Métissages APL/NUM

Extrait de l’introduction de l’ouvrage “vers une esthétique du métissage ?” de Dominique Berthet

Kubota first met Paik in 1964 at a Tokyo performance when he was emerging as an aspiring avant-garde artist in Europe. She recalled the moment as “the destructive performance like a storm,” that haunted her even after the show. He threw eggs into a wall and pounded the piano, rather than playing it, with various tools and finally destroyed the instrument with an axe. Then, he put his head into an ink-filled washbowl and then drew a line with his ink-soaked hair.