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@archivedeathswakes
archived. too cluttered.

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one liner / lyric starter call. specify from which of my muses.
MILO JACOBS
circa. 1940-1950s.
* through this post, you’ll find an outline on milo’s abilities, a brief history of his short life and as well as folklore history about bughuul, the deity that is responsible for milo’s existence.
milo jacob’s was an the oldest of two children, raised in a catholic home with a father who was heavily involved in the church. this was common in their family and it was expected that milo would follow in his footsteps, taking over the family home and his place within the church. this, of course, did not happen. bughuul, a deity who preys on children, had chosen milo to consume. an offering would be made and milo’s soul would be taken. this offering? the death of milo’s entire family and a snuff film to remember the occasion. these films would serve as a huge prop in the future murders and abductions that milo would assist bughuul with.
[tw: gore mention] milo’s chosen method to murder his family was a form of rat torture that was once noted in ancient rome and medieval times. victims would be tied down with a cage or metal bowl containing a rat placed on their stomach, this would then be heated with coal and the victim would undergo extreme torment as the rat gnawed through their insides.
the core of milo’s spirit and existence is held within bughuul / there is no formal “death” to milo unless bughuul chooses to fully end him or bughuul himself is destroyed. milo is able to be held in a purgatory but this is not in itself a permanent solution when attempting to get rid of him. as long as bughuul remains, milo remains. ABILITIES
destruction of objects and property: this is easy for milo to do and may happen when irritated or when trying to act up for fun. during instances of irritation or mischievous nature, he is prone to moving furniture, knocking things over, creating loud noises or even will physically place hands on someone in his path.
body manipulation: this allows milo complete control of appearance / to change the state of his appearance in gruesome ways. his most common changes are changing facial features to something charred and burnt; decaying.
enhanced vision / hearing: capable of sensing changes in someone’s body ; such as racing heart or increased breathing. able to see in dark as if it were clear as day.
multi-dimensional vision: having foot and sight in both the living world and the core space that the murdered kids are held.
invisibility: this is a given, considering he is dead. he is able to go undetected to those who do not have heightened abilities or senses. he is also highly selective to who he appears.
omnilingualism: an ability to learn / understand / speak languages instantly and fluently. this is a gained strength fed to him through bughuul as milo only spoke english.
technology manipulation: able to possess / manipulate radios, televisions, computers and phones.
astral trapping: ability to trap / provide difficulties to those who astral project. milo will create traps and terror that often make it harder for those to exit the astral plane.
dream & sleep manipulation: an added ability to enter, manipulate, modify and influence dreams that someone may have. this is often used when “recruiting” children for bughuul. giving children nightmares with the promise they will stop if they watch the created snuff films by previous kids and soon create their own. in other instances, milo does this to torment and entertain himself. through dream and sleep manipulation - milo often can blur the line between what is real and what is fake, creating increased difficulties and paranoia for the victim.
persuasion: paired with dream manipulation, milo can at times be persuasive with children and push them to things that they may not have been capable of. in these cases, murdering their families like he did.
BUGHUUL / BAGUL
“ it’s the kids - it get’s the kids. ”
known as the eater / devourer of children. bagul/bughuul is an ancient babylonian deity who consumes the souls of human children and posessess his own realm in which these souls live in limbo alongside him. bughuul presents as a tall, humanoid creature that has pale skin and long black hair - notable by his lack of eyes and a sewn shut mouth. due to deity status, it is often hard to kill a god - not impossible but difficult.
bughuul uses these children as a source of nutrients, he is able to hold power and influence over them, transport between worlds, selective invisibility and holds an essence of dark power.
part of bughuul’s torture and “fun” is to have the children murder their family through ritual - thus tainting the innocence of them more. the creation of snuff films is both an offering and enjoyment for him but also used as a tool to further terrify and manipulate future victims.
milo is tied to bughuul just as strongly as the other children are due to their deaths and offerings they’ve made to him; milo gathers a large portion of strength and power through bughuul because of this.
updated list of muses can be found here: click here.
A GODLESS AMERICA: MILO JACOBS.
the harvest is past, the summer is ended and we are not saved. the there will be no miracles here.

