Sagres, Portugal by Luca Severin
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Sagres, Portugal by Luca Severin

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-Enclosed field with rising sun-
Hey. Your brain needs to de-frag. Literally it needs you to sit there and space out.
If you want your memory or executive function to improve, stare out a window at the skyline or sidewalk or trees or birds on the electrical wires for like 20+ minutes per day. (With no other stimulation like a podcast or TV if you can manage but hey baby steps innit). If you're fortunate enough to have safe outside with any bits of nature, go stare closely at a 1 meter square of grass and trip out on the bugs and shapes of grasses and stuff.
Literally this will make you smarter. Our brains HAVE TO HAVE this zone out time to do important stuff behind the scenes. This does not happen during sleep, it's something else.
That weird pressurized feeling you get sometimes might be your brain on no defrag.
Give your brain a Daily Dose Of De-Frag.
Meadow with Poplars (1875) by Claude Monet

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-Ehrenbreitstein and Coblenz-
What I like in a Poem
From my website: alanrmassey.com
I’ve come across Stevie Smith’s poem “Not Waving but Drowning” in the Oxford English Verse book and was reminded at once what it is I like exactly in a poem. Of course, most of it, that thing which attracts me to a poem in the first place, is an unspeakable thing, which makes the celebration of a poem a rereading and a re-rereading, not a dissection or unnatural preservation (A modern retelling!). I’ve come to realize that most to all beautiful things have the potential to look ugly once cut open, though that’s not to say a poem, or any piece of art, cannot have a deeper, more beautiful meaning underneath its surface. What I mean is that going over every word, relating the poem to some lame news-cycle story, or inserting it into one’s political beliefs turns a poem into something which it is not.
But I’ve come to talk about the powers of poetry, its beauty and holistic restorational qualities. Isn’t there something so healing about reading a relatable poem? This is why we read them. Going back to Ms. Smith’s poem, what I enjoy from it is its relatability. At what point in our lives have we not been mistakenly identified as looking happy and healthy when the reality is the opposite? Just because we like to play and smile doesn’t mean there isn’t some tremendous, almost crippling anxiety or depression or unspecified angst, which are characteristics one despises in another person when it’s so outwardly expressed. What a paradox of the human condition, how it is best to hide when encouraged to come out. It’s nice to know, God it’s nice to know, how not alone we are in this world.
This all comes back to a grand impression a poem gives the reader. Of course its specific actions and words contribute to that overall grand impression, but to give them, or more horrendously, to relate one or two words to a poem’s greatness is to love a cloud for its molecules and a rainbow for its orange. In Smith’s poem I love its wholeness. If one stanza were cut or one word out of place the poem would, like the character, drown. If one thing is out of place this poem turns sentimental. It has all the possibilities of being a middle school diary entry. But all the words add up, and it becomes this thing which is universal and true.
If I sound vague, I apologize. But summing up a poem’s greatness is a vague thing, the specific becomes abstract. Going too far with it, that is the dissection of a poem, does run the risk of ruining its beauty and wholeness. To compartmentalize a poem, that is to break it down by its parts, its stanzas and lines and words, destroys its magic. What I like in a poem is the poem itself. What makes a poem likeable and good is its relation to the reader. For me, and I suspect for a whole lot of others, it is honesty, lightheartedness, a general love for people, specificity in parts and summation in others, perspicacity, and that other unknown thing which binds all great poems together. Stevie Smith’s “Not Waving but Drowning” fulfills these things and also fulfills parts of myself I don’t know about. For that, it is worth reading and rereading and more.
-Nurses in the Park-
Hey everyone. If you'd like to buy my first poetry collection Clean Afternoon Love then you may do so on Amazon. And if you have any questions or comments about poetry then feel free to message me.
Thank you all so much,
ARM
Blurb I had to write about this collection:
These poems are funny little things. They don’t take themselves too seriously. They shave and shower and brush their teeth but totally disregard the anxieties that seem to plague their cousins. Somehow they fell immune. Sure they might not get straight A’s. And they sleep well beyond their alarm clocks, but they walk without shame or guilt or worry and go through this life happily, like the glad idiot who unwittingly makes the world envious of him; these poems shed light inside his life. They fall asleep when their heads hit the pillow and prefer the simile to metaphor.
"Vulnerable Again" from this collection:
-Rough Sea-

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-Willows and Figures in a Boat-
-Enclosed Field with Peasant-
-Large Trees at Jas de Bouffan-
Poem of the day: "Not Waving but Drowning" by Stevie Smith
-Mont Sainte-Victoire-

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Raymond Carver
The Promenade, Woman with a Parasol (1875) by Claude Monet
Oil on canvas