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Fénelon

Utah, Casey Jex Smith

Théodule Ribot

Théodule Ribot (1823-1891) “Still Life with Pumpkin, Plums, Cherries, Figs and Jug” (c. 1860) Oil on canvas Realism Located in the Bilbao Fine Arts Museum, Bilbao, Spain

Mary Magdalene as a Hermit (detail), Francesco Hayez, 1833.

Katinka Bock Avalanche Pivô, São Paulo August 31 – November 9, 2019

Katinka Bock Avalanche Pivô, São Paulo August 31 – November 9, 2019

Domenico Gnoli, L’inverno (Couple au lit) 1967. Collezione Privata. Courtesy Luxembourg & Dayan

Claire Laude, When Water Comes Together With Other Water, La racine brulée, 2015  

Alberto Giacometti, Schwebende Kugel, 1930.

S.M.A.K., Ghent October 18, 2014 – February 15, 2015

In her art, Aleksandra Waliszewska, a painter od Apocalypse, explores non-contemporary sources. In recent years, the artist has repeatedly returned to the themes of oppression, torture, sexual subjugation and bestiality, both in the sense of hybrid species and bloodthirsty behaviour. The victims – less frequently than the perpetrators – are women, at the mercy of humanoid beasts and sadistic men. Waliszewska’s monumental opus is a morality tale for our time, one splintered into thousands of chapters, which, as the artist ironically put it, talking to Maurizio Cattelan, is a ‘warning against evil before the time of joy and sweetness comes’.

How to drape Marietta Fortune from David Lynch’s Wild at Heart movie, 2020Printed silk drapery on chromed steel tube82 7/10 × 78 7/10 × 7 9/10 in210 × 200 × 20 cm

Katharina Grosse Untitled, 2020 Watercolour on paper Courtesy KÖNIG GALERIE.

Gustave Moreau - Study for Lady Macbeth. 1851

Shimabuku For Octopuses, Monkeys and People Le Crédac, Ivry-sur-Seine September 14 – December 16, 2018

Regina Giménez