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skatekid·
❝ they’re all there. i think. — like — they should be. i didn’t have a paperclip. orrrr a stapler. i’m not allowed to have one anymore. ❞ sourness of the city, police who fail to comply to the simplicities of their duties, leaving danger in the hands of a makeshift vigilante & his friend who plays god. the prints are bile, he barely stomachs it, keeping them hidden from the hands of authority, fearful they’ll arrest him instead of those truly involved. he’s up until the late hours of the night, listening to his computer whirl & police sirens fling past the crack in his window. 3:15 he arrives.
he smells like two week old laundry & a bag of chips. fabric sheets rubbed on his attire before he showed up, hoping to mask the smell even if a little. it’s displeasing, he knows. his actions reflect his modesty. sock - clad feet shuffle forward, careful not to get too close, but close enough to lower a stack of papers in front of her. ( presented in a manila folder, across the front: blue ballpoint pen scribbles. random jagged shapes & band lyrics swirling the caffeinated hole of his brain ). regardless, he keeps his space; anemic hands living in the front pocket of his hoodie. he supports a lopsided smile. ❝ i kinda ran out of ink so, like, some of the text is faded. it’s pretty cool though ‘cause like ( … ) the dude used a manchette, so. ❞ ( @deathswakes· )
the secrets you kept were more than enough for the average person, sometimes they kept you up at night ; thankful though for the companionship of a friend. one in which shared the same goal in mind -- putting the bad ones away. who cared if you spared him some of the details? he didn’t know the ways in which the evil of this world suffered a cruel fate at your hands. the horrors of computer screen were enough for him, you’d figure. sleeping schedule was something you lacked, expecting him at all hours with never any issue. even know, lanky and taller than you ; he presented a folder. one that you’d asked for. something bad - someone horrid.
“ i always love the way you present these. like the scribbles and whatever, ” it was something pleasant to mask the horror that laid within those pages. folder is opened, eyes cascading over each page, a mental inventory taken - committing it to memory. you wouldn’t sleep tonight. there was work to be done.
“ i mean, it’s certainly an interesting choice. do you want to stay here the rest of the night? you can rest if you want, i’m going to comb through these. ” sitting down on bed, file folder placed upon blankets as you reach over into bedside table for talisman; resting it upon folder.
snovak·
𝖎. ⋆ ☻ , @DEATHSWAKES ╸ milo jacobs !
⭑ SHE’S A POOR CHOICE FOR PREY. he’s on the hunt for what , she’s not sure. * she’s no abra a match without a flame , and no friction to get the blaze going. yet the chimera of boy persists; teenaged mentor retreats to the kitchen for snacks & he makes himself known to her once more.
* ❝ I ADMIRE YOUR DEDICATION. ❞
many days watching from the shadows, lurking in silence on the days that abra kept company - allowing her moments of solitude before making yourself known ; before disrupting the peace. the shell of a preachers son, standing in the corner of room with a brightened smile. you’d watched this girl before. heard the conversations between the pair of them, taking every moment to determine who of abra’s companions interested you or not. brunette had seemingly passed the test.
lips curve a smile, brows rose in an air of amusement. “ you do? it is so rare these days to meet people who have appreciation for the dedication of others, isn’t it -- sydney. ” there’d been no need for introductions, you knew what you needed ----- could her fate be sealed?
clearvoir·
she’s dying in silence. like a collapsing sinkhole, abra curves inwards in a forlorn attempt to eschew his grasp, but she’s pinned ‘tween mattress and baleful boy. her hands fly to her throat, where his talons are ensnared and narrowing rancorously, and lead bleeds into her chest. uselessly gasping, her mouth seeks his name, MILO MILO MILO, and in riposte, she’s given nothing but static and the venom of his words — leaping pulse in her ears, even as her heels rake ‘pon the bedspread, a fever - pitch panic that clouds her senses and she grabs at his wrists, pleading [ you can’t breathe, this is how you’ll go, he’s going to kill you ], ❝ st - stop! ❞ what little strength she had seeps from every spasming muscle, and only then is when she’s suddenly released.
his grip gives, color floods back, crimson claret blurs her vision, and thereafter, abra slips from the bed and unto the lathing floorings of her bedroom. fear is similar to a wildfire catching to dried grass, she’s left ashen and petrified as her hands slip from the sharp jut of her collarbones, where his touch still chars. [ … ] she must catch her breath before facing him, wipe the tears and spittle from her face. ❝ sorry, s - sorry, milo. i’m - i’m sorry — i was just — ❞ breathe.
there remains nothing but cold vacancy within darkened eyes, pale hand tightened around the throat of a the girl you’d grown alongside with. your attack is both a warning and a threat -- a retaliation for an attempt at your downfall. one you wouldn’t permit and one that bughuul would not either. your goal, however, is not to kill her. not to maim and destroy. but rather to assert dominance , to reinforce that you remained something more than the average ghost. ------- [ YOU SEE WHAT SHE’S DONE TO US, ABRA? NOBODY ELSE UNDERSTANDS US. SHE WANTS TO SEE US BOTH FALL AT MY HANDS, DON’T YOU UNDERSTAND? ] ------ the words are loud and angry ; they’re spoken to mind rather than out loud. upon her release, you stand back ; watching the way in which she crawls upon the floor. the way she crawls away from you. charred and disfigured face reshapes self, a now spitting image of a porcelain botticelli painting , haunted and ghostly.
you kneel beside her, face warm and innocent now ; eyes clear. it’s as if to you that the moments prior did not occur. “ i didn’t want to do that to you, abra. you understand, right? you must understand that i wouldn’t want to hurt you like that. not again. ” lips curve a smile, sinister still despite porcelain features. the devil in sheeps clothing.
