unfortunately it hurts all 3 of my feelings

until i opened it, and it was DUCKS

Oh, I just realized I can upload videos here! So I made a special one for you.This is one of my favorite paintings -Aurora. And she’s a little unusual because my northern lights are pink.You can see part of the process in the video. I used masking tape to create some of the shapes, fluorescent pigments mixed with a fluid gel medium, and phosphorescent paints that absorb light and glow in the dark.That’s probably what I love most about paintings like this: they never look exactly the same.In daylight, you see one painting.

Under blue or UV light, the colors suddenly change and become incredibly intenseAnd when the room finally goes dark, the stars begin to glow on their own.It feels like having a tiny piece of night sky living on the wall.

If you want to try something similar yourself, I should probably warn you: I used quite a ridiculous collection of materials for this one. You absolutely don’t need all of them. Start with a few fluorescent colors, a good gel medium and maybe one glow-in-the-dark pigment. Experiment and see where it takes you.

Sometimes the most interesting part of painting is discovering what materials can do when you stop using them in the most obvious way.

Ironically, hard light is bad for recording sexy time.

It will highlight every pore, every vein, every wrinkle on your nutsack.

These outtakes where the flash didn't go off are also AI generated.

I like this spooky dutch angle one.

I was just starting to learn flash and I didn't have all the equipment I needed. Since corgis are quite short, I had to put the lighting on the ground. The off camera flash was on a tipped over lightstand with a shoot-through umbrella to diffuse the light.

But I had no wireless triggers. And the only other way to trigger a flash, is with another flash. So I used the on-camera pop up flash to trigger the main flash.

But I had two issues.

First, I did not want that dinky on camera flash affecting my picture.

Second, triggering a flash with a flash is best done indoors. The flash will bounce all around the room and eventually hit the sensor so the main flash triggers. When you are outdoors, there is no bouncing.

SO... I took a little handheld makeup mirror and angled it toward my main flash. This blocked the dinky pop up flash and sent the beam of light towards the main flash to trigger it.

I was lying on the wet morning grass, holding a camera in one hand, a mirror in the other, trying to aim the mirror exactly toward the main flash, making crazy noises to get Otis's attention, and trying to get the focus point on his face so I didn't get a blurry photo. Also, Otis was much more interested in sniffing things than posing for a photo.

Here is an overhead view that might help explain.

I await all of your comments saying my amazing drawring is clearly AI generated.

Only 30% of the time did the flash actually go off. Aiming the mirror was tricky and I was doing like 8 things at once. I wasn't even sure I got the photo I wanted. But when I came back to the computer there was one that stood out and it is one of my favorites I've ever taken.

It was the best combination of monumental effort, great discomfort, perfect foggy sunrise light, and just pure luck.

Unfortunately, people like me who use advanced sculpting light techniques are getting accused of using AI more and more. Not really sure what to do about it—other than show the 30 awful photos it took to get the good one.

My 80s sunglasses photo and spoon photo get called out the most.

But it's just good old fashioned gradient lighting which has been used in product photography since the days of film.

@ironic-dysgraphia

Most of my photos with artificial light added would be considered "unmotivated lighting." I think that is the term you were looking for.

The short explanation is that motivated lighting always has a logical source. Like the sun or a window or a lamp off to the side.

That doesn't mean there are no lighting shenanigans used.

The overhead office-style fluorescent lights depicted in this scene were actually powerful diffused light bars that were much closer to the actors. They replaced the ceiling in post with more traiditioinal looking lights. So the lighting was still very crafted—but it has a logic and realism that doesn't set off alarm bells in your brain saying, "Where is the light coming from?"

Unmotivated lighting is the opposite. It's crafted, artificial light that doesn't need to make sense. It just has to achieve the aesthetic goal of the artist.

All studio lighting is unmotivated. I just re-edited this old photo of my dad.

There is no room in the world where he could have sat down and had perfectly sculpted light hitting his face. I intentionally directed the light to accentuate his features and capture the best, most idealized version of what he looked like.

