national xenophobic sentiments and the pressure of being a highly capable nurse. dana was reeling from her assault and crumbling under the pressure of her position. mckay was realizing the depths of her emotional detachment. victoria was dealing with her insecurities and lack of freedom. trinity had the situationship and the frank confrontation and the child abuse trigger and the loss of dennis’s company.
all of these women were facing a profound loneliness, a profound void, a profound lack of support. they were all alone in this all day, briefly brushing against each other in moments that chafed and soothed in equal measure.
and just like jack and robby have each other to pull them back from the edge, these women can find that with each other in the exact same spot.
the pitt uses setting very well. the peds room represents the loss and gains of family. the bathroom represents the humanity denied to healthcare works. and the roof represents the community these providers find within each other.
they all have moments where they’re correcting, snapping, or disagreeing with each other this season. samira judges cassie for talking about her lack of intimacy, victoria and trinity have a more sarcastic relationship, mel flat out said trinity has a personality disorder, dana has been short with just about everyone. but in this one moment, they band together. they process the day, feel awe and exhaustion and sadness and wonder all at the same time, all together. they build an imperfect community out of tragedies.
it’s just impeccable story telling.
ELLA BRUCCOLERI as Mary Bennet THE OTHER BENNET SISTER (2026) | 1.10

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(Almost) Every Costume Per Episode + Domitia's orange gown with gold print in 1x05
Reese Witherspoon as Elle Woods Legally Blonde (2001) | dir. Robert Luketic

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Angels, part II, in the Monumental Cemetery in Milan, Italy, known for its abundance of artistic tombs and monuments.
God sometimes I'm writing smut and I'll like, delete a sentence because I'm like, no, I can't write that. It's too indulgent. And then it's like. Girl, what the fuck are you even going to the candy store for if you're just going to buy raisins. Get real.
"what the fuck are you even going to the candy store for if you're just going to buy raisins" is honestly the thing I needed to hear today
@theshitpostcalligrapher
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ink: diamine firestorm