Walk with me

the one who actually

legally owns it

They can be buttoned together in a stack (footrest mode), buttoned together in a square (big floor cushion mode), or used individually (cushions mode).

I started off with this big 1-metre square foam floor cushion, which I liked but was hard to store when not in use.

I wanted to keep the option of a big floor cushion without it having to just lurk behind the sofa. At the same time, I wanted an extra footrest. So I decided to find a way to make the cushion convertible in some way.

For a while I toyed with having it fold up like a monopoly board. But I couldn't come up with a way to construct and secure the cover without bulky zips everywhere.

So then I considered just making four separate cushions that could be secured together in different configurations. For a while my best idea was to have something like a belt or strap, which could either go around the circumference of the 2x2 floor layout, or around the stack. But I didn't like the idea of having to deal with that band as a loose separate item.

@cassolotl had the genius idea to use loops to chain up the sides to keep the cushions together in a stack. I was doubtful at first because it didn't solve the problem of attaching them together in the floor layout. But then I figured out that adding buttons in the right place relative to the loops would make it possible to secure all three configurations. Which I'll demonstrate at the end of the post!

So the first step was cutting the big cushion down into four equal pieces. Well, the first-first step was trimming it down to clean up the section that was destroyed by my rabbit, who liked to burrow against the cushion and somehow managed to shred the foam *through* the cover.

I cut the foam with a hand saw, which was quite easy and satisfying.

Then making the cushion covers. I made strips of straight-cut binding and tucked loops into the corners while I sewed together the side pieces of the cover.

I decided to add piping to the top for aesthetics and structure. I've never done piping before but it wasn't too bad to get the hang of.

Because I dislike both zips and buttons (not specifically sewing with them, but just generally coming into contact with them in life) I decided not to bother making any closure on the underside of the cushions. Instead I just made the bottom piece of the cover in two triangles with a diagonal opening across the middle. A bit of strategic reinforcement stitching at the corners got the balance between making it possible to insert the cushions without the flaps flapping around too much.

Now for the details of the loop/button system. Each loop is positioned halfway up the height of the cover, at the corner. Each cover has two loops, at diagonally opposite corners. The loops extend 10cm, which is the exact thickness of the cushion foam.

Exactly 10cm to the right of each loop, I sewed on a big wooden button, also halfway up the height of the cushion.

For separate cushions mode, each loop is simply wrapped over its own neighbouring button to keep it from waving around or catching on things.

For big floor cushion mode, the cushions are butted together with their loop-corners touching each other around the perimeter of the square.

At each connection point, the loops from *both* cushions are wrapped around the button exposed on the perimeter. This holds all of the cushions together around the outside, and friction keeps them from slipping around in the middle.

For footrest mode, the loops are chained up through each other - the bottom cushion's loop is wrapped around the second cushion's loop, which wraps around the third cushion's loop, which wraps around the top loop.

Then, the top loop wraps around its own button to secure the chain.

First thing the sales guy did after I laid down the rules was turn to Sean and go, "What's your number?" And Sean said. "Oh, no, you negotiate with Gayle."

So, strike one for the sales guy. Could not divide and conquer us by implying THE MAN would not surprised at what I laid down.

Sales guy then had to confer with his manager and left us at his desk for several minutes. I have a vague recollection (this was 16 years ago) of Sean and I amusing ourselves doing bits about the other people there to look at cars. I am sure we did not give off the stressed or nervous energy they were hoping for.

Guy comes back. His first offer is fifty dollars a month more than I told him we could pay. I looked at him and said "I gave you our upper limit."

"Well, but what's another 50 bucks a month?"

"Something I can't afford."

He didn't know what to do with my open and unashamed admittal that I had a budget because my money was finite.

He went back to talk to the manager again.

It took two more rounds of "I told you what I can afford" before he finally came back 20 bucks under what I'd stated as my max.

FIG & ROBIN GIVE✦AWAY 

its been a little while since ive done one of these!! 🤭 i thought it would be a fun way to celebrate the fig & robin launch a little.

✦ The GA will end August 15th, after which a winner will be randomly selected! 

✦ The winner will recieve 2 pieces of their choice from the current fig & robin collection. (If you have already placed an order or are planning to and you win, ill refund the cost of two items back to you!)

To enter:

✦ Follow + reblog this post! 

✦ Must be within the US

Every year, California’s largest sheep and fiber festival, Lambtown, takes place in Dixon, CA. On the second day of Lambtown, teams of eight compete in a “sheep to shawl” competition, where the teams must start the day with un-spun wool and end the day with a 72” woven shawl. Teams may “warp” a loom ahead of time (where you thread the loom with its foundation of parallel threads), but on the day of competition they must spin their wool into yarn and weave it into a complete shawl.

This year competition was stiff, and very very close, and the winning team finished their shawl with two and a half minutes to spare.

I frequently hear about “needing to keep “politics” out of fiber arts, but art is inherently political.

These were beautiful, masterfully spun, woven, and finished shawls and that in itself is worthy of note.

But watching this team of eight would fight for hours, and pour their love for their community into their art was deeply moving and I am still reveling in the opportunity to have seen this win.

Happy new year! Here's the end of the 1953 EC Comics adaptation of Ray Bradbury's "There Will Come Soft Rains," first published in Weird Fantasy #17.

Diné Weaver Venancio Aragón

"From researching historic twill patterns in museum collections to dyeing wool with Kool-Aid, Diné (Navajo) weaver and instructor Venancio Aragón interlocks research and experimentation to expand the visual and technical vocabularies of Diné weaving. Working on the Diné upright loom, Aragón is part of a generation of Diné weavers who reinterpret ancestral knowledge through experimentation, carrying the medium forward on their own terms. As he stated in our interview with him, “I am not a purist.”

Based in Farmington, New Mexico, Aragón is trained in cultural anthropology and Native American and Indigenous studies, currently teaching at Diné College, the Navajo Nation’s tribal college. Before transitioning to full-time weaving and teaching, Aragón worked as an interpretive park ranger at the Mesa Verde, Aztec Ruins, Bandelier, and Petroglyph National Monuments, where he led tours and developed public education initiatives. He was born to the Tó’aheedlíinii (The Water Flow Together People) clan and born for the Naakaii (Mexican people). His maternal grandfather is of the Tsénahabiłnii (Sleeping Rock) clan, and his paternal grandfather is of the Naakaii (Mexican people)."