"What on earth"? Nothing.

I mean, in some very interesting Technically Correct ways, they didn't actually die? Now, they're very much no longer alive. But the forces involved are such that they didn't get any of the usual cellular processes of death, they simply went from biology to physics in less time than it takes a signal to travel down your optic nerve.

"they went from biology to physics" is an AMAZING turn of phrase

I love thinking about “lost episode” creepypastas from a production pipeline POV. I wanna be the guy who gets handed a script about a main character brutally dying with no actual plot and is like “Yeah sure. Greenlighted.”

“Everyone who watches this cursed Simpsons episode dies immediately afterwards” The storyboarder died on the spot right after they finished their work. Every single animator dies after they finish their cut, the studio just has to keep hiring new animators to replace the dead ones. They lost too much money already they HAVE to finish the episode that kills people.

How long did it take them to figure out that it could actually be done? That's staggering.

the thing about being bullied for being weird as a kid is that even if you've always embraced being weird your brain is still always looking for the line where it's too much. you can be as proudly and intentionally weird as you want and you can love being weird but your mind is still convinced there's a point where you get too weird and people start treating you like a weird looking bug again. also it feels like you reach that point 500 times a day even if everyone you've spoken to today found you pleasant and likable and even if you're completely alone in your house with nobody looking at you at all.

ive just seen the american psycho characters drawn as my little ponies and honestly i dont think patrick should have been given that cd as his cutie mark. i think you're doing it wrong if you're not making him a perpetual blank flank

look if you're gonna draw characters as my little ponies you have to remember that the cutie mark can't just be any old imagery you associate with them. it has to be Representative. it's their Unique Characteristic. to quote the pony wiki page i just googled, "Twilight and Applejack point out in Call of the Cutie how lacking a mark means that ponies still get to experience 'the thrill of discovering who they are and what they're meant to be'." there's narrative shit going on here there's Themes. and patrick bateman is NOT unique. he has NOT discovered who he is or what he's meant to be. the end monologue of the book is literally about how he has absolutely nothing going for him in this regard & is simply a vacant, hollow person merely vacuously gesturing at the idea of having depth. and when he rants about music, that's what he's doing there, too. his lyrical analysis is shallow/vaguely inaccurate summaries at best and completely warped at worst. everything he has to say about music--and in general--is intensely fixated on commodities and on appearing normal and intelligent while being entirely devoid of any intelligent or individual thought. so no, his cutie mark is not music. mr "missing that hip to be square is about making fun of conformist squares & proudly proclaiming that its actually about how fucking Awesome it is to be conformist and consumerist" does NOT have a fucking cd cutie mark. He's a blank flank. He has no unique identity. There is no future for him. There is no self identity. He's a fucking blank flank. okay? sorry i got a little passionate about this. there is no exit and he has no cutie mark

tHERE ARE MEMES IN THOSE HIEROGLYPHICS