“Robert Plant strutted across the stage. He swaggered, he is THE pop star, at all times totally compelling… more so to me than a Jagger, because it just doesn’t seem contrived for one moment. Plant’s voice was like a gorgeous instrument, he was physically and sensually taking the audience for his own. They wanted him to do it to them and he did.”

do i even have to say anything??

Led Zeppelin Pride Advent Calendar Day 21: I've posted this article before but happy pride to Jimmy and Robert stopping in their tracks to give the sun a standing ovation. And happy Summer Solstice! ☀️

THE FULL HISTORY OF THE MICK JAGGER & MARSHA HUNT (A.K.A.”BROWN SUGAR”) RELATIONSHIP!!!

First, some background on the model, singer, actress, novelist, playwright, activist, icon, 60s goddess, and the woman who inspired one of the Rolling Stones’ greatest hits, “Brown Sugar”, Marsha Hunt. She is often described as London’s own Josephine Baker and is celebrating her 77th birthday today!:

Marsha Hunt was born on April 15, 1946 in Philadelphia, PA and is the youngest of 3 siblings. Her mother, Inez “Ikey” Hunt, worked in an airplane factory during World War II, and her father Blair Hunt Jr. graduated from Harvard and was one of America’s first Black psychiatrists.

She was raised mostly by her mother, aunt and grandmother who had roots in the deep south (Mississippi delta) and who she’s described as an “extremely aggressive and ass-kicking independent woman.” Her father later committed suicide when she was 9 years old (but she never found out how or why).

After moving out west to California with her family, she graduated high school at the top of her class and later attended UC, Berkeley in the mid-60s where she wanted to study psychological anthropology.

While at Berkeley, she became friends with a slew of interesting people like activist Mario Savio and Huey P. Newton, who later became one of the founders of the Black Panther Party.

[TOP LEFT: Marsha’s mother Inez Hunt; TOP RIGHT: Marsha’s father, Blair Hunt Jr.; BOTTOM LEFT: Marsha at her home in Philly with her father & siblings, Pamala & Dennis; BOTTOM RIGHT: Marsha’s high school graduation photo in 1964.]

Even though she thrived academically and was very involved in student activities, she became bored with college life and wanted to experience life outside of the country and pursue her real passion – music. In early 1966, she sold her car and some books, and trailed off to London with only $1.83 in her pocket.

Around that time, London was THE city to be in, and was even dubbed “Swinging London” for being the epicenter of art, culture, fashion and of course music, especially due to the popularity of famous acts like the Beatles and the Rolling Stones.

When Marsha first arrived, she slept on the floors of mutual friends, took odd jobs (including one as an au pair), and even appeared as an extra in Michelangelo Antonioni’s box office hit film, “Blow-Up,” which also featured the British rock band, the Yardbirds.

SHOCKINGLY, in that same year she actually saw the Rolling Stones for the first time during their UK tour at the Royal Albert Hall in London because she wanted to see Ike & Tina who were the supporting act on the bill. Girls were going crazy over the Stones, but of course, she was more impressed by Tina’s show-stopping performance! (Purrrrr 💅🏿)

[LEFT: Marsha in 1966; RIGHT: The Rolling Stones performing at the Royal Albert Hall in London with Marsha in attendance.]

After roaming the city, making new friends and trying to find steady work, Marsha ended up auditioning for a blues band fronted by British blues musician, Alexis Korner, who was looking for backup singers. Coincidentally, he was the exact same guy who gave the Rolling Stones their start back in 1962. Later on, she was offered another backing gig for Long John Baldry’s band, Bluesology. John is also a longtime friend of the Beatles and the Rolling Stones.

Though she loved music and worked really hard at it, Marsha always claimed that she was never a good singer. People in England just assumed she was because they thought all Black Americans had talent.

She then lived with English blues singer, John Mayall, who actually wrote a few songs about her including, “Marsha’s Mood” and another song coincidentally called “Brown Sugar”. Around this time, she also became good friends with the founding members of Fleetwood Mac, famed British artist Kaffe Fassett, and keyboard player for Bluesology, Reg Dwight (a.k.a Elton John).

