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JBB: An Artblog!
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Claire Keane
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@arnaudtrouve
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
I am currently working with Adobe Experience Manager, a comprehensive content management solution for building websites, mobile apps and forms.
I am especially interested in consumer interaction and optimizing experiences.
I joined Capgemini group, on their 50th birthday.
âș Among their Digital Customer Experience service line, I help businesses understand and implement engagement strategies and platforms.
â Adobe Experience Manager â DialogFlow â Agile Environment / SCRUM
âThe Ravenâ : a short film based on the story by Edgar Allan Poe.
Director: Vijay Ravindirin.
I worked as a VFX artist (CG tracking) & creative consultant.
I was a lead developer on this project:
âș Ginger: SaaS platform for automatic video digest, editing & sharing on social networks
â Front-end: Angular2, D3.js, GeoJSON â Back-end: Python/Django Rest Framework, Celery, Node.js â Data: PostgreSQL, Redis â Image & Video Processing: OpenCV, FFmpeg, MoviePy â DavOps: Git, Travis CI

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
I was a lead developer on this project:
âș ACVA: Use of big data (e.g. geolocation) to automatically personalize video ads
â Back-end: Python â Infrastructure: AWS â Image & Video Processing: FFmpeg, MoviePy â Other: Git, VAST
Iâve worked for two years as Lead Developer at GingaLab: a start-up that creates video solutions to help you ride the latest digital trends.
âșÂ WINNER SFR Innovation contest 2016, category "Digital Lifestyle" âșÂ WINNER Label JEI (Young Innovative Company)
â Management of an R&D team of 3 engineers & 1 PhD, based in Paris & Rio (Brazil) â Development (full stack) of software solutions BtoB & BtoC â Work with film production company Goyaves (short films, documentaries, brand content) and its international network & subsidiaries.
An article about BUF VFX work on âThe Darkest Hourâ (2011)
Producer François-Xavier Aubague mentions the âinterface for global management of projectsâ: the tool I developed & was responsible of.
LâAirCross Concept est un gros SUV qui fait office de vitrine technologique pour la marque CitroĂ«n. Câest dans ce concept car que le constructeur imagine les futures applications technologiques pour ses vĂ©hicules qui nâest dâailleurs exploitĂ© que par CitroĂ«n et non les trois marques du groupe PSA. Un intĂ©rieur flashy pour un habitacle Ă lâergonomie et lâĂ©quipement inĂ©dit, intĂ©grant notamment de trĂšs grands Ă©crans motorisĂ©s, des Ă©couteurs et des micros dans les siĂšges, des camĂ©ras dans les portiĂšres ou encore une motorisation hybride. Nous avons rencontrĂ© lâĂ©quipe du studio numĂ©rique de CitroĂ«n, chargĂ©e de dĂ©velopper et tester lâergonomie de lâinterface homme/machine pour quâelle soit le plus agrĂ©able, la plus complĂšte et la plus stylisĂ©e possible⊠Et visiblement, la marque entend laisser libre court Ă son imagination.
This video of the concept car Citroën Aircross shows the design studio where I worked as a Tools Developer.
It aIred on French TV in Turbo, our most famous shows about automobile.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
âș UNIS: the design studio where I worked for more than a year. You can see me on this videoâs thumbnail, in the background. This video aired on French national TV news.
â Providing support for graphic artists â Collaborating with designers and ergonomists â Design and development of interfaces with Qt Framework and QML â Programming tools for 3D modeling (Maya), 2D compositing (After Effects, Photoshop, Nuke)
Working on the VFX of "Thor"
Here is a brief interview I gave in 2011 for Movie Parliamentâs Prime Minister Michael Dalton, about my work on the VFX of âThorâ.
