I get more and more puzzled at the netizens' fit at Overdo's Gen AI opening that was such they had to change it an apologize.
Literally every drama made now has one! The Road to Splendor has one!
Bizarreeeeee
PUT YOUR BEARD IN MY MOUTH

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I get more and more puzzled at the netizens' fit at Overdo's Gen AI opening that was such they had to change it an apologize.
Literally every drama made now has one! The Road to Splendor has one!
Bizarreeeeee

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The antagonist character in Gui Luan is so much more fleshed out than Zhu Yu's. To be honest, Pei Song reminds me more of Xie Zheng than Qi Min.
SPOILER: I wrote this before he killed Xiao Li's mother btw, and did bunch of other heinous shit. That man is worse than Qi Min but also very compelling as a character. And much closer to Xiao Li as a character than Qi Min and Xie Zheng were.
“When I see an old movie, like from the ’40s or ’50s or ’60s, the people look so calm. They don’t have smart phones, they’re not looking at computer screens, they’re taking their time. They’ll sit in a chair and just stare off into space. I think some day we’ll find our way back to that garden of Eden.”
— Rudy Rucker (via fyp-science)
I was waiting for you to tell me that you still had me in your heart!
And I want to make a separate post about Zhang Linghe.
I am new to Chinese dramas and the whole mad discourse around them. I started watching Chinese dramas this year, and Pursuit of Jade was my second show. I had seen Linghe's face around social media (who hasn't at this point?), and as expected, fell in love with him due to Xie Zheng.
But over these last few months, I have seen such vitriolic hatred towards him that it stuns me. I haven't been part of fandoms in a long time; I hardly watch shows as they air, so maybe I am out of loop with this kind of thing, but I have truly never seen an actor treated such. It honestly reminds me of the hate train Shah Rukh Khan used to get when I was growing up (ironically the complaints were the same - he relies on his good looks, he does not work out of romance, he is not versatile, and then they would snowball into most ridiculous of issues). So far, I have not seen any other Chinese actor subjected to this (of course, I am talking about idol actors, my awareness about mainstream Chinese actors stops at Tony Leung).
So far, I have seen two works of Zhang Linghe - PoJ and Overdo (and half of The Best Thing, but I am kind of ambling with it), and he seems like a solid enough actor to me. He is not the most seasoned, but for his non-artistic roots, he is remarkably talented. When he is good, he is brilliant (I am still rewatching his stabbing scene with his mother, and his fight/make up with his brother in Overdo). I swooned over him in PoJ, but I shed tears over him in Overdo.
When he received worldwide adulation for PoJ, I felt happy for him, but if that were the end of it, I would have moved on long ago. But the needless hate train against him - first with general foundation discourse (still can't believe that was an actual thing), and now over Overdo - makes me feel for him. He seems like a normal enough dude, who you can tell is trying his best, and I do admire his thick skin for bearing this barrage of malice. And all the criticism and belittling hurled towards him feels ridiculous to me. Is it because he is too handsome, or rose to the fame too fast? I genuinely don't understand what I am missing here.
Well, given his attitude to this kind of scrutiny, I would say that he is a long race horse, who will go far. But people need to calm down.

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The irony of Ren Susu and her girl gang embarking on their revenge plan with a death wish, because they did not expect to live in this quest for vengeance, but their thirst for retribution ended up causing everyone's death but theirs.
Finished Overdo. What a ride! Last few episodes were sooooo good, utterly captivating and so cinematic! And tears they made me shed, so many tears...
The drama is not without its flaws, but that's what makes it endearing and charming. It has an audacity, an ambition, a healthy dose of masochism im it. It was committed to tell a story, and it followed through with that plan.
I felt it in the second episode, and I felt it at the end as well - the whole drama had a vibe of a novel. The epistolary dialogues, frequent flashbacks, the way the story constructed the metaphysical atmospheres out of a character's emotions (I am thinking of Ms Ye's hallucination of meeting Qingyu in an alley after his death, Qingyi's dreaming of his father, or the whole second episode where the story of Qingyi and Susu's meeting is a flash in Qingyi's memory) added a very literary quality to the show. It made me yearn to pick up the book, and then I realised there is no book, that the story does not follow book's trajectory at all (I loved the novel too btw, despite common discourse around it).
Well, this show gave me a kind of satisfaction of a witnessing a good story unfold. I still have issues with show's direction, pacing and editing. But in good faith, I cannot detract from its solid writing and explosive performances.
The good old dilemma - the life of your father or a zombie plague
Episode 29 made me go "he's kinda...." for Papa Li. This show truly takes you places you never know.
Ren Susu each time she fucks around and finds out: why would fate and Murong Qingyi do something like this to me? :(
Overdo > Pursuit of Jade
(storytelling/pacing wise, actor performances wise, and is it entertaining all the way till the end credits wise)

