Violet Evergarden

It's something about watching her feel "the burning" of the guilt of war, of feeling ptsd, for the first time, while learning of the Major's death, and that driving her almost to the edge. To question whether she has a right to live or at least a purpose.

Only for her to receive a letter from her friends and a request to write a letter for someone she helped, and to realize that she has value beyond war and beyond the Major. To see the princess she helped happy. To see the play of the father who lost lost his daughter. To see violets.

Sentences.

“A soldier is no citizen.”

“Can you hear me?”

“I’m going to get you out of there!”

“Get away from the ledge!”

"I'm not here to negotiate."

“You betrayed the whole troop.”

“Does the captain know what you’re doing?”

“Get your fucking head down.”

"We can offer you a deal."

"I have ways of making you talk."

“Fucking watch it!”

“We’re not going to the safe house.”

“You need to be gone before the next checkpoint arrives.”

“Secure the house first.”

“Room clear.”

“They’ve got him cornered.”

“Who paid these troops?”

“They are moving south!”

“I’m low on ammo.”

“Watch your fucking comm.”

“Cover me.”

“We stay here and we’re dead.”

“Search everything. I want the file.”

“We served together.”

“Move or I’ll shoot you.”

“Are you the contractor?”

“Answer me, do you fucking copy?”

“They’re going to hunt you like dogs, man.”

“I don’t want the missiles, I want you.”

“I can tell you where to find him.”

“What’s the status?”

“Why do you work for them?”

“Did they recruit you?”

“You don’t have to do this.”

“You are out of line.”

“They send their regards.”

“Search upstairs.”

“Hands up and don’t turn around.”

“I said turn around.”

“Drop your weapon.”

"I'm not going to ask again."

"Where are they?"

"Where the fuck is it?"

“Move or I’ll shoot you.”

“Where are you taking me?”

“Listen up, asshole.”

Actions.

[temple] - Sender holds a gun to receiver's temple.

[hostage] - Sender holds receiver as leverage/hostage.

[shove] - Sencer shoves receiver with a gun in the back.

[shoot] - Sender shoots receiver ( specify where, knee, hands, etc )

[restrain] - Sender restrains receiver.

[hair] - Sender yanks receiver up by the hair.

[loved] - Sender forces receiver to watch a loved one die.

[trust] - Sender is trying to gain receivers trust to escape.

[tray] - Sender shoving receiver a tray of food where they are chained up.

All M!As last 24 hours unless specified by the sender.

Alone in the Dark: My muse has been possessed by something evil.

American McGee's Alice: My muse is now two inches tall and can't seem to recognize anything or anyone.

Among the Sleep: My muse is now a child. (If they're already a child, they become a living stuffed toy.)

Amnesia: My muse suffers from frightening hallucinations.

Bioshock: My muse has gained one power of the mun's choosing, but each time they use it, it takes a toll on their sanity.

Fatal Frame: My muse is now a ghost. (If they're already a ghost, they can now only be seen through cameras.)

F.E.A.R.: My muse develops psychic abilities, able to control other people (with their mun's consent) and create ghostly illusions.

Five Nights At Freddy's: My muse is now an animatronic. (If they're already an animatronic/some kind of robot, they are now human.)

Resident Evil: My muse is suffering from horrible mutations and violent urges.

Silent Hill: Everyone my muses sees looks like a monster that reflects their innermost fears.

Slender: My muse is convinced something is out to get them.

The Evil Within: My muse has become a monster that reflects their innermost fears.

The Last of Us: My muse is infested by a brain fungus that causes odd behavior.

Feel free to add a description in the ask if needed!

listen. i want to tell ye that i have infinite reasons for making this. that i've been designing this for weeks, months even. but i can't. this happened because i saw one (1) meme and aligned that with two (2) cups of coffee. either way besties, you're all getting a strangely detailed list of reasons to drop your muse into another muse's lap. you wanna switch the roles? add a [ REVERSE ] if you want your muse to be the lap that's being sat in! don't add to this list, don't claim it as your own, i'll curse all your potatoes to be soapy and sad to consume.

[ SHAVE ]: sender sits in the receiver's lap so they can carefully shave the last of the receiver's stubble from their face.

[ MAKE-UP ]: sender sits in the receiver's lap in order to get a better vantage point to apply makeup to their face.

[ SNIP-SNIP ]: sender sits in the receiver's lap whilst giving them a haircut.

