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@angelaholmberg

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Olafur Eliasson
To be an architect means to understand space, to understand space organized by man, to decipher the spontaneous movements and behavior of people, and to detect the needs of change that they might unconsciously express.
- Ricardo Bofill

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Luxurious details and faux finishes that allude to a grander image do not hold up to the true material expression, whether it be organic elements taken straight from nature or even unfinished, manufactured building materials like plywood. Not to get all philosophical or however you may characterize this statement, but to me honest design and material expression displays a sense of confidence that I don't often see in designs that view materials as ornament rather than as tools whose properties can aid in informing the final form.
Your thoughts?
mA-style Architects: Ant House
Good design = saying it without saying it
Industrial designer Arnaud Lapierre came up with the ultimate āDo Not Disturbā sign. His concept doorknob uses a pulley system so that the knob outside can pulled in by twisting the knob inside. [viaĀ design-beats]
An ingenious detail.
Boatās House at MillstƤtter Lake by MHM ArchitectsĀ [for article & more images]
ok, graffiti.
i mean, technically itās attached to a building, so itās tangentially architecture? right?
well, maybe i just have too broad an idea of what constitutes architecture, as iāve included pictures of clouds and lizards on this site. but iām a college drop-out, so what do you expect? an erudite and reasoned consideration of exceptional buildings? or pictures of lizards and graffiti? how about an erudite and reasoned consideration of lizards and graffiti? and buildings, too, on occasion.
i also have a really hard time spelling words with double consonants. like: āoccasionā. Ā is that right? it looks like it should have 2 āsāsā.
so: graffiti. you have to admit, this graffiti is pretty remarkable. and it defines and establishes the space, far more than the building upon which itās been painted. the building itself is kind of egregiously unremarkable. itās only the graffiti that distinguishes the building from the few million other generic buildings in l.a.
i especially like the scary blue baby doll playing bongos. and the scary clown.
moby
Architecture, as well as graffiti, 'defines and establishes' space. Though the buildings themselves leave much to be desired architecturally speaking, I believe the graffiti that adorns them does a much better job at establishing a sense of place because it is participatory. It is more of a direct reflection of the community because it's created by the community, rather than an artistic interpretation of its essence and functional needs created (more often than not) by someone from the outside.
Good design that facilitates community involvement in the evolution of a building/space - by creating spaces and surfaces for public art, planning of walkways by following the beaten pathways that show the natural circulation through a space, flexible universal spaces to suit many needs and functions, or what have you - is what architecture should and has the capability to be.
Roads Cover 4.8 square miles of Manhattan
Howler and Yoon, winners of the Audi Urban Future Award image a NYC where roads become soccer fields and solar panels.
Do you know what else Manhattan is largely comprised of? Rooftops... where more solar panels should go. Hint hint...
Just an aside... I like the fact that the top graphic highlights Lower Manhattan and part of Midtown in its 23.2% of households portions considering the devastation of superstorm Sandy back in the fall. I think it's much more telling of the possibilities for disaster prevention/recovery in the city because of that.