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wine-fueled thinks i thought while catching up on eps 24-27 of overdo:
DON’T QINGYI
bitch wtf
jaws theme would be more appropriate than romantic ost right now
she brings her child to her schemey murder theater???
QINGYI DON’T
if mrqy is technically a general does this count as another foundation general role or is that only when he’s wearing a long wig
bitch whyyyyyyyyyyy
NO QINGYI LEAVE IT *grabs squirt bottle*
what even is happening anymore
zombies, save us!
FFS QINGYI I TOLD YOU NO
Watching Pursuit of Jade and then Overdo back to back is such a ragebaiting process, because both of these dramas could have been so good, SO GOOD. The meat was there, just the execution fell short on both projects. One faltered in writing, the other faltered in almost every department in post-production. I hate being promised rich potential and then left with crumbs.
Fanfic | Where the sky holds us
Qingyu’s is emotionally unmoored after loosing his brother, lover, and sense of purpose.
Ye refuses to let him collapse, pushing him towards responsibility and leadership.
Qingyi admires her resilience, the way she keeps functioning despite her devastation.
Qingyi hesitantly steps into Qingyu’s shoes.
Ye chides him when he’s too reckless or too emotional or too intent on proving himself.
He listens, and learns.
Escort missions, emergency landings, fuel optimization, squandron strategy consume their waking hours.
They start reading each other without words — a glance, a pause, a sign, tear swollen eyes, fear hollowed eyes.
They learn when the other is angry, is afraid, wants to be left alone, needs someone to stay.
On Qingyu’s anniversary, they honor him with air formations. Later, they exchange their fondest memories of him.
Ye breaks down after her strategy causes pilots death. Qingyi silently sits beside her throughout.
Sometimes, weeks pass by without either mentioning Qingyu. Sometimes, they talk about him for hours.
Ye watches Qingyi become disciplied, strategic, capable of handling responsibility.
Few times, they laugh about how insufferable Qingyu used to be.
Ye notices things that are exclusively Qingyi — his theatrics, his gentleness with new recruits, his dry humor.
Qingyi notices her terrifying calm during an emergency, her laughter when relaxed, her blunt bob sharpening the severe beauty.
This realization makes them retreat. Neither is prepared to betray the lovers they lost.
The war enters its most critical and most dangerous phase. It lasts 16 brtual months.
After one successful operation, they drink in celebration. The pilots long since christened them the twin engines.
Their eyes keep finding each other across the room. She slips outside, breaking their charged silence.
Qingyi finds her leaning against the aircraft wing, her bob stirring in night wind, the runway washed silver by the full moon.
“I didn’t want to be followed” says she but her gaze drops to his open leather jacket for a heartbeat. Qingyi sees it, sees her.
“I’ve known you for 5 years. You’re terrible at lying” says he, fingers ghosting along her sleek hair. Her eyes soften.
The kiss is hesitant, careful, and silent.
Later, they lie side by side on the runway, watching thin clouds drift across the moon, their hands clasped in between.
Morning brings clarity of an irreversible reaction. Neither thinks it was a mistake.
They fly together more often, their radio exchanges carry new undercurrents, fear and safety become more personal.
Once, Qingyi sidelines her from a dangerous mission. She confronts him in an ugly public showdown “You don’t get to protect me by taking away what I do best.”
Ye rescues Qingyi after he crashes and becomes isolated behind enemy lines. “I couldn’t breathe” she confesses once they’re both safe. “I cannot bear loosing you too”.
“Qingyu is watching over us”, he replies resting his forehead against hers.
The crew notice and smile in secret. They’ve heard enough of “Where’s he?”, “Where’s she?”. They’ve seen enough shared tea cups, enough shoulders touching over maps, enough glances, and enough falling asleep over strategy notes.
Their first night together is after an award ceremony in Nancheng. There is boiling heat; afterwards, melting tenderness.
Eventually, the war ends.
He returns to family affairs, building on the left behind legacy.
She becomes the academy’s first female principal, training 45 female fighter pilots. She teaches them what Qingyu taught her, what she and Qingyi learnt together.
He visits Qingyu often — tells him tales of a laughter-filled house, of steady love, of kids who are too clever and far too naughty, of a gloriously boring life that isn’t dramatic or dangerous. Just home.
I would ship this.
I don't want to use up my screencap space as I do have some giffing projects ...
but can we talk about how MRQY is literally doing the same thing his birth mom did to Murong Feng? I mean, it's not laid out crystal clear, but reading between the lines at Da'ge's funeral, it looks like she trapped Murong Feng in that marriage.
But Ren Susu -- that flashback on the train -- very much remembers the way he's willing to kill himself for her.
it doesn't have the sophisticated court politics of Goodbye My Princess, but man the main dynamics feel very much a parallel to that. I am curious to see how it ends because how are the mains going to break the cycle of fucked up-ness from their upbringing?
I m looking respectfully.

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So at this point, Ren Susu is the boy in Charlie Bit My Finger who stuck his finger in the baby's mouth and then blamed him for biting and Murong Qingyi is a man who walks through a door, gets hit by a 2x4 and then wakes up the next day and walks through the door again
Apart from obvious flaws with Overdo production, there is one cardinal sin that the director has committed that I can't forgive: GIVE US HOT MAKEOUT/SEX SCENES!!
That is the allure of toxic couples! They make each other worse but can't keep their hands off each other.
I get that Chinese censorship is a thing to reckon with, but that's where your creativity comes in, Mr. Director!