[ HAIR ]: sender sits in the receiver's lap so that the receiver can style or just play with their hair in peace.

[ CAR ]: sender ends up sitting in the receiver's lap whilst in a very crowded car together.

[ STUMBLE ]: sender loses their balance and trips backwards, falling into the receiver's lap in the process.

[ INTIMIDATION ]: sender, in an effort to frighten the receiver by invading their personal space, sits in their lap to try and inspire discomfort or fear in them.

[ LOOK ]: sender, wanting to see something that can only really be seen from where the receiver is sitting, sits in their lap in order to see it as well.

[ HEAL ]: sender ends up in the receiver's lap trying to tend to their wounds to the best of their abilities.

[ FEAR ]: a frightened sender sits in the receiver's lap in an effort to feel some measure of safety and protection.

[ COMFORT ]: sender, after a challenging and emotionally draining experience, settles into the receiver's lap in search of a feeling of comfort.

[ ADJUST ]: sender sits in the receiver's lap in order to fix their collar or tie or other item of clothing.

[ STRADDLE ]: sender sits in the receiver's lap with one leg on either side of their legs, straddling them effectively.

[ EMBRACE ]: sender settles in the receiver's lap to give them a long, well-deserved hug in comfort.

[ CARRY ]: sender, having been carried by the receiver for other reasons, winds up sitting in their lap once they sit down.

[ THROW ]: sender flings themselves at the receiver, so eager for a hug that they end up in their lap.

[ DROP ]: exasperated (or maybe just exhausted) the sender drops down into the receiver's lap to rest.

[ CUDDLE ]: eager for some well-earned cuddling, the sender finds it much easier for everyone involved to sit in the receiver's lap during the cuddle session.

[ MOVIE ]: while watching a movie together (and possibly being so distracted by the film that they don't realize what they're doing) the sender settles back into the receiver's lap.

[ CHAIR ]: the distinct lack of available chairs in a room results in the sender having no choice but to sit in the receiver's lap.

[ CLOSENESS ]: after having been apart for a considerable length of time, the sender sits into the receiver's lap just to be close to them.

[ PRETEND ]: in a bid to persuade others that they're in a relationship (even though they're probably not) the sender climbs into the receiver's lap to convince the on-lookers of their legitimacy.

[ LEARN ]: sender sits in the receiver's lap so they can teach them a particular practical skill (e.g. pottery, knot-tying etc.)

[ ACCIDENT ]: the sender, unaware that the seat they're trying to claim is occupied, drops into the receiver's lap without realizing it.

[ EXHAUSTION ]: the sender, surrounded by nothing but uncomfortable places to rest in, finds a solution by sitting in the receiver's lap in order to rest and possibly sleep.

[ CHILLED ]: the sender and receiver find themselves in a particularly cold room, leading the sender to sit in the receiver's lap in order to share body heat.

[ KISS ]: the sender lowers themselves into the receiver's lap in order to kiss them properly.

[ FLIRT ]: the sender, only just beginning to explore the romantic side of a relationship with the receiver, sits in their lap in order to express their feelings clearly.

[ ROMANCE ]: the sender, in a well-established romantic relationship with the receiver, sits in their lap just because they can.

(Anon specifies duration.)

All M!As last 24 hours unless specified by the sender.

Alone in the Dark: My muse has been possessed by something evil.

American McGee's Alice: My muse is now two inches tall and can't seem to recognize anything or anyone.

Among the Sleep: My muse is now a child. (If they're already a child, they become a living stuffed toy.)

Amnesia: My muse suffers from frightening hallucinations.

Bioshock: My muse has gained one power of the mun's choosing, but each time they use it, it takes a toll on their sanity.

Fatal Frame: My muse is now a ghost. (If they're already a ghost, they can now only be seen through cameras.)

F.E.A.R.: My muse develops psychic abilities, able to control other people (with their mun's consent) and create ghostly illusions.

Five Nights At Freddy's: My muse is now an animatronic. (If they're already an animatronic/some kind of robot, they are now human.)

Resident Evil: My muse is suffering from horrible mutations and violent urges.

Silent Hill: Everyone my muses sees looks like a monster that reflects their innermost fears.

Slender: My muse is convinced something is out to get them.

The Evil Within: My muse has become a monster that reflects their innermost fears.

The Last of Us: My muse is infested by a brain fungus that causes odd behavior.