big scary creature with a little pink bow on her head is the only type of character design that matters
tutorial how to draw a beautiful baby girl
Xuebing Du
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trying on a metaphor

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let's talk about Bridgerton tea, my ask is open


Love Begins

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@56thingsinaname
big scary creature with a little pink bow on her head is the only type of character design that matters
tutorial how to draw a beautiful baby girl

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no human is illegal 🕊️
[get it as a free poster download!] alts below↓
Sorry to get preachy outta nowhere but if you are a person who's never had a phobia PLEASE don't say shit like "it's not dangerous" or whatever because phobias, especially IRRATIONAL phobias, don't fucking work like that.
I personally have a specific phobia that, when triggered, used to make me spasm and hyperventilate and cry, and it was super embarrassing because I was fully aware that there was nothing really wrong. You can experience the effects of a phobia while objectively knowing you're safe! And STILL I would get people telling me to chill out cause I was fine.
I've gotten better at managing it. I can thing straight and control my breathing and not feel *emotional* fear, but my body still locks up and my heart still goes crazy and I still have to focus on breathing.
I am aware that it doesn't make sense. I am aware that I am not in danger. I'm practiced enough that I can sit still and have a conversation through the experience now. But it's still a phobia and no amount of reminding me how irrational my body is being is going to fix that- it's just gonna piss me off on top of it.
and you know what, I'm gonna add on the same thing I tell everyone who DOES tell me I overreact to my phobias: what are YOU scared of? Spiders? Snakes? Dirty needles? What makes YOUR body heave? Is it cold vomit? Spoiled meat? Dead skin?
When IM experiencing the effects of an irrational fear, imagine putting whatever awful or dangerous or nasty thing disgusts you in your mouth. Imagine experiencing a RATIONAL fear. Because it doesn't matter what I know is true, the effects of rational fear and irrational fear make your body do the same things.
Nausea, locking up, inability to make yourself move, panic, denial, refusal, shaking, disgust, revulsion, anger, fear, outrage, humiliation, vulnerability.
If my phobia is, say, walking past a 2002 Toyota Prius, then making myself do that FEELS just as difficult and horrific to me as licking broken glass off a gas station bathroom floor does to YOU. The only difference is *I* might have to do the thing ANYWAYS, while people make fun of me an I know that I look ridiculous, whereas YOU would at least know that your feelings are normal and your experience will be taken seriously.
WE KNOW OUR PHOBIAS DON'T ALWAYS MAKE SENSE. IT DOESN'T MAKE THEM STOP. Its why they're called "irrational phobias"
Hot damn this is an old post
But anyhow, today I encountered one of my phobias and was able to react to it calmly and rationally while my brain screamed instead of physically locking up and doing the screaming out loud, so here's to gradual progress
Also, figured out a better analogy over the years:
If Fear is like disgust, think of a Phobia as an allergy
I'm not DISGUSTED by the thing. Telling me you have a better recipe is not helpful. My throat is closing up and I need an epipen
blockhead gets mogged

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Some great additions from the comments.
If you're reading this...
go write three sentences on your current writing project.
# my favourite part about this post # is that nowhere does it say to reblog this # but we’re all reblogging it # because if we have to suffer # so do other writers
This post is committing crimes (see y'all later lmao)
proposing a new genre of fiction called an anti-romance where u r presented w a couple at the start & the story is about their emotional journey towards a catastrophic break up
will they won't they (end this farce). there's only one bed (but for some reason they don't really want to share it). out of context eavesdropping (that paints the relationship in a better light than it deserves). chasing after them to stop them getting on that plane (and stopping them from finally being free)
nobody understands my vision i don't mean any old story where a relationship fails and it's tragic or w/e i mean a story where the intention is for the audience to root for it failing the same way u root for it succeeding in a romance. & when the relationship finally implodes at the climax of the story it's all very cathartic & everybody cheers.
like have u never wanted a fictional couple to break up so badly it hurt?
dysfunction
You if bugs didn't exist

