بغداد في الستينات
art blog(derogatory)
Fai_Ryy
Xuebing Du

oozey mess
ojovivo

❣ Chile in a Photography ❣

gracie abrams
Sade Olutola
The Stonewall Inn
we're not kids anymore.
untitled

@theartofmadeline

izzy's playlists!
cherry valley forever

Origami Around

pixel skylines
let's talk about Bridgerton tea, my ask is open
Stranger Things
seen from Canada

seen from Mexico

seen from Malaysia
seen from United States
seen from Russia
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seen from Türkiye

seen from United States
seen from Bangladesh
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seen from Estonia
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seen from Palestinian Territories

seen from Morocco
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@aksnameh
بغداد في الستينات

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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العراق - 1950م
house types in West Baghdad, 1957

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The site in central Cairo where today’s Opera House and Museum of Modern Art are located was once the country’s focal point for exhibiting national modernity. (Fig. 1) The history of the site captu...
mckenzie wark
The Situationists had a useful term for the time and place that others have messianically dubbed “late capitalism”: they called this “the overdeveloped world.” It is as if capitalism in the West overshot the point where its internal conflicts might have transformed it into something else. Now it can only feed on itself. One of capital’s few remaining growth strategies is to colonize from within those cultural bulwarks which, in Victorian times (or even in postwar America), seemed to be the noncapitalist stabilizers of capitalist accumulation. And so we get the whole of culture — education, communication, even religious faith — recapitalized, via charter schools, MOOCs, private contractors, social media, the megachurch.
https://lareviewofbooks.org/contributor/mckenzie-wark

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Laredo before they put in IH35. People always trying to fuck with the border.
These faces are inspired by real people who got their portraits taken in photo studios in Peshawar (Borderzone Pakistan, Afghanistan) in the late 60ies and early 70ies, based on material collected by @lukas.birk . Check our limited edition art book #weweredrawnhere and our detailed interview with @alartemagazine to learn more about it ( links on my website) #embracetheface #portrait #peshawar #moshtarihilal #moshtariillustration
“I love order”
(https://www.youtube.com/watch?v=cRES6Af_Wyg gönderdi)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Bu dönüşümün en açık göstergesi, yayıncılığın bir sektör haline gelişidir. Caddelere bakan küçük kitabevlerinin yerini alışveriş merkezleri içine kapanmış büyük ‘bookstore’ların alması bu sürecin oldukça manidar göstergelerinden biri olarak alınabilir. Eskiden bir nevi ‘kanaat önderi’ gibi iş gören kitapçının yerini ‘tezgâhtar’a, ya da daha yerinde bir ifadeyle ‘satış elemanı’na bırakması basit bir dönüşüm değildi. Yayıncılığın, dolayısıyla edebiyatın üzerine nasıl bir ‘alev topu’nun düştüğünü görmek için, herhangi bir ‘bookstore’a uğrayıp oradaki raf dizaynına şöyle bir göz atmak bile yeterlidir. ‘Çok satanlar’, ‘yeni çıkanlar’ ve ‘diğerleri’... Bu üç temel kategori ‘eleştiri’ denen kurumun da çöküşüne işaret eder; şimdi belirleyici olan, edebiyatın ‘muhafız birlikleri’ değil, Piyasa’nın ‘taarruz birlikleri’dir.
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