“ she did this to us, abra. this is on her hands. nobody can keep us apart, don’t you understand? we’re soulmates. ”
entragedy·
* @deathswakes / does this look infected to you?
JUST WHAT IS HE SUPPOSED TO BE LOOKING AT? sunday’s best boy is looming in the edge of the kitchenette, a face that prevails among the throughs of abra’s dreams, and in return, dan’s as well. ❝ … oh, fuck. ❞ realization spreads, there’s a ruined mess of once was the cherubic features of milo ; wound doesn’t seem like an accurate word. charred flesh is carved inwards, dripping and reeking of tar - like blood, muscles of his cheeks tattered in shreds, septic as rotten honey that draws flies. his own pulse is at a rabbit’s pace, he feels as he did as a boy, at the mercy of hell personified, the hotel and its gripe that refused to unwound. ❝ nice little — uh, trick you got there, ❞ blundered ‘gainst the counters, dan tries for a placid approach, he’s certain his smile comes off more as a grimace, and a tongue that presses to clamp - tight teeth. ❝ i bet you’re real fun at parties, huh? aren’t you, milo? ❞ as he draws closer, dan can spot the garish - red that stains the boy’s clothes.
❝ come out of the dark, will you? i can’t see you from there. ❞ timbre forbearing, alike to speaking to a spooked feline, one where the hackles are raised and teeth are bared. quashed fear afront, he’s facing this patchwork of a youth with the calm similar to a father he’s never had, heedful of the warning clear warning that glowers back at him. take the bait.
rotted and decaying , a body that was prepared for the earth and worms ; one far past it’s expiry date. looming within the shadows of the night, only daring to allow glow of kitchen stove to paint the scene. a shadow of a preachers boy, torn and rotten. a mask that you donned when attempting to lure and terrify. “ halloween parties, sure. ” lips pull upwards in sinister smile, causing the exposed and charred flesh to tug upwards with it ; practically tearing it more. darkened eyes train themselves upon the older man - the one in which abra had mentioned previously as uncle dan. your question was rhetorical - a wound created by you in which you could only change. his aid was not needed but his presence was. pale form shifts from the shadow the fraction of an inch, grotesque features defined fully by the florescence.
“ this distance is fine, isn’t it? surely you don’t take me for a fool, do you daniel? ” naivety never became you, familicide committed decades ago ; an offering to a deity in which you continued to serve. naivety never aided in the persuasion of new victims, it never served you. there’s a tremble of kitchen chair to the left, a low screech as it’s pulled from table and thrust towards the doorway in his direction ; to stop short of hitting him - that wasn’t your intention. “ you must be tired, it’s late, isn’t it? maybe you’d like to rest. ”
“ would you like to unwind with some television? ”
FOR NEO / @skatekid
slender frame of a pale boy stays sprawled out upon the others bed, legs bent and waving idly through the air as head rests on sweater clad arms. bright blues cast gaze his way , a content smile. this was the longest you’d felt at peace in some time. the longest that you’d had company that wasn’t expecting something other than you - being yourself. company that wasn’t holding some sort of bargaining chip over your head. it was nice, he almost made you feel human. you weren’t sure what he was doing or what exactly you were looking at but it didn’t matter. knew that if you went to ask, it was safe to do so. lifting head, sweater paw hand reaches out and ruffles the top of neo’s head. careful still to hide the coolness of pale skin.
“ i bet you can do anything on there, right? that computer? ” hand points at the screen, a mess of colour ; you could see every pixel in detail. enhanced sight - a gift and a curse. if he asked, you’d say you were sheltered. it wasn’t like that was a lie.

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for @skatekid from junebug.
“ it’s kinda become this tradition, i guess. ” you sit across from him on your bed, legs crossed as whir of record player provides a gentle background noise. you’re fidgeting with the hem of your sweatshirt with one hand and passing him a gift with the other ; inside is a vintage cassette tape walkman and a stick and poke tattoo set. “ my dad always insists on watching some old-timey christmas film after we have lunch, with hot chocolate. i hope you’re prepared for that. ”
“ open your gift, it’s the holiday’s after all. ” lips curved upwards, a smile. comforted in the presence of a familiar.
