Fiona Apple photo by Eric Ogden
The Stonewall Inn
$LAYYYTER

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Aqua Utopia|海の底で記憶を紡ぐ

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trying on a metaphor


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One Nice Bug Per Day

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Fiona Apple photo by Eric Ogden

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A terrace can be a transitional place between the house and garden. Here a climber, trained up the porch supports, frames the entrance to the garden, creating a setting where it is pleasant to pause and relax.
Traditional Country Style, 1991
Keisuke Ito: Lepidoptera (1855)
“It’s a good thing to be loved, even late.”
— John Steinbeck, East of Eden, 1952
Björk's "Pagan Poetry" Dress by Alexander McQueen (2001)

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Hans Erni (Swiss, 1909 - 2015)
https://en.wikipedia.org/wiki/Hans_Erni
picture resolution 2048 × 2486
Haiti Archives 1930-1970
Egyptian Limestone Relief, Ptolemaic Period, 304-30 B.C.
Sculpted in sunk relief, the sky goddess Nut to the left arching over a horizontal line representing Geb, the earth god, and the god Khepri, in the form of a scarab beetle, a lion to the right with its right forepaw raised, representing Horakhty, and Isis seated to the right, looking left, all on a groundline, the upper portion of a hieroglyphic inscription below.
19 in. (48.2 cm.) wide
Courtesy: Christie's
eric...
photo Don Schlitten
come here go there - rei harakami / 「lust」 (2005)

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Pre-Columbian figures.
Untitled (Electrical Cord), Greenwich, CT, 9 7 25, Photo by Joe Bruha, Copyright 2025
Komaro Hoshino, from International Photography Exposed, Vol. 2 (1985)
Rah Fizelle (1891-1964) - Sleeping nude
Oil on canvas. Painted c.1938-39.
21.7 x 35.25 inches, 55 x 89.5 cm. Estimate: Aus$120,000-160,000.
Sold Smith & Singer, Sydney, 19 Aug 2025 for Aus$196,360 incl B.P.
“we look at each other, we exchange dark words, we love each other like poppy and recollection, we sleep like wine in the conches, like the sea in the moon’s blood ray.”
—
Paul Celan, excerpt of Corona (tr. by Michael Hamburger)
Original — wir sehen uns an, wir sagen uns Dunkles, wir lieben einander wie Mohn und Gedächtnis, wir schlafen wie Wein in den Muscheln, wie das Meer im Blutstrahl des Mondes.
(via stoicremains)

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Palace facade with the central doors decorated with the Two Eyes. Detail from the limestone sarcophagus of Queen Kawit, wife of King Montuhotep II (ca. 2051-2000 BCE). Now in the Cairo Museum