"I'm you, sweetie. You just give it a little time." — FALLOUT (2024-)
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@auguryintheether
"I'm you, sweetie. You just give it a little time." — FALLOUT (2024-)

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Remember when Vincent Van Dyke posted a photo of a ghoulish looking chest/torso prosthetic and we all collectively thought it was Cooper. Well, I definitely recognize this as the same prosthetic and, turns out, it's for Spider Noir!
Hopefully that means actual shirtless Cooper won't be as emaciated as this. Lowkey I was worried ngl 😅
Prosthetic photos below the cut, tw: fantasy body horror, spider mutation
Gogg bless 🙏🥵 Our sweaty, chain smoking king
"Somethin's off." Fallout (2024-) 2.04

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✨🕯️🔮Channeling that creative energy🔮🕯️✨
Insights from the 2.01 script that stood out to me:
Cooper tempting Lucy by appealing to her curiosity, just as Moldaver did in 1.08. I love the characterization of Lucy as being insatiably curious and what that will mean for her relationship with Cooper going forward as well as how she navigates the wasteland. I just know Lucy has A MILLION questions for Cooper and she won't be able to leave well enough alone. She has to go after him and won't be satisfied until she gets what she wants.
"...but this is still Lucy, so she has to try to find a peaceful path forward."
Lucy's moral resilience and steadfastness in who she is, despite the cruelty around her.
Cooper's flashbacks are set three years before the bombs drop. That's very interesting for the timeline. A lot can happen in three years... (also a little continuity issue with Janey being shown as a similar age in both the flashbacks and in the cold open of 1.01 when the bombs drop—she should have been older.)
[The Ghoul] "RECOGNIZING THE OBJECT"
Apparently Cooper recognizes the black boxes?! And is "putting it together." Therefore, it would seem he knows about the experiments, likely because of House. Or maybe from Barb? I'm interested to see this play out in the next season.
🗣️ GHOULCY HUG 🗣️
"If I died suddenly, I'd let you guys plan my funeral." @agir1ukn0w
The funeral in question:
Regarding the use of indirect foreshadowing re: ghoulcy
We know the writers love to tease us with not-so-covert instances of indirect foreshadowing, such as:
When Ma June says to Lucy: "[...] I can tell by looking at you, clean hair, nice teeth, and all ten fingers. Must be nice. " → And then Lucy proceeds to loose a finger.
While on set for The Man from Deadhorse, Emil says to Cooper: "The audience Coop, they already know you're a good man. They wanna see that even a good man as yourself can be driven too far. [...] It's a new kind of western, the power of the individual when the chips are down, [...] 'cause out here, it's just you, your gun, and your personal code bringing order to the wild wild west." → Literally foreshadowing Cooper's own trauma, descent into chaos, and moral journey.
Cooper discussing the power armor design flaws with Bud Askins → later using those design flaws to take out an entire company of BoS knights.
Max selling his own teeth for money → later getting shot with teeth.
While Lucy and Wilzig flee Filly, the chicken fucker calls out "[...] serums for pain, foot-healing serums! Serums that will make you grow an entire new foot... maybe." → Thaddeus literally heals/regenerates his foot with his serums.
So, with this writing and production style in mind
When characters say very pointed things and the art direction is done very consciously to include certain elements, which otherwise do not affect the plot and could have been omitted entirely, it is clear that these things were included for a reason and serve a larger function in the narrative. They were a choice. Otherwise, why include them at all? For example:
Norm speculating that Lucy's future husband will be a cannibal full of tumors → narrative proceeds to introduce Cooper and make a plot point showcasing that he is an irradiated cannibal. HELLLOOOOO!!
Cooper reminiscing with Roger about missing ice cream and apple pie → Lucy's track in Ramin Djawadi's score is titled "Ice Cream and Apple Pie"
In scenes of Barb, such as in Barb's office, during a shot of Barb in the Howard home, and during the diode exchange scene, the posters for Cooper's movies Under the Covers and The Revenge of Brutus are featured prominently in the background. Under the Covers is a detective noir, which notoriously feature femme fatale characters and double-cross betrayals by the female love interest. Revenge of Brutus implies Marcus Brutus, who betrayed Julius Caesar and orchestrated his assassination → Barb is repeatedly situated in relation to the these symbols, foreshadowing her double-cross, deception, and betrayal.
In multiple shots of Lucy and Cooper in the wasteland, the background features love themed graffiti such as hearts and "I love you"
In the scene of Cooper sewing Lucy's finger onto his hand, the stitches form a heart as the thread is pulled taught. I'm fairly confident the threads are comped in, so this was a choice that someone intentionally animated. (also a ghoulcy fan favorite lmao)
Roger looking at Lucy and saying to Cooper, "You got a smoothie of your own." GET YOUR GIRL COOP
The overseer of Vault 4 calling Lucy, "Goosey" MacLean → is, as we all know, a portmanteau for Lucy and the Ghoul (and is also just a cute play on the loosey-goosey idiom, of course).
These are just a few examples of ghoulcy foreshadowing 💙💀💛☢️🪿

