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@amusedmuralist
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I was raised agnostic and tend to remain ambiguous on theological matters.
-but my house has a porch on the second story that affords me a terrific view of my neighborhood and the Colorado Front Range and I was partaking of some peace before the 4th Of July Finger-Loss Festivities begin, and I have had a
~*Spiritual Experience*~
I just watched my neighbor try to unload an actual wooden pallet that had to have been forklifted into the back of his insecurity pickup worth of fireworks.
Except that he does not have a forklift in his garage.
He does have so much sports memorabilia and cardboard boxes of unsold MLM Merchandise and patriotically themed camping gear and posters of women in bikinis and flags of suspect political organizations in his garage that there is only BARELY enough space for the fireworks and certainly none for his truck.
So he had to unload the individual boxes of recreational explosives from the back of his truck and stack them in the minimal space he had cleared by hand. This is a tedious and time-consuming process as this neighbor has purchased a wide variety of recreational and locally illegal explosives instead of many of just a few types, so the individual boxes are rather small.
He begins, and this is crucial to what happens next, by cutting apart the industrial-grade saran wrap his explosives dealer had so carefully wrapped his merchandise in, and discarded it unsecured on his lawn.
Where Outdoor Conditions sometimes happen.
can i show you guys the funniest friggin. palm tree
what the fuck
that's a silly straw
get seussed
Can i add an honourable mention in the form of the mock execution palms
watching sinners with an inflation calculator open in a second tab so i can understand just what kinda money the smokestack twins are throwing around. nerdiest possible movie experience i think.
Okay coming out of lurking for this because among the many great features of Sinners is you don't actually have to go outside of the movie to understand what kind of money they're throwing around. The movie tells you itself.
In the scene where Smoke teaches the young girl how to negotiate, they're standing in front of of a cafe. The shot of them negotiating is framed so that you see a sign in the cafe window advertising a Ham and Eggs breakfast - in other words, a full meal - for 25 cents. The editing makes sure to put that sign back into frame whenever the question of the value of money arises in their discussion.
Smoke offers her 10 cents a minute and asks if that works for her. She says yes. He says no, it does not and tells her to negotiate higher. The 25 cent sign is framed in the shot when he tells her no, reminding us *why* it's not a good value.
She comes back with 50 cents - which the sign has informed us is the cost of *two* meals. Smoke tells her that's too much and counters with 20, which is just under a full meal but we now know that's a fairly respectable price because we just got the high/low contrast of 10 being too little and 50 being too much.
The negotiation ends with her getting 20 cents per minute and we now know 1) 25 cents is the cost of a filling meal in this environment 2) This girl only needs to do five minutes of work to be able to feed herself for a over day (20 cents per minute times five is a dollar, which is four meals) 3) Smoke has the kind of money to throw around that over a day's worth of food for someone can be to him - as it is to our modern eyes - mere pocket change and 4) Smoke's the kind of person who can both be a violent gangster but also care about teaching this girl how to look out for herself so that one day maybe she too can throw over a day's worth of food around like pocket change.
Combined with 5) you can now use that 25 cents = a meal to do the math every other time money gets mentioned in the movie to understand just how much cash the Smoke Stack boys are dealing with.
And that's just ONE detail which, thanks to props (Hannah Beachler), editing (Michael P Shawver), and cinematography (Autumn Durald Arkapaw), told you almost everything you needed to know about how finances work in this environment. This movie is unfair to all other films in how fucking good it is.

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just saw a pigeon doing the puffed up courtship dance thing to another pigeon, and as he was strutting around he suddenly stopped for a split second to do a very brief preen-peck at his own side, then returned to the strutting around. and i surprised myself by instantly losing respect for the male pigeon in that moment, like come on man i appreciate you had an itch or whatever but how is she supposed to feel special when you're getting distracted by bullshit like that? which on reflection i don't endorse, i mean those are pretty harsh dating norms i'm imposing on these pigeons, from a total outsider perspective, for no reason. probably not all girl pigeons are as uptight about that sort of thing as i would apparently be if i was a girl pigeon, maybe she even found it endearing who knows, i don't know her. it's none of my business really. sorry pigeons.
IT'S TRUE and it makes it really easy to explain the humors (and other Shakespearean passages having to do with personality being determined by bodily composition) to students!!
m,y tuube:)
Since I’ve seen a few asks on your page discussing the folkloric origins of the zombie, I wanted to share a bit of slightly related film history that suits this page.
I don’t know how up on film history you are but what’s widely considered the first zombie movie (albeit it never uses the word zombie), Night of the Living Dead, has the heroic lead Ben played by a Black actor, Duane Jones. It came out in 1968 and Ben wasn’t written to be Black, but George Romero just ended up casting him because Jones gave the best audition (and he is really incredible, this is a favorite film of mine and his performance is a big reason). Obviously though, because of the casting choice of Ben (in addition to the era in which the film was made) the lenses you can analyze it through increase (with the way the other characters treat him despite the fact that he’s the only one actively thinking and planning and being competent, and also the ending hits in a different way as examples). One of my favorite horror heroes honestly.
I've never got to see this one, but from I've heard it's absolutely a great example of what happens when you cast a Black person in a role that wasn't meant to be "Black", and how that can change the dynamic of that character and of the meaning of a story.
Duane Jones actually had a huge part in the development of Ben's characterization. Originally Ben was supposed to be an uneducated truck driver sort of guy, that would shout crude remarks and demands. Jones revised his lines to create a more sophisticated character that could be seen as the rational, competent leader.
He also decided how the movie would end for his character.
Spoilers for the end of Night of the Living Dead:
used to think it terribly silly (and kinda funny) when fantasy or sci-fi stories would have people refer to major recent historical events as The Flood or The Incident or The Revolution, and im sure historians fucking hate that because it's not helpful or descriptive, but we sure do be calling it The Pandemic
Also the new linguistic quirk of just saying “it was 2020” as like. The full end of a story. You say “it was 2020” and everyone knows what you mean.
“I was going to get my masters degree but then it was 2020, so yeah”
“I was cast in a play and then it was 2020”
“my boyfriend proposed but then it was 2020”

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people are still thirsting over emoji angel in my notifs so this one's for you guys. I see you.
they're really getting the hang of queer slang I think (part 1)
I love the sandbox you made a lot @justcakethanks do you mind if I keep playing in it?
"what is this BABY doing in space!???"
-Rocky, probably

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sir gawain would do numbers on tumblr
ok now he actually is doing numbers
Pretty pretty please! I don't want to be a magical girl!!!