Yellow is the colour … Kansas, USA. by Pixeldan on Flickr.

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Yellow is the colour … Kansas, USA. by Pixeldan on Flickr.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Who am I, if not one who listens for words to stir from the silences they keep? Love is the ground note; we cannot do without it or the sorrow of its changes.
Peter Everwine, from “Aubade in Autumn,” The New Yorker (15 October 2007)
“Happiness” by Lucile ca. 1916
From Whitaker Auctions
The things we look at keep changing: one day’s sun or another day’s rain; early poppies one day, late tomatoes another. As thougheach day was trying to say something, with a voice that isn’t coming from any throat.
Memory’s Landscape: Â
Rick Barot, closing lines to “Tacoma Lyric,” diode (vol. 5, no.1, Fall 20011)
And you – how long will you listen to these colours before you hear the language of light?
Frida Kahlo, from What The Water Gave Me: Self-Portrait With Monkey And Parrot (via violentwavesofemotion)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Volodymyr Orlovsky (1842 – 1914)
Storm clouds, 1884
Landscapes, 2015 | by Elias and Theresa Carlson
WHERE WE ARE
i envy those who live in two places: new york, say, and london; wales and spain; l.a. and paris; hawaii and switzerland.
there is always the anticipation of the change, the chance that what is wrong is the result of where you are. i have always loved both the freshness of arriving and the relief of leaving. with two homes every move would be a homecoming. i am not even considering the weather, hot or cold, dry or wet: i am talking about hope.
GERALD LOCKLIN
You Loved A Woman Once
She told you of childhood summers, mayflies trembling beside the bridge of her nose, hunting frogs. Skinning them on a brick, the house smelling like their small, fried legs.Â
All she wanted was for you to carry her home in a canoe with paddles, life vests, a flare. You promised to teach her how to swim when she was in your arms.Â
Your own body, broken into so many times, became a clear lake for her to bathe in. Remember pulling the one tiny, suckering leech from below her neck, the pale collarbone Braille it left.
You said the boat was her shoulder in your mouth, even when you couldn’t bear her epaulets of freckles, even when nothing but a body would do and there was no body but her own.
Below her—lily pads, dragonflies, the worms dug up last summer and thrown from the dock to see fish rise in a boil—now all snapped raw in the frozen pond. And speaker,Â
coded “you"—what about the light straining through her dampened hair, will you catch it in your jaws? There’s the smell of paper on her skin and you pressing her body like a flower in a book.
Keetje Kuipers
My nerves are bad tonight. Yes, bad. Stay with me. Speak to me. Why do you never speak? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think.
T.S. Eliot, “The Waste Land”

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Forgive me if I forget with the birdsong and the day’s last glow folding into the hands of the trees, forgive me the few syllables of the autumn crickets, the year’s last firefly winking like a penny in the shoulder’s weeds if I forget the hour, if I forget the day as the evening star pours out...
Same place, different day.
Awesome color study
February. Get ink, shed tears. Write of it, sob your heart out, sing, while torrential slush that roars burns in the blackness of the spring.
Boris Pasternak, from “Black Spring” (via deeplystained)
Scipione Tadolini (Italian, 1822-1892) -Â Adonis, white marble, 114Â cm.
Giovanni Duprè, Abel

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Atmosphere by Andreas Minge
Dorothée Gilbert and Mathieu Ganio in Nureyev’s Nutcracker
photographed by Laurent Philippe