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"Well, the past is the past. Ain't that right?" Fallout (2024—) 2.04
WALTON GOGGINS as COOPER HOWARD in FALLOUT "THE INNOVATOR"
WAIT A SECOND
LUCY'S YELLOW DRESS OF FAMILY BETRAYAL/DECEPTION HAS SIMILAR LEAVES ON IT
"The Other Player" Fallout (2024—) 2.06
Eh, it'll buff out. Fallout (2024—) 2.06
New here as of this week, came across “You better keep it on your mind” - obsessed Glad to have found it later so I wouldn’t be tortured between every chapter, as I will be for the next week. Well written, amazing chemistry but I can’t help but wonder the ghouls side - whats on his mind through it all.
Wow thank you so much! I’m so excited to finally get some mail about my story.
Without spoiling too much, as a lot will be revealed in the final chapter, I think he’s doing what he always does, pushing the reality of his feelings away and acting on impulse. Cooper doesn’t understand what he feels for Lucy or why he feels that way, all he knows is that he has this overwhelming desire to be near her.
He’s spent 200 years chasing closure and drowning his feelings in drugs and spite. I think Lucy makes him feel something new that uncomfortable but fascinating. Much like how he’s characterized in the show he’s curious about how she will react to him, to the wasteland and just like he needs to know what happened to his family, he needs to see what will become of her.
I think he also gets off on this corruption, like he doesn’t have to confront the reality of how he’s changed if he can make Lucy like him, but there’s a cognitive dissonance there, because he also has this desire to protect her. That’s why this new game where he realizes she may be sexually attracted to him is so addictive, it’s a way for him to explore the complex feeling she has for her without having to understand them, he can just get release. He justifies it to himself that it’s a game, and he can deny the real underlying feelings— until he can’t, until he realizes the consequences of being so involved with her
When Lucy grinds on his knee after the fight in chapter 3 (lol I felt so psychotic writing that) the shock she sees in him is the realization that she actually is attracted to him, that it’s not in his head. It makes it real, it makes it not a game anymore. He’s in a bit of a horny shock, cuz this girl he’s been sexually and emotionally obsessed with on a deep subconscious level now undeniably is returning this feeling, so he’s being overwhelmed by all these desires surfacing to his conscious mind.
Then there’s Max. I don’t think my Cooper genuinely has any ill will towards him, he’s just an obstacle to what he wants. He forced Cooper to acknowledge that he’s deeply possessive of Lucy, that he got used to having her all to himself and now he’s not the center of her world he can’t stand it. In putting Max down and coming between him and Lucy, Cooper is doing 3 things— he’s projecting his own self hatred onto Max the part of him that feels weak for loving Lucy, and he gets to feel like he wins, that he’s right about love, and he gets Lucy to himself, but he can justify these things by thinking he knows what’s best. In this case he is right, Lucy and Max aren’t good for each other, but that fact isn’t as important to him as he thinks it is.
The question is, why does he keep coming back for Lucy? he’s tried to walk away twice now— and that I cannot yet reveal :3
I hope that isn’t too rambly! Please feel free to ask any other questions or follow ups and I’ll see yall Friday for the final episode ❤️

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If I had a nickel for every time a Type A history teacher saved a gunslinging ex-soldier from being hanged with her questionable negotiating skills during an enemies-to-lovers roadtrip in search of a mysterious city... I'd have two nickels.
FALLOUT - The Strip