It's been an amazing year here with everybody! It sucks that the year is almost over already... but I'll always cherish the memories I made in this class.Â
Here's also my morsel that I forgot to upload last week!Â
Background: Suji Kwock Kim (born 1969) is a Korean-American poet-playwright.  Suji Kwock Kim was educated at Yale College; the Iowa Writers' Workshop; Seoul National University, where she was a Fulbright Scholar; and Stanford University, where she was a Stegner Fellow. Her first book of poems, Notes from the Divided Country (Louisiana State University Press, 2003) was chosen by Yusef Komunyakaa for the 2002 Walt Whitman Award.
The soldiersÂ
are hard at workÂ
building a house.Â
They hammerÂ
bodies into the earthÂ
like nails,Â
they paint the wallsÂ
with blood.Â
Inside the doorsÂ
stay shut, lockedÂ
as eyes of stone.Â
Inside the stairsÂ
feel slippery,Â
all flights go down.Â
There is no floor:Â
only a roof,Â
where ash is fallingâ
dark snow,Â
human snow,Â
thickly, mutelyÂ
falling.Â
Come, they say.Â
This house willÂ
last forever.Â
You must occupy it.Â
And you, and youâ
And you, and youâ
Come, they say.Â
There is roomÂ
for everyone.
 Interpretation: In the first eight lines of the poem, the speaker describes the construction of the âhouseâ that the Japanese government is building. A warm and cozy feeling is brought upon people when thinking about a house, however, the house Kim is describing is a much darker and haunting place. âThey hammer/bodies into the earth/like nails,/they paint the walls/with blood.â The authorâs usage of the gruesomeness of this metaphor expresses the atrocities done by the Japanese officials in order to attain control of Korea. âThe houseâ, which was built on the death of many and painted with blood, is such brilliant sarcasm used by Suji Kwock Kim.Â
Moving inside, Kim begins to reveal the characteristics and state of those who inhabit it. âInside the doors/stay shut, locked/ as eyes of stone.â The image of the âthe doors stay shutâ and âlocked as eyes of stoneâ tells the reader that whatever the house represents, it is restricting and confining the people in it, which is what Japanese officials did to the Koreans during the occupation.
Writing Prompt: Has there ever been a time in your life when you felt occupied? Trapped? If so, what did you do about it?