[LEFT: 19 year old Marsha sporting a wig in London; RIGHT: Marsha with a young Elton John].

Around the time Marsha broke things off with John, he was also putting a new band together, which included a young guitarist named Mick Taylor, who showed up at the audition without a guitar. He later became another good friend of Marsha’s.

In late 1966, Marsha met musician Mike Ratledge from the British rock band, Soft Machine. She was having trouble getting a visa extension to stay in England, so they got married on her 21st birthday. She later claimed it was a marriage in name only as they “never held hands and never kissed".

[LEFT: Guitarist Mick Taylor & John Mayall in the mid-60s; RIGHT: Marsha’s “husband” Mike Ratledge of Soft Machine.]

That same year, Marsha’s hair started to fall out from using chemical relaxers, and after wearing wigs for a while, she finally cut it all off and vowed to never straighten it again. Hence, she started sporting her iconic afro hairstyle making her quite a showstopper in London.

In 1968, she found luck when she was cast in a buzzy new rock musical with an ensemble cast called “Hair.” The musical became an instant hit in London’s famed West End. And even though her character “Dionne” only had two lines, she became the face (or the hair) of “Hair”. The show was a huge success, and also became quite a sensation and social landmark because it highlighted controversial subjects like drugs, casual sex, cursing, nudity, and anti-war rhetoric. While there, she met another close friend, actor Tim Curry.

[BOTTOM: A poster of the hit musical “Hair” that debuted in the Shaftesbury Theatre in the West End, 1968.]

Her life completely changed overnight and she instantly became a PHENOMENON, attracting wide media attention. In fact, after the musical’s opening night, the editor of British Vogue sent her a huge bouquet of flowers and wanted her to pose for a photo session, which ended up being a 4-page spread with a written profile. Marsha was also the first Black woman to appear on the cover of Queen magazine as well.

[LEFT: Marsha pictured as the first Black woman on the cover of Queen magazine; RIGHT: Marsha photographed for British Vogue in 1969.]

She immediately became a sex symbol, celebrity, and the face of the “Black is Beautiful’’ movement, which was already taking over America in the mid-60s. This helped her snag lots of modeling gigs and everyone wanted to photograph her. (I mean, sis was booked & busy!!!)

[BOTTOM: More of Marsha’s most iconic shots. *The melanin was melanating, 4C afro was on deck, eyelashes poppin’, lips bussin’…she was a *bad bitch*!!!]

In March 1969, she signed a contract with Track Records, the same independent label that also repped the British rock band, The Who and Jimi Hendrix, and later said, “There was one luxury that London celebrity afforded me: the freedom to be myself without a single apology for my gap, my freaked-out hair, my brown skin, my slave-class ancestors or my radical views.” Around this time, she also had a short love affair with Marc Bolan, the singer and founder of the English rock band, T-Rex (even though he was much shorter than her 😂.)

She scored a few minor hits during her underrated music career with singles like a cover of T-Rex’s “Desdemona” and her debut single, a cover of “Walk on Gilded Splinters”. 

[BOTTOM: Marsha performing the T-Rex cover “Desdemona” live in 1970.]

The record soon went to the charts and that spring, she was asked to perform on various shows, including a popular British TV program called, “Top of the Pops” where during her live performance the tight bolero suede top she wore nearly came undone and partially exposed her breasts, giving her the reputation as a “bad girl.”

NOW…Here’s the part y’all have been waiting for. Get your popcorn. Y’all got it? Ready? Good!!! 🍿

After her performance aired, Marsha received a phone call out of the blue from Jo Bergman, the then secretary for the Rolling Stones on behalf of Mick Jagger who was actually watching live, asking her to pose semi–nude for a publicity photo to promote the band’s new single, “Honky Tonk Women”. She said, “The picture was going to be of a girl dressed like a sleaze bag standing in a bar with the Stones and they wanted me to be the girl.”

[BOTTOM: Marsha performing “Walk on Gilded Splinters” on ‘Top of the Pops’ in May 1969. This was also the exact moment Mick Jagger first laid eyes on her!]

