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@akylha

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"Nothing ever ends poetically. It ends and we turn it into poetry. All that blood was never once beautiful. It was just red."
– Kait Rokowski
― Billy-Ray Belcourt, A History of My Brief Body
[text ID: To love someone is firstly to confess: I'm prepared to be devastated by you.]
Victorian Cut Glass Decanters

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"The way she falls, ever so gracefully from heaven in the heat of hell.."
- do tell -
"Like a noose she wears as a necklace of thorns, horns forlorn of heaven.."
- sit a spell -
"Driven by love and doves, roses, posies, without an ounce of crows feet lit by a moon of desire.."
- her personal hell -
"Where the truth rots her heart, that the one's she loves will die one day, hell what some may say."
- life smiles on her -
"She smiles into the face of life as death when it was her who gave its first breath.."
- a fallen angel you heard -
"With as devilish as she may seem, a perfect dream, with the most beautiful smile that is felt, not seen.. and a sweet demon, devil grin it may seem.. fallen angel maybe, but she's got the face of an angel to me. A perfect goddess is all she could ever be.."
A goddess must wear many faces to appease the ones that she loves or they would see her perfection and surely hate her - eUë
Vesuvius in Painting: Part I of the Vesuvius Edit
Vesuvius: the most–painted volcano in the world, which during the peak of 18th century romanticism was the prime subject for a number of artists, including Dahl and Wright and Turner. During this time, it was an educational rite of passage that young, aristocratic Englishmen would embark on the ‘Grand Tour’ across Europe in order to learn of art and culture — in particular, of the much–vaunted Greco–Roman societies of antiquity, which by Victorian times were considered to be the ‘ideal model for Britain’ (and all the more after the discovery of Herculaneum in 1709 and Pompeii in 1748; catalysts for neoclassicism).
Vesuvius was active during this time, in an effusive inter–plinian phase of volcanism quite unlike that of its famous AD79 eruption. Hence, these paintings of Vesuvius — which largely follow the 18th century formula in depicting incandescent fire–fountains and streams of lava alongside the calm blues of the Bay of Naples besides — are thought to be of reasonable likeness to what was observed at the time.
Aphroditos, the Trans Aphrodite worshipped widely in Amathus and Athens.
This particular pose, where a feminine deity lifts up their skirt or dress to reveal a phallus, is called the Anasyrma or Anasyromenos and was widely regarded as an apotropaic gesture, averting evil influences and bringing forth good fortune.
"There's also a statue of Venus on Cyprus, that's bearded, shaped and dressed like a woman, with scepter and male genitals, and they conceive her as both male and female. Aristophanes calls her Aphroditus, and Laevius says: Worshiping, then, the nurturing god Venus, whether she is male or female, just as the Moon is a nurturing goddess. In his Atthis Philochorus, too, states that she is the Moon and that men sacrifice to her in women's dress, women in men's, because she is held to be both male and female."
-Macrobius, Saturnalia (C. 431 CE)
This combination of masculinity and femininity in the same Deity and their assocition with the moon, both of which were considered to have fertilizing powers, was regarded as having an influence over the entire animal and vegetable creation.
They were often identified with Ermaphroditos (Hermaphroditus), the intersex child of Aphrodite and Hermes
Sources:
Koloski-Ostrow, Ann Olga; Lyons, Claire L. (2000), Naked truths: women, sexuality, and gender in classical art and archaeology, Routledge; pp. 230-231.
^ Freese, John Henry (1911). "Aphrodite" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. 2 (11th ed.). Cambridge University Press. p. 166.
Macrobius; Kaster, Robert A. (2011), Saturnalia, Volume 2, Harvard University Press; p. 58
uk gardens by Mark on flickr

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Florinda, 1853, Franz Xaver Winterhalter
Medium: oil,canvas
male nude - gustav klimt (1880) // 9x01 // the dying gladiator - pierre julian (1799) // patroclus - jacques-louis david (1780) // 9x03 // male back with flag - michelangelo (1504)
Sea of Stars, Vaadhoo Island, Maldives by Doug Perrine
Botanical illustrations (between 1823 and 1829 ) by Kawahara Keiga (Japanese, 1786–).
Watercolour and pencil on paper.
Naturalis Biodiversity Center/Wikimedia Commons.
Castle Sinclair Girnigoe, Scotland by jameslloydcole

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Der Reigen. Ludwig von Langenmantel (German, 1854-1922)
Bilitis. Lucien Lévy-Dhurmer (French, 1865-1953)
Return of Persephone. Alfred Kingsley Lawrence (British, 1893-1975)
Diana et Calisto. Jean-Baptiste Marie Pierre (French, 1713–1789)
Museums Vienna
february 2018.