Fernando Vicente "Vanitas“ (part one)
(part two)

Mike Driver
todays bird

JBB: An Artblog!
Alisa U Zemlji Chuda
styofa doing anything

Kiana Khansmith
ojovivo
DEAR READER

tannertan36
Sweet Seals For You, Always
Peter Solarz

blake kathryn
trying on a metaphor
tumblr dot com
d e v o n

祝日 / Permanent Vacation
h
we're not kids anymore.


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@aljcev
Fernando Vicente "Vanitas“ (part one)
(part two)

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Sei bellissima e lo dico da ragazzo lol
Ma siete tutti dolci, omg
I want world peace and Taylor Swift and Ed Sheeran to release more music together.

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Sei bellissima e lo dico da ragazza
Sei dolcissima! Grazie!
Uh
@aljcev
Omg @idylliquebleu
Adoro
Ho tirato su le mie quattr'ossa e me ne sono andato.
Giuseppe Ungaretti , I fiumi (via anormalguywithabnormalmind)

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My country is fragile, my country is strong. My country is art and beauty, my country is ruins and tragedy. Unite we stand, another time
Jacques-Louis David - Cupid and Psyche (1817)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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il meglio di me. /foto mia./
Dancers in the Rotunda at the Paris Opera (c.1875-1878; reworked c.1894). Edgar Degas (French, 1834-1917). Oil on canvas. Norton Simon Art Foundation.
Degas began work on this canvas around 1875, when the Palais Garnier had just opened. The most dramatic alterations Degas made have to do with the texture of its surface and the use of color. Thin, overlapping veils of pigment—often applied with fingertips, rather than a brush—create a dreamy, opalescent effect far removed from the crisp naturalism of Degas’s early career.