STAR WARS + THE 7 LIGHTSABERS FORMS
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he wasn't even looking at me and he found me
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STAR WARS + THE 7 LIGHTSABERS FORMS

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i dont even read posts anymore i just look at the shapes
CHRIS OāDONNELL as DICK GRAYSON BATMAN & ROBIN (1997) dir. Joel Schumacher
Climate TBD.
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Bro İ hate being an academic they're making me write shit š İ thought İ was just supposed to sit in an old chair smoke & say something french every now and then š¢
am i having a stroke why are your i's so long i'm
PACIFIC RIM dir.Ā Guillermo del Toro, 2013
Batwoman #17 by Dan Panosian *
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me, all the time: i could just die and not have to do this
Heās in shock. I think he meant, āKill him.ā The Book of Eli (2010) dir. The Hughes Brothers
Mad Max 2: The Road Warrior (1981) dir. George Miller
⢠DIRECTORSā SIGNATURE SHOTS ⢠QUENTIN TARANTINO, THE TRUNK SHOT low camera angle
In his early films, Tarantino uses the trunk shot as a means to further introduce his characters and develop them into more nefarious and gritty criminals; however, as his own filmography and cinematography becomes more recognizable, he later shifts the trunk shot towards more critical moments in the film. Shooting characters from a low camera angle accomplishes many things in the world of narrative filmmaking. For one, it makes them look big, powerful, and larger than life. x
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police: you're under arrest
me: no i'm not
police: shit