MILO JACOBS
circa. 1940-1950s.
* through this post, you’ll find an outline on milo’s abilities, a brief history of his short life and as well as folklore history about bughuul, the deity that is responsible for milo’s existence.
milo jacob’s was an the oldest of two children, raised in a catholic home with a father who was heavily involved in the church. this was common in their family and it was expected that milo would follow in his footsteps, taking over the family home and his place within the church. this, of course, did not happen. bughuul, a deity who preys on children, had chosen milo to consume. an offering would be made and milo’s soul would be taken. this offering? the death of milo’s entire family and a snuff film to remember the occasion. these films would serve as a huge prop in the future murders and abductions that milo would assist bughuul with.
[tw: gore mention] milo’s chosen method to murder his family was a form of rat torture that was once noted in ancient rome and medieval times. victims would be tied down with a cage or metal bowl containing a rat placed on their stomach, this would then be heated with coal and the victim would undergo extreme torment as the rat gnawed through their insides.
the core of milo’s spirit and existence is held within bughuul / there is no formal “death” to milo unless bughuul chooses to fully end him or bughuul himself is destroyed. milo is able to be held in a purgatory but this is not in itself a permanent solution when attempting to get rid of him. as long as bughuul remains, milo remains. ABILITIES
destruction of objects and property: this is easy for milo to do and may happen when irritated or when trying to act up for fun. during instances of irritation or mischievous nature, he is prone to moving furniture, knocking things over, creating loud noises or even will physically place hands on someone in his path.
body manipulation: this allows milo complete control of appearance / to change the state of his appearance in gruesome ways. his most common changes are changing facial features to something charred and burnt; decaying.
enhanced vision / hearing: capable of sensing changes in someone’s body ; such as racing heart or increased breathing. able to see in dark as if it were clear as day.
multi-dimensional vision: having foot and sight in both the living world and the core space that the murdered kids are held.
invisibility: this is a given, considering he is dead. he is able to go undetected to those who do not have heightened abilities or senses. he is also highly selective to who he appears.
omnilingualism: an ability to learn / understand / speak languages instantly and fluently. this is a gained strength fed to him through bughuul as milo only spoke english.
technology manipulation: able to possess / manipulate radios, televisions, computers and phones.
astral trapping: ability to trap / provide difficulties to those who astral project. milo will create traps and terror that often make it harder for those to exit the astral plane.
dream & sleep manipulation: an added ability to enter, manipulate, modify and influence dreams that someone may have. this is often used when “recruiting” children for bughuul. giving children nightmares with the promise they will stop if they watch the created snuff films by previous kids and soon create their own. in other instances, milo does this to torment and entertain himself. through dream and sleep manipulation - milo often can blur the line between what is real and what is fake, creating increased difficulties and paranoia for the victim.
persuasion: paired with dream manipulation, milo can at times be persuasive with children and push them to things that they may not have been capable of. in these cases, murdering their families like he did.
BUGHUUL / BAGUL
“ it’s the kids - it get’s the kids. ”
known as the eater / devourer of children. bagul/bughuul is an ancient babylonian deity who consumes the souls of human children and posessess his own realm in which these souls live in limbo alongside him. bughuul presents as a tall, humanoid creature that has pale skin and long black hair - notable by his lack of eyes and a sewn shut mouth. due to deity status, it is often hard to kill a god - not impossible but difficult.
bughuul uses these children as a source of nutrients, he is able to hold power and influence over them, transport between worlds, selective invisibility and holds an essence of dark power.
part of bughuul’s torture and “fun” is to have the children murder their family through ritual - thus tainting the innocence of them more. the creation of snuff films is both an offering and enjoyment for him but also used as a tool to further terrify and manipulate future victims.
milo is tied to bughuul just as strongly as the other children are due to their deaths and offerings they’ve made to him; milo gathers a large portion of strength and power through bughuul because of this.
i’m working on a google slides doc with a list of muses, rules, etc and muse bio’s. it’s going to take me forever because i have the worst attention span. however, i’d like to know if anyone has any muse suggestions for me! lemme know :)
i’m going to put a hold on answering memes and replies bc i think i’m going to restructure everything on here. i might change my url and i’m going to add some characters here, redo my rules and docs, etc.