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ok, so thereās an architectural style from the early/mid 20th century that is either called āmoderneā or āstreamline moderneā or āhouses that look kind of like groundedĀ ocean linersā.
and l.a has a lot of these āstreamline moderne houses that look vaguely like ocean liners from 1930ā. not enough, as theyāre pretty great, but still: a lot, comparitively speaking. and this one is arguably the prettiest of the bunch. because it also sort of looks like a corbusier inspired french/parisian house from 1930, but with palm trees sitting in the background (and uninspiring beigeĀ houses on either side of it).
also, iām advertising my ignorance here: i know nothing about this house. i donāt know who designed or built it. nor do i know when it was designed or built.Ā but itās beautiful. and it looks like like a grounded and amazing ocean liner. albeit a modest/small grounded and amazing ocean liner.
it does sometimes make me sad that when people/developers put up new buildings they rarely seem to aspire to put up beautiful and interesting buildings, butĀ rather throw up (apt choice of words) a handful of generic beige vaguely missionary houses.
i apologize for editorializing, but the world doesnāt really need any more generic beige houses. but the world would benefit from having more housesĀ that look like grounded, futuristic, art deco ocean liners. like this one. there, iāve editorialized.
dear developers: please make more houses like this. and fewer generic, beige houses. if possible.
thanks,
moby
oh, ps. hereās the wikipedia page on āstreamlined moderneā. oh, and iām not sure why they tacked the extra āeā on the end of āmodernā. but it makes it almostĀ impossible to say out loud and not sound really pompous. try it, say āmoderneā out loud. see, itās pretty awkward, huh. like you need a cigarette in a 10ā long cigarette holder and noel coward playing in the background.
Architects have received this memo about generic beige houses. Unfortunately they are often not the ones in control of making these projects happen. :/
'Evolution of Transportation' - Saqqara, Egypt - Winter 2009 Photo by Angela Holmberg
Furniture that isn't furniture. A raw, industrial aesthetic befitting of the resourcefulness.
Stack Boards [Scandinavian Deko., viaĀ myidealhome]
A major criticism of dense urban centers is a lack of connection to nature. Although the 'real thing' can't be substituted, there are man-made parks that create anĀ experience of nature amongst the concrete jungle. Think Central Park in Manhattan - a contained green space designed to deliberately obscure sight lines to give the illusion of physical and mental escapism from the surrounding urban environment and the fast and sometimes overwhelming pace of city life. Its design intentionally mimics nature with lakes, ponds, and winding paths through trees that contrast the rigidity of Manhattan's grid of streets. But with less and less sizable expanses of open space in cities for "authentic looking" nature oases, introducing natural elements into a city must be done in a more deliberate way. Unused or underused urban space is reclaimed and natural elements are used as a "building tool" to carefully create an experience of interaction with nature without masquerading as the real thing. Honest design expression in a time calling for resourceful and sustainable solutions to our human needs.
Urban rivers [ x x ]
Vernazza at Sunset - A Hike Through Cinqueterre, Italy - September 2009 Photo by Angela Holmberg

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Security made beautiful.Ā Upon seeing this, I immediately thought of the potential of a storefront on a dense city street utilizing a gate like this as an alternative to a generic garage style door. A security gate like this can add another layer to the facade (in regards to the design and, well, literally). Perforated metal comes in an infinite number of forms, so even when closed up and abandoned for the night a storefront can be visually lively. To go one step further, the gate can serve as a shading device when propped open. If the wall of glazing shown here wasnāt protected by an overhang, the gate could protect the interior space from harsh direct sunlight by filtering it through the perforated metal screen panels.
One downside I see right off the bat, however, is the lack of protection against graffiti and tagging as is seen on nearly every storefront security gate in a city.
Embassy of Belgium by Buerger Katsota Architects
I wrote this way back in August and lo and behold - I happen uponĀ Andre Kikoski Architect's Wyckoff ExchangeĀ in Brooklyn. (I guess I was onto something!) BIG fan of the corten steel used in their design. The oxidation process of the facade lends yetĀ anotherĀ layer to the life of the design.
I was just thinking about this the other day about how I am a huge proponent for multi-purpose spaces in a home, storage solutions that are clever and flexible as needs change, and the like, but I sometimes forget that these same concepts are just as vital in the public realm and that even small scale changes can make a big difference. These minimalist fold-out bike racks are a great, simple step toward a more cyclist and pedestrian friendly environment in congested urban areas that have yet to accommodate alternative transportation at a larger scale, such as bicycle and rapid transit lanes on roads, car-free commercial areas, and public parks. Fewer bulky bike racks Ā and bouquets of bikes inconveniently chained to other bikes chained to street signsĀ taking up sidewalk space!
Symbioza - bicycle [viaĀ conceptlandscape]