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@arbitrary23

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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by Rupprecht Geiger
Man Ray
Eli Lotar (French, 1905 - 1969), ca. 1930 - by Germaine Krull (1897 â 1985), German/French/Dutch
Storm Self

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Jean-Philippe Charbonnier (French, 1921 - 2004 )
Françoise DorlĂ©ac sur le tournage du film « Cyrano contre dâArtagnan » rĂ©alisĂ© par Abel Gance, 1963
Andreas Mros
Andreas Mros
23
The number 23 represents the energy to manifest dreams into reality Numerologically, the number 23 is associated with the energy to manifest dreams into reality. It is the number of creativity, self-expression, and imagination. It is associated with thinking outside the box and breaking free from the ordinary. This energy can be used to create anything from a new business venture to a work of art. The 23 energy is also connected to the higher realms and can be used as a gateway to access more profound spiritual wisdom. It is also associated with the power of synchronicity, which can provide powerful insights and guidance. This energy can help us create meaningful connections and open us up to new opportunities. The 23 energy is also connected to the higher realms and can be used as a gateway to access more profound spiritual wisdom. It is also associated with the power of synchronicity, which can provide powerful insights and guidance. This energy can help us create meaningful connections and open us up to new opportunities.
art: 23 by Pete Loveday
A fascinating number about duality that can also mean you are receiving astrological support from Uranus
Synchronicity is an ever present reality for those who have eyes to see.â â C.G. Jung
"Sat-Chit-Ananda"
Galactic Eye Talon abraxas
Cosmic cycles move in perfect timing. Trust the flow of beginnings and endings. Everything unfolds for your highest good.
Love is the core frequency of creation. Let it guide your steps and open your heart, and you will see the Universe unravel like nature in a heavenly spring. SoulLight777

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
You know how some people have a âRoman Empireââlike, the thing they think about at least once a week even when no one brings it up? Mine is Delia Derbyshire.
This woman joined the BBC in 1960 and was so good at sound editing for classical music that she could literally see where the trombones were on a vinyl record. Like sheâd just look at the grooves and be like, âThere they are.â People thought she was doing actual magic. She basically said, âYeah, I am,â and walked into the BBC Radiophonic Workshop like it was her birthright.
She didnât wait to be assigned to the Workshop like everyone else. She just said, âI want this,â and got it. By 1962 she was creating entire soundscapes and electronic music for hundreds of BBC radio and television productions.
Then in 1963 she casually created the Doctor Who themeâone of the first pieces of music ever made entirely with electronics. It completely changed the landscape of TV sound design. She took Ron Grainerâs notes and turned them into something nobody had ever heard before using tape loops and pure experimentalism. When he listened to it, he literally said, âDid I write this?â And she, ICONICALLY, replied, âMost of it.â
He wanted to credit her. The BBC said no.
She was a woman in a deeply male-dominated space. And not just âwow, there arenât many women here,â but like explicitlyâofficiallyââwomen donât get creative credit here.â Engineering was seen as menâs work. Sound design was menâs work. Women were allowed to assist, to type memos, to splice tape if a man told them where. But they werenât allowed to author. They werenât allowed to be the genius in the room.
So they handed all the glory to Ron Grainer.
She wasnât paid royalties. She didnât get a credit. She didnât even get her name on-screen. Not for fifty. actual. years.
Delia also composed music for other BBC programmes, including the Blue Veils and Golden Sands, The Doctor Who story Inferno even reused some of her music that had originally been made for other productionsâbecause thatâs how good her work was. It got recycled because nothing else came close.
She hated the remixes of the theme they did after 1980 because they kept sanding down the weirdness, the dissonance, the edgeâeverything she had fought to put into it.Â
So yeah. Delia Derbyshire is my Roman Empire. Every time I hear the Doctor Who theme, I think about her physically slicing tape by hand and looping it to build something no one had ever heard beforeâand I just sit there like: đ«Ąđ«Ąđ«Ąđ«Ąđ«Ą
(When I have enough time I'll make a post about the BBC Radiophonic Workshop as a whole because it is so fucking cool.)
âCrown of Thornsâ by Bob Carlos Clarke
photogravure/heliogravure, c. 1980â85