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J. Carino

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George Quaintance
“Boys Leapfrogging", 🎨 by Duncan Grant, 1962.
This is a compositional study for, interestingly enough, a large, nearly mural-sized (nearly 8 by 12 foot) painting that Grant undertook at Charleston Farmhouse some 50+ years later. The original setting was a gym, with the beach setting was later substituted. Grant worked on the final painting & brought it to a nearly complete state, but unsatisfied with it he abandoned it by 1970. Alas, it was destroyed after his passing in 1978.
painting by Richard Stabbert

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Pascal Dagnan-Bouveret (1852–1929), Orpheus' Sorrow, 1876
Léonard Sarluis: “Ephèbe à la chevelure rousse” (1919)
Léonard Sarluis (1874-1949), ''Ephebe with red hair'', Oil on panel dated and signed lower right Sarluis 1919 and dedicated "To my friend Luc Simon". Provenance: Former Michel Beurdeley collection.
Twin Arrows, Arizona
Henry Lamb, Troops Bathing on the Struma, 1917

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Serban Savu (Romanian, 1978), The Bather, 2009. Oil on canvas, 19 3/4 × 13 3/4 in.
Nebojsa Zdravkovic (b. 1959)
Couple in a Train Compartment , 1895 by Ricardo López Cabrera (Spanish, 1864-1950)
Carl Bloch, 1834-1890, Danish. Prometheus Unbound, 1864, 13 x 9 feet, oil on canvas.
https://commons.wikimedia.org/wiki/File:Prometheus_Unbound,_1864_oil_on_canvas_by_Carl_Bloch,_Athens_Greece_04.jpg

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Amani Bodo. Sapeurs Louis Vuitton. 2017. Acrylic on canvas.