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Life must be a rollercoaster for the D class. You live in a shitty prison cell for the remainder of your probably extremely short life. One day some security guards show up and take you to a big room where a scientist tells you to copy an image onto some paper. You do. The scientist shrugs and writes something down and you're taken back.
One day a scientist hands you a poptart and says "eat this". You say "is it full of some kind of fucked up interdimensional poison". The scientist says "eat it or that security guard will tase you and tie you down and make you eat it". You eat the poptart. It is not full of fucked up interdimensional poison, but it is kind of stale. You describe the taste to the scientist and he shrugs and writes something down and you go back to your shitty cell.
One day a security guard takes you to a big room and there's a flute sitting on a table. A scientist tells you "play Hot Cross Buns on that". You explain that you do not know how to play the flute. You are instructed to try. You play the flute and get immediately get dragged into some incomprehensible shadow dimension and torn to pieces for no reason that makes any sense to you. You are very lucky to have survived so long and died so quickly.
This guy will spend hours staring at his blank wall and wondering what the fuck was in that chamber and why they thought he might know.
Sometimes you get blindfolded and told to repeatedly roll a basketball across the floor of a room and then you have to draw pictures and learn piano and cooking and you accidentally become a big monster's beloved Emotional Support Human, though, so there are potential upsides.
#i know Derin didnt invent this#but it is SUCH a Derin concept
I've been incorrectly credited with inventing rotational pseudogravity in colony ships and the "humanity, fuck yeah" subgenre, so this assumption would be par for the course.
(For the record I have never invented anything.)
Someone came in fully convinced that I wrote 17776 once. I'm waiting for the day that I get confused for the cookie clicker guy.
I'm an SCP anomaly but all I do is cause people to misattribute art they like to me at random.
which one is worse: someone falsely attributing something to you that you think is better than your work, or something you think is worse than your work?
It's hard to be worse than my work because I've written some absolute nonsense before. Anyone who thinks all my work is good hasn't seen my old livejournal accounts.
I’ve seen your Animorphs fanfiction, I think that’s even what brought me to Tumblr for the first time. And I’ve got to say when it comes to the highs and lows of writing, I have yet to see anything you’ve written that’s below “hot damn this is fun,” level of quality writing. All of it excellent stuff.
Then let me introduce you to Back When Derin Didn't Know How To Actually Set Up Plot Points Yet.
Derin, how does one learn to set up plot points? Because I don’t know that I understand that myself. Are we talking worldbuilding and foreshadowing? Story arcs with rising action? I know the thing that needs to happen but what are the elements that need to be “set up” for it to…make sense? Or to not feel too abrupt?
Mostly you have to give the reader the information they need before they need it and, much more importantly, give them a reason to care about something before you try to make them care about it. They do not have to notice that you have done this, you can give them the context in asides and implications. But you do have to do it.
materialist-scumbag
THE TICK THAT DREW THE MAP OF THE WEST June 28, 2026
So the longhorn was a garbage animal. Stringy, mean, half-feral, descended from Spanish cattle that had gone loose in the brush country for a couple centuries and bred for survival rather than meat. In Texas after the war it was worth maybe three or four dollars a head, because there were millions of them and nobody to eat them. The local market was Texans, and Texas was broke. Up in Chicago or New York the same animal was worth thirty, forty dollars, because the Union had spent four years eating its way through the eastern cattle supply and the cities were short on beef.
That spread is the whole engine of the cattle drive. You don't need a tick to explain why a man would walk a cow a thousand miles to multiply its value by ten. The arithmetic does it.
What the tick explains is the SHAPE.
Because the thing about the longhorn nobody in the romance mentions is that it was a carrier. Centuries in the brush had given it a shaky immune truce with Babesia bigemina, a protozoan that lived in its blood and rode around on a tick that dropped off into the grass wherever the herd went.
The longhorn itself looked fine. Walked fine, sold fine, butchered fine. But the cattle it walked past, the fat improved Midwestern stock that had never met the parasite, those animals would start pissing blood and die at a rate that touched nine in ten. The Texans, reasonably, refused to believe their healthy-looking cattle were doing it. They took it to the Supreme Court in 1877 and won, on the entirely correct observation that their cows weren't sick. The cows weren't sick. The cows were Typhoid Mary.
(The disease disappeared every winter, too, north of a certain latitude, which baffled everybody for thirty years until somebody worked out that the tick just froze to death up there, no vector, no disease, the whole thing seasonal in a way that made it look like a moral judgment on Texas cattle specifically. It wasn't anybody's leading hypothesis that an insect was committing the murders. The leading hypothesis for a while was that the longhorns were poisoning the grass.)