Marsha, who was not a Stones fan, was already established and didn’t really need the extra exposure. She declined because she had her reputation to think about and said she "didn’t want to look like [she’d] just been had by all the Rolling Stones.” She also claimed, “The last thing [Black women] needed was for me to denigrate us by dressing up like a whore” among a band of white men.

ENTER MICK JAGGER:

When she tried to get in touch with Mick to say, “thank you, but no thank you”, he later returned her call in an attempt to change her mind and suggested he come over as he was very intrigued that a girl would turn him down.

Mick then showed up at her apartment around midnight as she claims, “He was framed by the doorway as he stood grinning with a dark coat … He drew one hand out of his pocket and pointed it at me like a pistol. His silly ‘Bang’ was precisely the icebreaker we needed to get over my ungracious hesitation before I invited him in, not sure how to salute a notorious rogue who rings me just before midnight and suggests he pop round on a pretext of loneliness.”

They talked for HOURS, well until the sun came up about any and everything from music to social issues and politics, and according to her, Mick “made me squeal whenever he used Melanigian slang (aka Black vernacular/AAVE)”. 🙄🤦🏾‍♀️

Marsha didn’t really find Mick physically attractive at first: “He wasn’t beautiful or even striking” however, he was boyish, open, direct, yet seemed quite awkward and shy. She found it a relief that he was nothing like other musicians she’d known or the image the media had of him. He was charming, intelligent, funny, radical and straddled the racial line, much like she did. She also noticed that he had a penchant for Black women, as he claimed “they [Black women] just do something to me”.

The two of them just clicked right off the bat. And things eventually turned hot as they ended up having sex. From there, they embarked on a passionate, but very private, deep romance and year-long affair, at a time when interracial relationships weren’t widely accepted yet.

She didn’t expect to hear from him again, as he had a wide selection of women to choose from, but he wanted to see her and talk all the time because he could count on her. Marsha said, “He knew that I adored him and that he could depend on me…he realized I respected him as I respected myself.”

Mick’s friend and interior designer Christopher Gibbs once said often when he dined with Mick, women who had slept with him would come up to the table and “he’d have absolutely no idea who they were.”

[LEFT: Mick photographed at the ​​Shaftesbury Theatre in London to see the new musical ‘Hair’ for the first time; RIGHT: Marsha performing in the show.]

1969 was a very rough year for Mick. He was having trouble with his band (which he was practically running by himself) because the founder and guitarist of the Rolling Stones, Brian Jones, was becoming increasingly unreliable and spiraling out of control due to his deep drug addiction and legal troubles which led to him having problems getting a US work visa to go on an upcoming tour. His personal life was also a mess because his long-term girlfriend at the time, pop singer Marianne Faithfull, was also a very serious (and sloppy) drug addict, who often embarrassed Mick and became more difficult to be around. Things had gotten so bad between them, their relationship grew strictly platonic by this time.

Mick and Marianne were quite destructive together and often found themselves in legal troubles due to drugs. Marianne was also quite messy as she previously slept with Mick’s bandmates Brian Jones, Keith Richards and even left her husband, John Dunbar, for Mick who was dating Black soul singer & former Ikette, P.P. Arnold, when they met. P.P. later became pregnant with Mick’s baby in 1967, but had an abortion due to his growing relationship with Marianne.

[BELOW: Mick arriving at a courthouse with his then girlfriend, singer Marianne Faithfull in 1969.]

Marsha on the other hand, was stone-cold sober and didn’t do any drugs (NOT ONE), which was like a breath of fresh air for Mick, though he dabbled himself. But unlike those around him, he was able to control his habit.

Even though their relationship quickly turned sexual, they were really, really close friends. Mick often retreated to her home to relax, he told her all his secrets, his troubles – he just trusted her. He was completely enamored of Marsha, who many describe as warm, intelligent, sensitive, funny and very easy to talk to. He liked that she didn’t go gooey-eyed and weak-kneed in his presence like most (white) women/female fans did. Instead she had a crisply forthright manner and was almost quite “butch”. The Rolling Stones then manager was even quoted as saying that Mick was “obsessed” with her as she was very exotic and even gave her the nickname “Miss Fuzzy” due to her afro hairstyle.