Coincidentally I just wrote a post about motivated lighting in films.

Weirdly, I expressed a preference for motivated lighting in movies with a realism-based aesthetic and a lot of people disagreed. They said that the lighting comes from the same place as the music and that you just have to suspend your disbelief.

(Personally I think that is a bad analogy because music is *very* motivated by the emotional vibe. I would say unmotivated lighting in movies comes from the same place as women's apocalypse makeup.)

But I *love* unmotivated lighting in still photography. I love crafting an image and creating it in a fantasy realm where perfect, beautiful, sculpting light can come from anywhere. I want the most idyllic lighting possible.

It's the only way I could make fingernail clippers look beautiful.

And now people are saying unmotivated lighting looks like AI or CGI and isn't authentic. Even though this aesthetic was created before computers were invented and the tools of post-capture manipulation were done in a darkroom.

I'm fairly certain this is because AI does not have a great understanding of motivated lighting. It never thinks about where the light is coming from so it almost always creates images where the lighting comes from a fantasy realm. And now people are heavily associating unmotivated lighting with AI, even if it is a subconscious observation.

I think at this point in time, people are yearning for authenticity. We know so much of our imagery is heavily manipulated for nefarious purposes. Beauty advertising with retouched skin like porcelain dolls and liquified torsos that don't leave space for vital organs. Every fast food ad shows the perfect juicy hamburger because they paid a food stylist $500/hour to perfectly cook and arrange things.

But fast food workers are not food stylists and your burger isn't going to have perfect lettuce and a non-smooshed bun.

(Before you reply with urban legends about food styling, they don't use fake materials. They are required to use the actual ingredients. Those myths came from movie prop masters who needed to maintain the look of food during hours of shooting.)

I think AI just turned our uncomfortable relationship with unrealistic imagery up to 11.

It's a little depressing for me because I love to use light as my artistic medium. I say I am a photographer, but my passion is more focused on lighting.

And I often incorporate my other passion, which is image manipulation. I sometimes add another layer of unreality to my images by artistically editing them.

This is days of work.

I worked very hard for the in-camera image. Dragging a heavy chair and lighting equipment into a field on a hot summer day was not easy for me.

But I also worked very hard on the edit. The RAW file is overexposed, but once I corrected that, the lighting on him and the grass is actually what I captured. I hid a flash in the lampshade and lit him with my big 7 foot umbrella off to the right.

I could have shot this at night, but my area has so much light pollution, I would never have achieved the sky I wanted in my head. So I took the photo knowing I'd replace the sky later.

I like crafting images. I like picturing something in my head and then trying to manifest it in a photo.

I get why people are starting to prefer more natural looking images. I understand why they are currently preferring everything to be captured as it was in the moment. I know why they disparage the amazing work of CG artists and demand that every movie use only practical effects.

When everything is fake, a small dose of reality feels special.

But I see my photography more like a drawing or a painting. Light is my paintbrush and I am just trying to manifest my imagination into an image. I don't claim I don't use artificial light. I never say anything is "straight out of camera." I am very open about my use of Photoshop. If I were able to leave my house and go to more beautiful places, perhaps I would take a more motivated approach.

I mean, I love when the world is just beautiful all on its own and all I have to do is competently pick settings on my camera.

But I enjoy my artistic process and while some of my images may not be realistic, I think my artistry is always authentic.

I don't need every person to like every one of my photos. But when I work hard on a photo and there is clear talent and skill involved, I'm hoping people will still acknowledge that. I hope they will respect the effort and artistry involved.

I didn't enjoy the show Breaking Bad. I disliked all of the characters and the story just depressed me more and more as I watched it. But I still think it is an amazing show created by talented artists. I can acknowledge the monumental artistic achievement even if it wasn't my cup of tea.

TV Appreciation Week 2024  : Day 7 : Free choice → Favourite show nobody watched (Galavant)