Which Zuko line is more dramatic?
"My father decided to teach me a permanent lesson, ON MY FACE!"
"No matter how much you hate this face, Katara, I HATE IT MORE!"
Both, we love our emo drama queen
Claire Keane
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noise dept.
will byers stan first human second
Cosmic Funnies

❣ Chile in a Photography ❣

Product Placement
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JVL
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tannertan36
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PUT YOUR BEARD IN MY MOUTH

Love Begins

Kiana Khansmith
Sade Olutola
cherry valley forever
ojovivo

shark vs the universe
Cosimo Galluzzi

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seen from United States

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@avatarsymbolism
Which Zuko line is more dramatic?
"My father decided to teach me a permanent lesson, ON MY FACE!"
"No matter how much you hate this face, Katara, I HATE IT MORE!"
Both, we love our emo drama queen

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Which Zuko line is more dramatic?
"My father decided to teach me a permanent lesson, ON MY FACE!"
"No matter how much you hate this face, Katara, I HATE IT MORE!"
Both, we love our emo drama queen
Requested: Zuko’s dream with the dragons
“No, Fire Lord Zuko! Do not listen to the Blue Dragon. You should get out of here right now. Go! Before it’s too late!”
Okay so this concept has probably been explored before.
But I find the portrayal of Zuko’s character, while similar to/of previous depictions of his confusion, is particularly interesting in this scene.
Zuko, who believes he’s gotten exactly what he’s wanted, is not…reformed yet. Though he has an understanding of the world and is able to grasp that the Fire Nation is not exactly good, he still hasn’t quite removed his honour, and how he gains it, from his father’s approval. His moral compass is once again at its peak, and Zuko fails to really gauge his unhappiness. Something along the lines of: he’s gotten his father’s acceptance, so where oh where is his honour?
This dream fully encapsulates this because he is not burnt Zuko. He is, instead, scarless, and thereby looks exactly like Ozai.
Zuko, in his head, is at a point that he would’ve been at had his father not given him that scar.
This juxtaposition to his reality, while not wholly unique, is an exact depiction of Ozai’s psychological hold on him.
Zuko is not yet Zuko, the scarred, wiser version of himself that trekked the world with his uncle and sympathised with a water tribe girl (I mention this cause it’s a leap), until he stops envisioning, yearning to be his father’s ‘perfect’, scarless son.

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AVATAR: THE LAST AIRBENDER. ↳ Azula takes the Earth Kingdom throne. (requested by anonymous)
my favorite parallel in the show:
Katara: Now that I know he's out there... now that I know we can find him, I feel like I have no choice. [“The Southern Raiders”]
Aang: I guess I don’t have a choice, Momo. I have to kill the Fire Lord. [“Sozin’s Comet, Part 2: The Old Masters”]
and then they both realize that they do have a choice:
[ID: Two matching gifs of Katara and Aang from “The Southern Raiders” and “Sozin’s Comet, Part 4: Avatar Aang,” respectively. They are making the same circular motion to attack Yon Rha and Ozai as their opponents cower in fear. Their attack then liquefies as they choose to hold back, drenching Yon Rha and Ozai in water. Katara and Aang then move backwards simultaneously as they relax their fighting stances. End ID]
May I ask why you're conflicted about the news? Sure, I'm *cautiously* optimistic, but I am optimistic.
I’m mostly optimistic sure. It’s great that Nick is finally like “okay, fine, here’s your own studio. Here’s some money. Do whatever.” But at the same time, I have my doubts. even though Bryke are in charge, we still had Shyamalan and presumably a Netflix series that’s presumably still sin 6he works.
I’m curious to know what exactly the timeline for this was though. The avatar studio must have happened after things with Netflix fell through,. Otherwise, why go to an entirely different studio when you have your own? Did Bryke go to Nick and somehow convince them to let them take full control of avatar and and say "ok here's a boatload of cash to do whatever?”
I would, howver, like to see what these guys have in the work though. Especially if we get ore stuff with the older Gaang, and things like Rise of Kyoshi.
Happy New Year! Starting the year with a Zuko sketch that got out of hand.

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Y'all ever think about how Zuko was so intense about Aang's training because he was literally preparing him to face the man of his nightmares? His actual abuser? The man who burned his face without a hint of remorse? And he's sending this bright, goofy, endlessly kind little kid - this kid who forgave him, who wanted to be his friend - to fight that man alone?
Y'all ever think about how Aang is about the same age Zuko was when he was banished?
water tribe out.
i've long decided not to count anything after atla's last ep as canon but kuei being unknowingly racist makes so much sense given ba sing se's sinocentric influence: atla-annotated*tumblr*com/post/24999033025/the-walls-of-ba-sing-se-and-the-historic (if you are interested, that tumblr is great about the chinese influences in the show btw)
Link for the interested.
Thank you anon friend. After seeing that post I can kind of see it, yeah.

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i made this with the prompt “redemption”, i like to imagine that a good jet redemption arc would include him getting closure with both of the water tribe sibilings, but mostly katara.
(also please dont tag as j-tara!!! this is not ship art lol)
Avatar: The Last Airbender | 2.19 “The Guru”
Seeing the gifs, I like how you can tell this might actually be a ruse just because of all the identifiers which include Ty Lee specifically mentioning Princess Azula when she rarely calls her that, and two uses of the words "Fire Nation," including one instance where Mai makes sure she identifies them as being Fire Nation.
That said, I have to wonder how long they had to converse before the Dai Li even had the chance to eavesdrop on them. We're they just sitting there all day in the hopes that the Dai Li would catch them in the act?