(via Makonnen Speaks His Truth | The FADER)
Makonnen lives in Portland now and loves the outdoors.
Noah Kahan
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@aaronleaf
(via Makonnen Speaks His Truth | The FADER)
Makonnen lives in Portland now and loves the outdoors.

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(via The End of the World? In Brazil, Itâs Already Here - The New York Times)
A checkerboard pattern, seen here in Siuslaw, Oregon, is caused by clearcutting. This process involves a rotating operation where every 40-60 years, all trees in a certain area are cut down, and new trees are planted in their place immediately after. Clearcutting has a major environmental impact on a forest, the most immediate being habitat loss for the trees and species that live there. Furthermore, the deficit of roots also causes erosion of the soil, and the loss of the forest canopy enables light from the sun to dry out bodies of water, making it impossible for certain species of fish and amphibians to survive.
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Stairs of Basilica S. Maria Maggiore, by the architect Carlo Rainaldi, 1675, in Rome, Italy.

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Thinking of reviving this Tumblr while I teach myself photoshop.Â
(via Here's the Tracklist for Migos' 'Culture' Album - XXL)
New Migos album art is pretty tight.
Christian DeFonte
Iâm heading home from Florida today and excited that Iâll have the window seat. Because many cities in the state contain master-planned communities, often built on top of waterways in the latter half of the twentieth century, there are a number of intricate designs that are visible from the Overview perspective. Here is one particular development in Cape Coral, a city with a population of 165,831 people. This image is taken from the âWhere We Liveâ section of âOverview.â Learn more about the book here: http://amzn.to/2hNxMpr 26.604391°, â81,958473°
(via The Okayafrica x Daniel Ting Chong Collection Lookbook Okayafrica.) We did a fashion thing.Â

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Lake Urmia, Iran / August 2016
Photos by Ebrahim Noroozi/AP
(via Chaos in Harare as Police and Demonstrators Face Off at Electoral Reform Protest Okayafrica.)
COVER STORY: SAMPHA HAS LENT OTHERS HIS VOICE AND MADE THEIR GOOD SONGS GREAT. NOW, ITâS HIS OWN STORY THAT NEEDS TELLING.Â
PHOTOS BY FRANCESCO NAZARDO FOR THE FADER.Â
Blood Orange Speaks About the Sierra Leonean Influences on His New Album âFreetown Soundâ >> Okayafrica
(via Roots Picnic 2016 Highlight Reel - YouTube)
New York, youâre next.

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This was on the radio yesterday:Â
David Remnick: Youâve been campaigning here and there for Hillary Clinton
Lena Dunham: Here and there and everywhere.
Remnick: And yet in the circles that you travel in I would bet there are a lot of Bernie people.
Dunham: Iâm for sure the minority. Or there are people who are for Hillary but donât want to talk about it because they donât feel like dealing with the backlash that would come from their peer group or the internet or whatever.
Remnick: Describe that backlash for me.
Dunham: I get a lot of comments on Instagram that were like âI thought you were cool. I thought your heart was in the right place. I thought you got it.â Itâs a reminder to me that thereâs something in my politics thats distinctly sort of second wave-y.Â
Remnick: Break that down. What does second wave-y mean?
Dunham: That Iâm like, that Iâm a Gloria Steinem, Kitty MacKinnen, bell hooks lovingâalthough bell hooks is into Bernie so you knowâAnd like the energy of nineteen sixties/nineteen seventies feminism still feels applicable today. Nothing makes me crazier than when somebody looks at Glora Steinem and is like âhashtag white feminismâ because yes, she is a White feminist but her whole mission has been to take marginalized women and  make them the face of the movement.Â
Remnick: But why Hillary and not Bernie for you?
Dunham: I think sheâs the most qualified person for the job. I donât mind having somebody who is a member of the establishment because guess what the government is an establishment and there needs to be somebody who knows how to navigate it.Â
If all I wanted was a female in the white house then why wasnât I running after Sarah Palin fixing her skirts.
Boiler House (1955-59) in Bagneux, France, by Guillaume Gillet & AndrĂŠ Gomis