Dora Abodi.

if i look back, i am lost
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
Three Goblin Art
styofa doing anything
ojovivo

izzy's playlists!
Peter Solarz

#extradirty

Janaina Medeiros
he wasn't even looking at me and he found me
occasionally subtle
RMH
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sheepfilms

@theartofmadeline
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Today's Document

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@adlibitur
Dora Abodi.

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Cliffs of Varengeville, Gust of Wind (1882) by Claude Monet
Sue Law: The Life and Death of a Relationship (2007)
{via}
Christophe Terzian Fall 2015

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Hever Castle Gardens (via)
"peaches close up" (2008), zechariah judy
マガモ
Mallard
I get what you're saying but it is very much a main plot point in one of the books (and crosses over to several other books) that hockey culture is misogynistic and rapists are protected by the commissioner and management simply because they're good players. I'm sure there are some people that will ignore that and continue to support the NHL but why bring heated rivalry into it if you don't even know anything about it?
“Look I know at a Hockey Canada-sponsored event these men forced a woman to perform oral sex on all five of them and then vaginally raped her, threatened to penetrate her with golf clubs, joked about putting golf balls in her vagina, slapped her and spit on her - one witness on the team corroborating the violence by later texting his rape-buddies “Man when I was leaving [Dillon Dubé] was smacking this girl's bum so hard like it looked like it hurt so bad”, and I know that they coerced a consent video while she feared for her life, and I know that someone in the Hockey Canada administration tipped off Michael McLeod about the report and in the days following the assault he personally harassed her to drop the case, and I know every one of those men still has a career, but you mentioned my fandom in a tag so that is obviously far more important and worthy of discussion and focus.”
Case in point: it’s not about the source material, it’s about garbage fucking fandom.
my favourite season

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Nocturne in Prussian Blue with Yellow Square 1 - Christopher Burk , 2025.
American, b. 1978 -
Oil on panel , 12 x 12 in.
by Petr Kosykh
© jenny holzer
Inconvenient Exit , Detail - Simon Bang , 2026.
Danish , b. 1960 -
Acrylic on canvas , 54 x 95 cm.

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Georgia O'Keeffe, ‘Abstraction Seaweed and Water, Maine’ (1920)
Abandurance