victoria mboko // ipomoea cordatotriloba
Today's Document

Kiana Khansmith
ojovivo
Lint Roller? I Barely Know Her
Jules of Nature

Kaledo Art

oozey mess
Monterey Bay Aquarium
d e v o n
KIROKAZE
he wasn't even looking at me and he found me

Sade Olutola
dirt enthusiast
Misplaced Lens Cap
YOU ARE THE REASON

Janaina Medeiros
seen from United States
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seen from Netherlands
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seen from United States

seen from Türkiye
seen from Lithuania
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seen from Estonia

seen from Poland
seen from Finland
seen from Russia
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seen from United States

seen from United States
seen from Malaysia

seen from United States
@akissthroughtheglass
victoria mboko // ipomoea cordatotriloba

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You Could Go Anywhere but You Won’t, 2023 Photographed by Brooke DiDonato.
just experienced a Collective Autism Moment at a bus stop. Shit was potent, I had to make a meme about it. We were so locked in that words were unnecessary
people went to war over this show
who suffered more?
Pearl
jesus christ

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wwait this is so funny. dragonite is such a nice guy that it wants to beat you up quickly enough to get it over with as soon as possible. amazing, i see no flaws in that logic.
nonsense words such as "blorbo" and "skibidi" are outliers and a minuscule minority and thus do not invalidate that statement
Skibidi coming from scat, an art form pioneered by black people, is actually AAVE, and not an outlier.
Just bought my ticket for Adolescence of Utena. Gonna watch Utena and Anthy dance in a pool of starlight in theaters 🥹 used to pray for times like this
Stressing that it was never okay to criticize someone’s appearance, Ariana Grande fans reportedly took to social media Monday to slam body-shamers for pointing out that the singer was actively on fire. “One, she’s always been naturally flammable, and two, she’s asked people to stop talking about the fire multiple times,” said 29-year-old Emma Dunning, who vigorously defended Grande’s new look in a comments section online after photos from the Eternal Sunshine Tour showed the singer performing with a visible blaze consuming her from head to toe.
Full Story

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Martha Reec by Andrey Yaroshevich for Vanguard Magazine June 2026
Yuta and Megumi are two sides of the same coin. Princes of patriarchy who find themselves out of place in a modern society that doesn't need them.
Yuta represents the social dominance of men. His most powerful allies are his wives; his best tool is his wedding ring. His timid nature and lack of status as a boy allow him to persist in the delusion that marriage is a bond between equals and not a contract where the husband takes everything. That's the heart of his sorcery: "because my feelings of love are real, it's okay for me to gain power through unequal relationships". He's a good man, doing what good men have always done: make the right excuses to himself and take care of his family.
Megumi doesn't have that luxury. Unlike Yuta, he inherited the dark underbelly of patriarchal power instead of the rosy veneer. He DID inherit wealth and status, and with them, a living clan perpetrating horrors to preserve them. So instead of a symbolic exchange like marriage, Megumi's curse technique provides ruthless tools engineered for winning power struggles.
Unlike love, power is selfish. Unlike love, power only protects itself. So Megumi can never reach the heights Yuta can as a sorcerer while still believing he acts to protect his loved ones. The Ten Shadows Cursed Technique won't allow it. Love protects Yuta's illusion, but it ruthlessly attacks Megumi's.
That's why, from the start, we understand that Megumi isn't reaching his full potential. He's noble and kind, so a crown doesn't suit him. He could only reach the height of his power by rejecting love in favor of power, which is something he'll never do.
Two sides of patriarchy in the modern world. Two boys inheriting old power structures: one that supports beloved husbands, and one that crowns heartless kings. Modern men who choose love excel by gaining power from patriarchy and society. Modern men who reject power itself lose everything to keep their integrity.
This is a very personal reading for me as a trans woman, because my entire identity essentially revolves around the exact choices Yuta and Megumi make.
What is my response to the unequal nature of relationships between men and women?
How do you use undeserved power inherited from a corrupt system?
Yuta answers, "If our relationship is unequal, I'll just use my power to benefit those under my care. I can use this power without abusing others, so the fact that it's undeserved is irrelevant."
Megumi answers, "I'll do my best to protect the women I love, and I'll put my own desires last to make up for my privilege. I'll hand this undeserved power to any woman who asks for it, especially those in the structure supporting me. To be honest, I don't even really want to use it."
The wedding ring and the shadow crown. The good man and the depressed isolate.
I really see myself in these characters because every boy faces the same questions. Becoming a trans woman for me was the equivalent of answering:
"I will reject every trapping of patriarchal relations that doesn't suit me, including marriage, dating, and respectability, rather than rule over a woman as a patriarch. I can't protect women using the tools that oppress them, so i will be a friend to them with the tools that can actually help. If I have undeserved power, I will see it as a moral failing."
Like Yuta and Megumi, there are pros and cons to taking this path. Your true feelings of love suddenly become legible, you're happy, and you feel free from the obligation to start a family and be a provider/protector. After all, freedom from privilege is also freedom from responsibility!
But on the other hand, the belief in your own moral superiority can make you complacent, and complacency is the first stone in the road to stagnation. Freedom from responsibility isn't always good, either. In truth, you are still responsible for taking up the social and domestic labor that you didn't have to do as a man because that's the only way to lessen the load on other women. Just because your patriarchal responsibilities were stifling doesn't mean all responsibilities have to be.
Gender is truly a convoluted curse with its own set of rules and balances! As a trans woman, I love jjk's approach to these subjects. More than almost anything I've ever read, JJK depicts men and women as we actually are: conflicted, sharing and distributing power according to what we feel is right as well as what's just easy. No perfect fathers or wives, just people handed something bigger than a human lifetime and asked to square the circle.
Every answer is different, and that's what makes us human.
girl same

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me and my outfit on dyke day. i had so much fun twerking and being with my lesbian friends ♡
People will laugh about how John's childhood was so easy compared to everyone else's and how his complaints look so silly compared to the abuse the Strilondes are coping with and the isolation Jade deals with and isn't it hilarious just how much he freaks out about it when he has no right to? Isn't that so funny? How John had a good and normal and healthy childhood as a good and normal and healthy son to his good and normal and healthy father? And then you read through Act 1 with any semblance of an understanding of Transfeminism and it's just this the whole time: