Tamara Karsavina and Max Frohman in Le Dieu Bleu
Lint Roller? I Barely Know Her

Product Placement

izzy's playlists!
trying on a metaphor

Kiana Khansmith
TVSTRANGERTHINGS

Show & Tell

Andulka
Sade Olutola
ojovivo
One Nice Bug Per Day
YOU ARE THE REASON
will byers stan first human second
he wasn't even looking at me and he found me
KIROKAZE

pixel skylines
todays bird
seen from Argentina
seen from United Kingdom
seen from South Korea
seen from United States

seen from Germany
seen from Vietnam

seen from Australia
seen from Ecuador

seen from Portugal
seen from United States
seen from United Kingdom
seen from Spain

seen from TĂźrkiye
seen from Sweden

seen from Malaysia

seen from Germany
seen from United States
seen from Hong Kong SAR China

seen from United States

seen from Malaysia
@antique-ballet
Tamara Karsavina and Max Frohman in Le Dieu Bleu

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Portrait of Leonide Massine by Serge Sudeikin, 1914
Studio Lipnitzki. Danilova dans Ode le ballet de Serge Diaghilev 1928
More in on artnet
Vaslav Nijinsky in Scheherazade, ~1910 by Olga
Applause is not opinion. Applause is a feeling of love for the artist.
Vaslav Nijinsky, The Diary of Vaslav Nijinsky (via mandabookcorner)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Anton Dolin (27 July 1904 - 25 November 1983) and Leon Woizikowski (20 February 1899Â - 23 February 1974) in Bronislava Nijinskaâs 1924 ballet Le Train Bleu, a work that exploited Dolinâs considerable acrobatic talents. From Danseur: The Male in Ballet by Richard Philip & Mary Whitney - Special photography by Herbert Migdoll, published in 1977.
Vaslav Nijinsky
Mask 1918/19 Coloured pencil on paper 37.7 x 28.3 cm
Pedro Pruna (Spanish; 1904â1977) Ballets Russes Dancers Anton Dolin, Alice Nikitina, and Serge Lifar Pencil sketch with colored highlights in pencil crayon, inscribed by the artist âPruna / Barcelona / 1925â Victoria and Albert Museum, London
Anton Dolin and Tamara Karsavina, Spectre de la Rose 1927. But signed by Karsavina in 1978, when she was nearly blind.
Le Spectre de la rose - Vaslav Nijinsky on Flickr.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
The conductor of the premiere, Pierre Monteux, was told by one of his double-bass players that âmany a gentlemanâs shiny top hat or soft fedora was ignominiously pulled down by an opponent over his eyes and ears, and canes were brandished like menacing implements of combat all over the theatre.â
Ivan Hewett, âThe Rite of Spring 1913: Why did it provoke a riot?â (via cankerinahedge)
YS-UZAC Sacre du Printemps Perfume Review
YS-UZAC Sacre du Printemps Perfume Review
Legendary perfumer Edmond Roudnitska once said, âA beautiful perfume is one that gives us a shockâ.  That was my initial impression when I happened upon the bottle of YS-UZACâs Sacre du Printemps I found at the November Perfume Lovers London event.
Photo courtesy of YS-UZAC
(moreâŚ)
View On WordPress
Laura Knightâs painting of behind the scenes of the Ballet Russes La Parade. 1920
Portrait of Leonide Massine for La lĂŠgende de Joseph, 1914
Benois took Armidaâs pearls and gave them to Nijinsky, adding a few diamonds for good measure. We know it is the same necklace because it is worn as high as it will go, right under the chin. (It started a fashion: Cartier copied it.) Nijinskyâs very first entry on the stage of the Chatelet, because of his equivocal personality, because of his allure, because he combined the strength of a man with the grace of a woman, because of his frilled and skirted costume, and because of his jeweled choker, had sped this most homosexual of centuries on its vertiginous course.
Richard Buckle (Nijinsky) as quoted by Kevin Kopelson (The Queer Afterlife of Vaslav Nijinsky)
Iâve spent the last few days checking out and reading every book that the library owns on the Ballet Russes. Nijinsky is a crucial element of my research paper so, at this point, Iâd give many things to see him perform. Itâs hard to read about such thrilling displays of acrobatics and artistic paradigm shifts without actually being able to âseeâ them.Â
(via bschwartz)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Portrait of Lubov Tchernicheva in Narcisse, 1911. Sets and costumes by Leon Bakst  Â
Stravinsky, Diaghilev, Cocteau and Erik Satie in Paris - Mikhail Fiodorovich Larionov, 1917