antwerpsanonymous

maison martin margiela spring summer 1994 in street special edition vol 1&2, photography ronald stoops

Raf Simons | AW 2001-02 | Riot Riot Riot

Dries Van Noten & Raf Simons for the Wall Street Journal.

Maison Margiela F/W 1992

Hirofumi Kurino: “Having seen a fashion show too many, I sometimes feel exhausted. It all seems a big waste to me then. I presume others must have the same feeling but still, they always seem ready for another show. I am fed up with this craze, this talk about fashion, the irresponsibility of journalists just chasing news. This ‘fashion for fashion’s sake’ is quite meaningless. But there are moment of magic. Many people will agree with me when I mention the three A.F. Vandevorst shows, in 1998 and 1999. Knowing these were their first presentations, we were more than amazed; I felt healed, saved, rescued.”

Garment Reproduced From A Doll’s Wardrobe, Martin Margiela, Spring–Summer 1999

Street Special edition vol 1&2, Maison Martin Margiela by Marina Faust

Margiela F/W 2002-03

[PHOTO OF A PHOTO BY RONALD STOOPS]

Katharina Prospekt: The Russians by A.F. Vandevorst.

I DON’T WORK FOR MONEY I WORK FOR ART | CONCEPT MAISON MARTIN MARGIELA | PHOTOGRAPHY ARCHIVES MAISON MARTIN MARGIELA, MARINA FAUST AND JONATHAN HALLAM | i-D NO.269 | SEPTEMBER 2006 | STRIP-PROJECT | JULY 2016

Kirsten Owen by Richard Bush for Dutch Magazine No. 39, May/June 2002

Maison Martin Margiela for Hermes, A/W 1998

maison martin margiela spring summer 1997 by ronald stoops

The silhouettes: Tight, strictly classical, shapes with influences of Punk, New Wave and historical costumes. The coats had a sharp form and shiny zippers. A group of female models appeared wearing slim classic jackets, bodysuits, tights and high heeled shoes and with shiny motorcycle helmets on their heads, all in black. Colours : Black, Grey and red (Kraftwerk shirts).

Katharina Prospekt: The Russians by A.F. Vandevorst.