Ironically, Marsha enjoyed their well-kept relationship and is one of the only people who often calls him Michael instead of Mick, to distinguish him from his Rolling Stones persona.

Since Marsha was a fellow recording artist, they could also be seen together in public without any arousing suspicion—in any case, London still had almost no paparazzi. They would often go to the same parties or events, even with Mick’s girlfriend there, and no one questioned it.

Mick would often pop into some of Marsha’s studio sessions with her band White Trash, and everyone around would be in awe of him.

After officially firing Brian Jones from the band, Mick and the rest of the Stones needed a new guitarist. Marsha promptly suggested her good friend, Mick Taylor (Yes, Stones fans – thank Marsha Hunt for that one!), as a replacement for Brian just days before his mysterious death (he sadly drowned in a swimming pool at his home) on July 3, 1969.

Additionally, when Mick sought a replacement for Jo Bergman, the secretary who handled all the Rolling Stones affairs, Marsha also suggested her friend and tour manager, Peter Rudge - (The same guy responsible for getting the Stones all those huge tours in massive stadiums. Again, thank Marsha!)

Two days after Brian’s death, the Stones played a free concert before a crowd of over 250,000 people in Hyde Park, London, which was previously planned to debut their new guitarist, but turned into a memorial/funeral for Brian. Mick invited both Marianne (who looked to’ up and was in withdrawal from heroin at the time), and Marsha (who showed up looking sexy af with titties bustin’ out of her buckskin suit) to the concert, and rudely and distastefully opened the show with a song called, “I’m Yours and I’m Hers.”

[BELOW: Mick & Marsha at the Rolling Stones tribute concert to Brian Jones in Hyde Park, London on July 5, 1969.]

Marianne who sat on the other end of the stage with her 4-year old son Nicholas and the other Stones wives/girlfriends, actually saw Marsha that day as she was placed right above the stage in the scaffold VIP section so Mick could look at her while he performed. She later said, “I saw her [Marsha] you know. And she was stunning…If I’d been Mick in that situation, I might have done exactly the same thing.”

Mick arrived at the concert with Marianne, but left with Marsha and spent the night at her place.

A day after the concert, Mick kissed Marsha goodbye, and flew with Marianne to Australia to shoot a biographical film they were both cast in called “Ned Kelly,” based on the infamous bushranger. However, Marianne who was reeling from the recent death of Brian Jones and a horrible miscarriage just a few months earlier, overdosed on 150 Tuinal barbiturates while traveling with Mick and fell into a coma in their hotel room.

[LEFT & RIGHT: Mick & Marianne arriving in Australia to film “Ned Kelly.” Marianne slipped into a coma just hours later from an attempted suicide.]

At the last minute, Mick was forced to film the movie without her, but phoned and wrote to Marsha, who was extremely frantic and worried about his mental health and emotional well-being, almost everyday. She was scared that he didn’t have the stamina to deal with yet another crisis. He sent Marsha over 10 handwritten letters (some even written on the same headed stationery paper of Chevron Hotel where his girlfriend just tried to kill herself) about his deep feelings for her, his experience filming, being in the Australian outback, his interests, the historic day of the moon landing of 1969, future career plans, his regret at missing her performance at the famous Isle of Wight Festival and other aspects of pop culture (including “…John & Yoko boring everybody…”). The letters also reference the recent death of Brian Jones, Mick’s increasingly difficult relationship with Marianne, and another letter even had the full original lyrics for the Rolling Stones song “Monkey Man”, which was later rewritten.

Mick’s letters also went on to mention the foul Australian winter weather and an unpleasant virus that swept through the unit, a fire that destroyed most of the film’s costumes, along with various accidents – including a prop gun that backfired in his right hand. He was just having a real shitty time. So, he found solace writing to Marsha.

His letters to Marsha showed how pensive and romantic he was. He said things like,“… I feel with you something so unsung there is no need to sing it…” and “If I sailed with you around the world, all my sails would be unfurled”. He also thanked her for being “so nice to an evil old man like me”. And in another steamy note, Mick promises Marsha: "I will kiss you softly. And bite your mouth too.”