@fisthrust·
he knows the battle is lost even before lightning strikes , igniting the small and worried face . it was , perhaps , lost years before this moment . the moment that his parents had brought george home , bestowing upon him the title of big brother . ( a title which had then seemed like the grandest honor in the world , but which now consisted mostly of minor annoyances and sleepless nights . ) he pushes himself up on one arm , the other going to wipe the sleep from his eyes . no use , none at all , and yet what sort of big brother would he be if he gave in that easily ? ❛ just gg - go b - back to bed , gg - georgie . . . ❜ / @bledanger·
thunder rumbled the denbrough home, enough so to stir you from slumber. enough to make you cover ears with both hands as small body slides from bed, feet finding the floor. hand moves just a moment to turn doorknob, tugging the door towards you with haste and sprinting down the hall to your brothers room. a place that you felt safe. a person who that to you, could do no wrong. “ i can’t sleep, i’m scared. ” he was always the one that slayed the dragons in your stories. the one whom you looked up to. your brother, the hero. inching further into the bedroom despite bill’s voice filling the space around you ; lighting illuminating facial features.
“ please don’t send me back. i wanna stay with you. ”

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stohnefox·
♡ : @bledanger· (aria) : “did he ask you to go out or hang out?”
♡ ❛❛ hang out. they never ask to go out. ❜❜ jaded sighed precedes the slump of thin shoulders, the thoughtless toss of cellphone. bruised ego throbs with this juvenile ache, the aftermath of tactless opposite sex. lux falls to her side & rests miserable features to baby pink comforter : floral detergent wafts comfortingly upwards with the moment, enveloping girl in the ephemeral solace of home & femininity. ❛❛ CUPID HATES ME, i told you. i don’t know why i try, ❜❜ coiling in closer, waif rests crown of angelic blonde against aria’s lap &, pouting, lifts moping gaze her way. ❛❛ i’m over it. text him back for me, say i died. ❜❜
“ guys are completely stupid, i swear. they wouldn’t know a good thing if it smacked them in the face. ” brunette sighs heavily, crossing legs together and soon finding mass of blonde locks across blue jeans. hand reaches for cellular phone as other settles ‘pon her head, gently playing with strands of golden. “ you never know, maybe this one could be different - ” a pause, reading over message that remained open on phone screen. “ if it’s not, he’s got a fist coming to his face whenever you want. ” tell him i died! gentle laughter ensues, rocking them both ever so slightly.
“ you sure you want me to? we could stay in and order pizza or whatever, unless you wanna give this one a try? ”
clearvoir·:
* ——— @bledanger······· / miss me?
she sleeps, featureless hours pass, dreams as diluted as watercolors, awash of their substance ‘til it’s all an insipid liquid blur. and awareness slinks near, abra’s reaction is of drudged deliberation. slumber - trance broken, feather lashes sweep up — her bedroom is seemingly vacant, the shadows and specters of her nightmares have dissipated. but, somewhere, there is a dear eidolon, that lingers at her periphery. and a chill has befallen the haven ; she knows the sound of his cawing laughter, a thousand crows that wait ‘mong the willow of the trees, however still powerless when he pounces onto her bed.
❝ milo? ❞ the scent of him, putrescent, fetid with the smell of morgue - dirt. her eyes find his, colorless and bleak, and a meagre, grisly noise answers — more tittering [ where did you go? where have you been? ]. fright pools at the violent and frenzied fury that has crossed commonly youthful countenance, singed skin and grave - ash eyes. ❝ milo — ❞ his hands close around the narrow valley of her throat.
purgatory could not contain you , possessed sunday schooled boy, giving servitude to demon that held you close. what shred of innocence remained in you had long died the moment that you had killed your own family. killed them in the name of bughuul. a weeks worth of hellfire before finding your way home. though it was not your home, no. it was the home of girl who had lay sleeping within her room. within the walls of a home that was meant to be sanctuary but yet was a place you consumed. where you lurked amongst the shadows, kept her up at night. you’d never leave her side.
deep-seated anger grew within your gut, consumed you. pouncing onto the bed with animalistic intentions ; malice became you. your skin decaying, rotting. there remained nothing clean about you. clothes stained with dirt, face singed and discoloured - cracked and torn. eyes ashen and blank, rotten. hand clasps around her throat, squeezing in attempt to restrict airflow so desperately needed to function lungs. choked out attempts to speak your name did little to quench the anger that boiled within. did little to ease the sense of betrayal.
“ you bring that miserable excuse for a god around here once more, there will be a problem. ” guttural voice makes itself known, squeezing harder.
“ we don’t appreciate being crossed. ” hand eases, features soon returning to normalized state ; seated at the foot of her bed, agitation still evident across now porcelain face.