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Babes in Benin by Saga Sig

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Styles from Senegal through photographer Jake Michaels lenses.
During a trip to Senegal, Michaels decided to document some of the dressing style of the country. Whether it be traditional or contemporary, or a mix of both.
Queen of Cowries, Lafalaise Dion
The sapeurs, also known as the Societe des Ambianceurs et des Personnes Elegantes (the Society of Tastemakers and Elegant People), are Congolese men who mastered the art of dressing and looking elegant, sophisticated, classic. Their colorful outfits are generally composed of a three-piece suit, fedoras, silk socks, and canes. The sapeurs style gets its origins from colonization. "At the beginning of the 20th century, when the French arrived in Congo, the myth of the Parisian elegance was born among the youth of the Bakongo ethnic group," says photographer Hector Mediavilla. From the movement's popularization in the late 1970s/early 1980′s to nowadays, "la sape" has turned into an obsession for some members of the Societe. They are sometimes ready to spend up to four figures on crocodile shoes while having a profession that can financially sustain the haute couture lifestyle. However, the sape culture doesn't revolve only around being ostentatious. It is also about creativity, self-confidence, promoting values such as pacifism in a war-torn country, and doing and looking your best despite your circumstances.

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The hair braiding process goes way back in history; it was a way to identify one’s tribe, age, or even marital status, according to their hairstyles and patterns. Nowadays, braids are mostly the go-to hairstyles for women with natural kinky-curly hair textures. It is not only for fashion but also a protective hairstyle against heat damage and humidity. However, braiding is still a deep, meaningful expression of black female identity.
Nigerian fashion has always been influenced by European fashion, especially British fashion. From Independence in the 60′s, it has evolved following the western world’s trends yet incorporating cultural fabrics and shapes. In the 60′s, women wore prints and patterns, hats and rocked the mini skirt trend. The Yoruba woman is easily identified in her traditional clothing: iro, buba, gele and ipele. The Igbo woman decks herself in her wrapper, blouse, head tie, and bead. As for men, they rocked bold colors, prints and patterns.
The colorful and the Afro hair trend stayed throughout the seventies, and other clothing such as oleku, agbadas and dashiki (which came back in style in the early 2010′s) were introduce.
Around the nineties up to early 2010, fashion, in general, was heavily influenced by American trends seen in movies or music videos, hip-hop music videos to be more specific. As of the last seven years, African fashion is making its way to the mainstream. Consequently, the trends shift back towards an updated version of traditional looks, with shapes and silhouettes inspired by mainstream fashion.
Still from Moroccan contemporary artist, Hassan Hajjaj’s “My Rock Stars Experimental, Volume 1, Poetic Pilgrimage, 2012”
Lafalaise Dion wearing her own design, styled by Cleo Le Flos photographed by Kitso Kgori

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Tiana Parker portrait
by aagdolla.