Land or Water?
Coriolanus and Antony both betray Rome. Although Coriolanusâs betrayal is the more obvious one (there is nothing subtle about an army on the doorsteps of the city), Antonyâs is the greater one, because it is more complete. Coriolanus holds on to a bit of Rome, what he perceives to be the ideal that encompasses Rome. Unlike Coriolanus, Antony abandons every aspect of what it means to be Roman.
Antony leaves Rome repeatedly, and for extended periods of time, indicating that he does not wish to be a part of the physical location of Rome. He might not hate the people of Rome like Coriolanus does, but he does not seem to care about them either, as evidenced by the fact that they do not appear at all in the play in which he is the main focus. Antony also betrays the government of Rome by disrespecting and fighting Julius Caesarâs chosen heir.
Coriolanus commits similar betrayals, forsaking and threatening the physical city of Rome, the people of Rome and the government of Rome. And yet, Coriolanus seems far more heroic than Antony, because of his motivations. Sure, Coriolanus is partly self-motivated, but what drives him most is the protection of the ideal of Rome, which is the true form of the city itself (in his mind). Thus, as was said in class, Coriolanus carries Rome with him, in âthe world elsewhereâ (3.3.135), and continues to fight for it, even while he is attacking the Rome and its surroundings.
Antony on the other hand seems to act out of selfishness and desire, without regard for any version of Rome. The biggest difference between Antony and Coriolanus is that while Coriolanus refuses to be âfalse to my natureâ (3.2.15) Antony trades his Roman ideals in for Egyptian ones.
Shakespeare uses symbolism to highlight the two cultures and ideals. Rome is represented by land and Egypt is represented by water. Rome is like the land because it is rigid and solid in its duties. It is also a conqueror of many lands. Egypt is associated with water. The source of Egyptâs prosperity is the Nile. The Nile is also the inspiration for Shakespeareâs depiction of Egyptâs culture and ideals, which are fluid, like the water that flows in the river. When Antony first meets Cleopatra, she is in a âbargeâ, âburned on the waterâ (2.2.201-202).
Despite being Roman by birth, Antony is depicted as lacking the attributes of land that are associated with Romans. He shirks his duties countless times during the play. He neglects his duty to his wives, by loving Cleopatra more than them. He neglects his duty to Rome by leaving it behind and living in Egypt. He neglects his duty to Caesar, his friend, by not respecting his wishes and seeking to seize the power from Octavius.
In place of these Roman ideals, Antony has taken on the ideals of Egypt. He pursues pleasure and desire far more than the good of his city (or even himself). His personality has even become shifty like the waters of a river, as he shows inconstancy, indecision and instability.
Antonyâs abandonment of his Roman ideals and values was not a sudden change, but was a process begun before the playâs start, as indicated by the first description we get of him. Philoâs langauge compares Antony to a river; his dotage âOâerflowsâ (1.1.2) and his eyes ânow bend, now turnâ (1.1.4). Like a river slowly erodes the land it flows through, Egyptâs values slowly eroded his; he even says to âLet Rome in Tiber meltâ (1.1.34). However, it might be possible to identify the point of no return. This comes when Antony literally chooses water over land, in Act 3 Scene 7, when he takes Cleopatraâs advice and fights Octavius at sea, despite the warning from Enobarbus.Â







