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Onagawan Hinterland, Japan 2016 by James Alder

Onagawan Hinterland, Japan 2016 by James Alder

Carolyn Tam, MIT School of Architecture + Planning, MArch

Carolyn Tam, MIT School of Architecture + Planning, MArchCarolyn Tam, MIT School of Architecture + Planning, MArch

Carolyn Tam, MIT School of Architecture + Planning, MArch

ashleymayes.co.uk

ashleymayes.co.uk

ashleymayes.co.uk

Mark Donnelly | Social Housing | Queens Belfast

The structure has a series of platforms and lifts on which the visitor projects their personal Virtual Reality vision, creating a Mixed Reality.

Perfectly Imperfect ~ An analogical model conveying the beneficial impact of imperfection in cast construction.

Where does the root of craft lie? An analysis of three different plates using different production methods revealed the terms first, second and third hand production. The root of craft was established within the boundaries of the first hand. Through design speculation and testing this project explores where the thresholds lie in today’s context through the construction of a new monastery. 

Where does the root of craft lie? An analysis of three different plates using different production methods revealed the terms first, second and third hand production. The root of craft was established within the boundaries of the first hand. Through design speculation and testing this project explores where the thresholds lie in today’s context through the construction of a new monastery. 

The scheme encompasses a new Crafts College, Urban Bothies, a Rooftop Café, Community Gardens and a modern twist on the typical Caravanserai Courtyard.

Annas Mojaddidi, City Church, Kingston University, Unit 3.

Carolyn Tam, Unit 9, Bartlett School of Architecture Sweat building is a samba dancing school proposals respond to the complex carnival parade circulation and site condition defined by the highways. The articulated volume is derived from the complex circulation paths. Mist systems weave through the ramps, cool down the sweating dancers inside the building during the hot weather. With the samba school the architecture is alive, response to the dancing activities, sweat when get hot. Programmatically, the volume accommodates props, samba costumes, and truck access with a circulation loop at the ground level feeding into the main workshop space. This open workspace allows visitors to interact directly with fabricators–offering a unique collaboration experience. Above the workshop, dance practice rooms are separated from the main workspace with views of the cityscape beyond. 

Carolyn Tam, Unit 9, Bartlett School of Architecture Sweat building is a samba dancing school proposals respond to the complex carnival parade circulation and site condition defined by the highways. The articulated volume is derived from the complex circulation paths. Mist systems weave through the ramps, cool down the sweating dancers inside the building during the hot weather. With the samba school the architecture is alive, response to the dancing activities, sweat when get hot. Programmatically, the volume accommodates props, samba costumes, and truck access with a circulation loop at the ground level feeding into the main workshop space. This open workspace allows visitors to interact directly with fabricators–offering a unique collaboration experience. Above the workshop, dance practice rooms are separated from the main workspace with views of the cityscape beyond.