[RIGHT & LEFT: Photos of Mick’s private letters sent to Marsha while filming in Australia in the late summer of 1969.]

Mick also celebrated his 26th birthday while filming in Australia and Marsha sent him a huge package of books (which he loves) and albums, including her friend John Mayall’s record “Brown Sugar.” Along with it was a note stating how she missed him desperately.

While still trying to rehabilitate his hand from the prop accident, Mick toyed with a new guitar and started work on a song, which was partly inspired by Marsha, that he initially titled “Black Pussy.” He decided that was a little too direct and changed it to “Brown Sugar” with the lyrics:

[Verse 1]

Gold coast slave ship bound for cotton fields  Sold in the market down in New Orleans  Scarred old slaver knows he’s doing alright  Hear him whip the women just around midnight 

[Chorus] 

Brown sugar, how come you taste so good?  Uh huh Brown sugar, just like a young girl should

[BOTTOM: Recording of “Brown Sugar” by The Rolling Stones later released on their Sticky Fingers album in 1971.]

Mick later confirmed in a 1995 Rolling Stone magazine interview that the song is a double-entendre: “brown sugar” being the street name for unrefined heroin and of course – sex with a Black woman. The song was a huge commercial success and ended up becoming a #1 hit around the world, making it one of the Rolling Stones’ best-selling records.

[TOP: A movie poster of “Ned Kelly” which was released in June 1970; BOTTOM: Mick with his guitar composing “Brown Sugar” during filming.]

While Mick was still filming overseas, Marsha was booked to perform at the iconic 3-day outdoor concert, the Isle of Wight Festival on August 30th, 1969. It was the biggest open-air concert in music history and she was the only female singer billed to perform. She was there alongside acts like The Who, Joe Cocker and even Bob Dylan who hadn’t been onstage in 3 years.

Mick told her in a letter that he was so proud of her and promised her that he was “there in my head and in my heart.” Charlie Watts and his wife Shirley, Keith Richards and Jo Bergman were also in the audience watching Marsha perform.

Marsha also wore custom-made leather shorts to which the press ran with it and by the next fashion season, short shorts were featured. She was the first person to popularize “hot pants”.

[BELOW: Marsha performing with her band White Trash at the Isle of Wight Festival on August 30th, 1969 with members of the Rolling Stones looking on in the audience.]

After Mick came back from Australia, Marsha was offered a part in a film called “Welcome to the Club” which is a comedy about three Black USO performers sent to Hiroshima in the 1940s to entertain the troops on an all-white base. The film was being directed by Walter Shenson, who had produced the Beatles’ films “A Hard Day’s Night” and “Help” and shot it entirely in Copenhagen.

She was also asked to fly back to London to shoot another cover for American Vogue which was shot by photographer Patrick Litchfield. (They‘d never had a Black woman on the cover before.)

Mick began touring in America again, his first since 1966, and with the number of girls he had access to, she knew he was keeping himself busy on and off stage.

[LEFT: Mick on stage at Madison Square Garden during the Stones’ 1969 tour; RIGHT: Marsha filming “Welcome to the Club” in Copenhagen.]

He even started a short-lived relationship with singer and Ikette Claudia Lennear, as well sparking up a short fling with Devon Wilson, a notorious rock & roll groupie and the girlfriend of Jimi Hendrix who famously wrote the song “Dolly Dagger” about their affair.

[LEFT: Mick arriving at Madison Square Garden in November 1969 with Devon Wilson; RIGHT: Mick backstage at the same event with singer Claudia Lennear.]

But on December 6, 1969 - everything changed dramatically when an 18-year old concertgoer was stabbed and killed during the Stones’ free performance at the Altamont Speedway in California by the Hell’s Angels Motorcycle Club, who was the band’s security. Members of the Hell’s Angels blamed Mick for the incident and subsequent to the concert, put a hit out on him and threatened to murder him. This marked the third major tragedy to happen since they’d known each other.

