I would say that recreating the characterisation, mood and general vibes of an existing work of fiction is in fact a skill in and of itself that's acquired via practice. A common compliment delivered to fanfiction writers is how well they have captured the spirit of the original work. Inexperienced fanfiction writers fail to do this.

When creating an original character you can, ultimately, say anything about them and now it's canon bcos you created them and you said so. conversely, well, if you are covering a well known song and start playing the wrong notes people will notice immediately.

In addition: a lot of fanfiction, IMO, is in actuality a form of metafictional literary analysis. a story where two characters sit down and talk about their feelings about a canonical event? literary analysis, which is of course a skill. Sometimes fanfiction is bad bcos the writer is not good at interpreting texts.

and it's fucked up! because circumstances aligned that just as gen z grew up and lost their innocence, so too did the places they frequented fall into disrepair; what more poignant metaphor could you find for dead decadence than having the excesses of your childhood literally fall apart as you grew up? and its so interesting, because it''s not quite the same fear as the dark forest full of monsters that preceded the liminal spaces movement; humanity has long moved past being seriously threatened by packs of wolves or stray bears, and so the mythology around them stagnates. but that level of industrialization, the building of ever-bigger buildings, the stripping of human imperfection in favor of mass-production, the pervasive sense of not fitting into a world that was supposed to be promised to you? that has shaped the concept of a "liminal space" in a facinating way. i think that's why the liminal spaces movement is dominated by man-made locations- to the point where even when set outside, the focus is specifically on an artificial element of the landscape. the mass-production, the sameness of modern architecture- it's expressed by exaggerating it, stretching what would be in reality large but walkable buildings into expansive labyrinths with no rhyme or reason to their construction- which, of course, is the point; that instead of there being no reason for it's existence, like a dark forest, there is a theoretical purpose that these buildings are fulfilling- one that is entirely exclusive of you. it's an expression of decadence a level above dead rich people haunting their own hoarded wealth; a building built entirely for it's own sake, built until it encompasses the entire world, where humanity has been entirely excised. to a generation that now worries more about the seemingly unknowable whims of corporations, dead decadence no longer means old castles and dilapidated manors where one rich man lived and died- it means empty suburbs where no one lives, grungy shopping malls with every booth shuttered, playgrounds and arcades left to rot at the will of an ambiguous gestalt for reasons strange and opaque.

Like, my options are turn it off (and let my incredibly sick imagination finish it for me, which is always worse than whatever the movie can offer) or lecture the characters on their dumbassery. loudly and confidently like I'm fending off a mountain lion.

for like .2 seconds I almost felt bad for the parents, but like... this whole thing could've been avoided if they'd just told him the truth when he said he heard a girl in the walls. or gone to check the cage.

Like, my options are turn it off (and let my incredibly sick imagination finish it for me, which is always worse than whatever the movie can offer) or lecture the characters on their dumbassery. loudly and confidently like I'm fending off a mountain lion.

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