You can read the article here: [www.movieparliament.com/foreign-affairs.html]
First, let me briefly introduce myself: with a scientific background (mathematics/physics), I graduated from University of Marne-La-VallĂ©e (East of Paris) in 2007 with a [masterâs degree in multimedia/audiovisual](http://www.ingenieur-imac.fr/). I did an internship in the studios [Duran-Duboi](http://www.duranduboi.com/) (AmĂ©lie, A Very Long Engagement), then worked several months as a software GUI designer.Iâve been now working for [BUF](http://www.buf.fr/main.php), a Paris-based VFX company, for almost 3 years. From the mid-eighties, BUF has become famous for its innovative creations and work on big-budget films (Fight Club, The Matrix Reloaded, The Dark Knight) as well as on more confidential art-house movies, clips and designs. As a matter of fact, BUF invented the âbullet-timeâ effect for a 1995 Rolling Stones clip directed by Michel Gondry.
My job is to manage the core production tracking development team. I am responsible for pipeline developments that impact the entire company including the central asset management system.Daily concerns are: what is the best way to share data with VFX supervisors, producers and graphic artists ? How can we follow up with the amount of information provided by every project, whether it be a commercial, animated short, of VFX-driven feature film ?
1. What is the toughest part about working on the VFX for a film?
Tight schedules are a common threat in the industry, and one must learn to be as competitive as possible. There is always a balance to find between artistry and increasingly demanding projects and techniques. For my part, pipeline modifications, though crucial, must be handled carefully. People tend to get used to work habits, good or bad, and itâs always tricky to introduce new ways of dealing with things. The key is collaborating and communicating.
"The Little Prince" (2015) - director: Mark Osborne ("Kung Fu Panda") production: On Animation Studios
Provided support on the spot, in Paris and Montreal
Integrated specific needs into our proprietary Web-based production tracking system: including features for editing, producing & stop-motion departments
Cannes: Q&A with Jeff Nichols
Q&A with writer/director Jeff Nichols
Following the projection of âTake Shelterâ, I have been lucky enough to assist a Q&A with Jeff Nichols. Here are some details revealed by the director:
About the ambiguous ending: "It is open, I have my version of what is true and what is not, but I don't want to reveal it."
About the schizophrenia: "It is not the main theme. The film deals with universal themes, that I hope will appeal to everyone. [...] I like the idea of nature as an antagonist. It has no distinction of bad people or good people, it has no motivation, it just exists."
You can find more reviews on my Vodkaster profile: http://www.vodkaster.com/charlie
"Mune" (2015) - directors: Alexandre Heboyan & BenoĂźt Philippon
Provided support on the spot, in Paris and Montreal
Integrated specific needs into our proprietary Web-based production tracking system: including features for editing, producing & stop-motion departments

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
"Once Upon a Forest" (2013)
director: Luc Jacquet ("March of the Penguins") - production: Wild Bunch / Disneynature
Development of VFX producing methods (bids, cost tracking) using Filemaker and a brand new intranet I created with Wordpress.
Comprehensive pipeline technical direction: Python, Shotgun & proprietary asset management tools
Cannes Review:Â âThe Day He Arrivesâ
The Day He Arrives
Writer: Sang-soo Hong
Director: Sang-soo Hong
Starring: Sang Jun Kim and Jun-Sang Yu
The new film by prolific Korean director Hong Sangsoo was met with cheers and laughs. What a joy to discover a truly inspiring comedy, after the torments of the Almodovar.
The film is about a man in his 30's who comes back to Seoul, which he left some years ago. He is a film director, looking for love and inspiration.
The plot is a succession of encounters and dinners, it seems the characters spend half of the movie smoking and drinking, talking about love, ambition and fate. The light-hearted tone is a pleasure, while "Melancholia" could also have been an alternative title for the pic. What do we hide from others ? What can we expect from life ?
Summary: Sure, it's better if lengthy dialogue is your cup of tea, but you should check out the film however, for its subtle reflexion on our lives, ourselves, and the amazing performances by the whole cast. The 80-minute runtime is also a good argument.
Rating: 5+/10
You can find more reviews on my Vodkaster profile: http://www.vodkaster.com/charlie