So now run the two facts together. The cow is worth ten times more up north. The cow kills every other cow it passes on the way up north. What do you get?
You get a line.
You get a bunch of lines, actually. Quarantine lines, drawn and redrawn by Missouri and Kansas legislatures and eventually by the federal government, declaring that Texas cattle could not cross at all, or could only cross in winter when the tick was dead, or could only cross by rail if they were going straight to slaughter and never touched dirt that a local cow might later stand on. Missouri shut its border. Farmers formed Vigilance Committees (which is a polite nineteenth-century way of saying armed men) and turned the herds back at gunpoint. Kansas banned Texas cattle outright in 1885. And every one of those legal and shotgun-enforced lines was a wall the drive had to find a gate in.
The gate was the railhead.
This is the part that rewires the map. The famous cattle town (Abilene, Dodge City, Wichita, Ellsworth, the whole gunfighter pantheon) is not a town that grew up around ranching or water or gold or a river crossing. It's a point where the trail coming up out of the quarantine zone touched a railroad that could take the cow east to the slaughterhouse without it walking through anybody's protected pasture.
Abilene gets invented basically from scratch in 1867 by a man named Joseph McCoy who looked at the map, found a spot on the Kansas Pacific that was far enough WEST that the trail in from Texas could swing around the settled farm country and its quarantine, and built stockyards there. The town is a loading dock. The cowboy at the end of the trail, in the saloon, shooting the place up: he is a longshoreman who has just finished a shift, and the shift was getting the cargo to the one point where it could legally change from hooves to wheels.
And the cargo had to keep moving west precisely because the tick kept the settled east closed. As Kansas farmers spread and the quarantine line marched west with them, the railhead had to march west too. Abilene to Ellsworth to Wichita to Dodge, each town flaring up and dying back as the line of legal infection-free transfer slid across the state. The towns weren't competing on amenities. They were competing on being the current solvent point in a chemistry problem about where a tick could and couldn't survive the trip.
(Dodge City lasts longest because it's furthest out, last to get caught by the advancing farms, sitting out where the quarantine couldn't reach it yet. Its whole mythological career (Wyatt Earp, Boot Hill, the Long Branch) is a few years long and happens because of an agricultural-settlement frontier creeping toward it at the speed of homesteading. When the farms arrive, the party's over. The party was always a function of the farms not having arrived.)
So the geography of the Wild West, which towns exist and why they're where they are and why they boom for five years and empty out and why the trail bends where it bends, is not topography and not destiny and not the romance of open range.
It's the intersection of a price differential and a quarantine map. The price differential said go north. The quarantine map, drawn by the tick, said you may only go north HERE, and HERE, and now not there anymore, here. The cow drew the route and the parasite drew the borders and the men with the guns were just enforcing a public-health regime they didn't know was a public-health regime.
And it all gets zeroed out, eventually, the same way these things always do, not by a hero but by a logistics upgrade. They build the Kansas City stockyards and the packing plants, and then the rail net gets dense enough that the cow doesn't have to walk to the train at all, the train comes to the cow. Refrigerated cars mean you slaughter in Chicago and ship the meat instead of the animal. The long drive, the trail town, the whole apparatus that existed only to get a tick-bearing animal across a quarantine line to a loading point, it just stops being necessary, and the gunfighter towns settle down into being ordinary Kansas, dry and flat and law-abiding, within about a decade of their own legend.
The cattle tick itself they finally beat in 1943, dipping every cow in the South in arsenic for forty years to break the lifecycle. Nobody made a movie about the dipping vats.
Same as it ever was.
Y'all laugh at pretty much any blurry image with dumb text
Fresh example
Sometimes all you need to do is label the image and make it blurry
I hate that I laughed at both
I HATE THAT I LAUGHED WHAT IS WRONG WITH OUR GENERATION
I get asked a lot for tips with coloring black people, so i put together a little tutorial! (and bumps my kofi if you found this helpful)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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If you're reading this...
go write three sentences on your current writing project.
# my favourite part about this post # is that nowhere does it say to reblog this # but we’re all reblogging it # because if we have to suffer # so do other writers
This post is committing crimes (see y'all later lmao)
link
The article from NASA about the Gallaudet 11:
Before NASA could send humans to space, the agency needed to better understand the effects of prolonged weightlessness on the human body. So