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editorial magazine
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Love Begins
sheepfilms
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almost home
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

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official daine visual archive
Misplaced Lens Cap
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let's talk about Bridgerton tea, my ask is open

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if i look back, i am lost

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Cosmic Funnies

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@ancientish
photographed by yulia zinshstein
styled and modeled by me
editorial magazine
http://the-editorialmagazine.com/?p=5945

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Oscar Dominguez, Minotaur

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Seth Price Untitled 2018 Inkjet, paper, acrylic polymer, glue, aluminum, wood 52.5 x 84.75 inches
Martin Parr ENGLAND. Garden Open Day, 1989.
La Cucaracha By Pieter Hugo
Jonathan Trayte. Cucurbita III, 2017.
concrete

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the state, empire, call it what you will is much more eager to extend its powers than retract them. once they start, there’s rarely any “going back to “normal””
this. it’s been almost 20 years since 9/11, the TSA has caught precisely 0 terrorists, american wars in afghanistan, iraq and iran have become even more blatant resource grabs, and the police state has only gotteb worse. be ready for the exact same shut to happen “post” covid-19
right! its incredibly naive to think THIS will be the instance where they reel it back, when time after time they’ve shown us that is never the case. though, maybe this is the time where people will say enough is enough
if you “like living in the city” it’s only because the “country” has been so thoroughly alienated and brutalized that paying exorbitant rent to live in some concrete-and-asphalt shit hole becomes a reasonable option. like, you realize that the lattice of boredom and isolation that runs through rural areas isn’t an inherent part of those territories, right? that it’s a function of the economic system that’s laid over it, and that very system can be destroyed?
bro what fuckin year is it
Andrew Wyeth (American, 1917-2009), Elsie’s House, 1983 . Watercolor and pencil on paper, 20 x 28 in.

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DANIEL DEWAR & GRÉGORY GICQUELSTONE -MARQUETRY WITH WASH BASINS, TAPS, SOAP DISPENSER, SOAP AND SOAP DISH, 2017, MARBLE, GRANITE, 200 × 240 × 2 CM
Basket of concrete fruit in Huairou by Stefano Cerio