[BELOW: A scared Mick looks on as 18-year old Meredith Hunter is stabbed to death by the Hell’s Angels in front of the stage while the Stones performed at Altamont Speedway.]

Marsha stayed with Mick after the chaos at Altamont, which the media dubbed “The Death of the 60s”. By this time, he had officially split up with Marianne and moved Marsha into his house on Cheyne Walk where she helped him to transition and readjust his life. It was then their relationship intensified!

This is around the time she got a chance to really know Mick’s friends who lived on the same road, Keith Richards and his girlfriend, actress Anita Pallenberg, who just had a son, but was hooked on heroin. She thought they were nice, but they’d visit or show up unannounced all the time. Their hard drug-taking also scared Marsha, so she kept her distance and didn’t voice her opinion. 

She also met Mick’s parents, Eva and Joe Jagger, along with his little brother Chris who was a bit of a hippie and had just returned from India with his American girlfriend. They had no work, no money and nowhere to stay, so Marsha kindly gave them a job painting her new apartment.

That Christmas, Marsha got Mick a puppy and Mick, for the first time, told her that he loved her.

Marsha was in a good place. Opportunities were coming to her fast, she had a new apartment, and she was in love with Mick. She had newfound stability and independence. 

In January 1970, they were having dinner at the hotspot restaurant Mr. Chow’s when Mick said that she’d be a good mother and that they should have a baby together. Prior to this Marsha thought she was just another girl he fancied, as he was a notorious womanizer. But the talk of having a baby made her feel special to him. 

She knew Marianne miscarried around the same time Keith Richards’ son Marlon was born. Mick also missed family life with Marianne’s son Nicholas, so wanted to give having a baby a second try.

This fool literally made her take out her IUD coil, they had sex like rabbits, and when she found out she was 3 weeks pregnant, she told Mick who was ecstatic.

Marsha literally said to him, “listen, if you’re not ready and you changed your mind about this, it’s okay.” She was totally ready to get an abortion. But he assured her that’s what he wanted and he was happy.

They had their first argument when it came to naming the baby. Mick wanted a boy who he could send to the prestigious Eton School (the all-boys school where Prince William & Prince Prince Harry went), and he proposed that they call the baby ‘Midnight Dream’. Marsha wasn’t having it and even said, “Imagine sticking your head out of a window to call your child home and yelling, 'Midnight. Midnight! Time for tea.’”

She’d known that he and the band were leaving England for tax reasons and moving to France in the coming year. The Stones were also gearing up for their upcoming European tour.

Even though she loved Mick, he was young and she claimed she was “all for Mick doing his own thing”. They were supposed to be the sophisticated embodiment of an alternative social ideal — parent-hood shared between loving friends living separate lives.

This was around the time of the sexual revolution and people were exploring different types of relationships. Marsha didn’t find gratification in being ‘Mr. So and So’s’ wife, plus Mick was the type of guy to get up at 2pm to start his day - so marriage was sort of off the table. She claimed their relationship “thrived off her being supportive” and she loved to see him “run free”. And since she grew up in a matriarchy, the ideal of a man and woman living together seemed nice but unnecessary. They agreed that Mick would be a good absent father while he toured with the Rolling Stones and Marsha could still have her own career. It was all very modern!

Marsha also feared that her association with Mick would crowd out her own identity. She didn’t like the limelight because it was a discomfort. She also never wanted to be known as Mick Jagger’s girlfriend (can you blame her? Like 2 of his girlfriends tried to commit suicide). Like him, she wanted her own independence.

By June 1969, Marsha told her band and the press that she was pregnant, but did not give up the name of the father. Though one little clever reporter found out it was Mick and threatened to print it. She thought of suing but asked the Stones PR team to link him to another girl. She managed to get through her pregnancy without a media frenzy or being linked to Mick even though they had stepped out together many times and he was ready to have it reported. 

While Mick was away touring in Europe, his phone calls got less frequent. The tour was a bit crazy, and although Mick invited her to go to Paris, he knew she’d refuse – she didn’t want to get caught up. But he told her he was lonely and had met someone in Paris that he was taking to Italy. Her name was Bianca. She was Nicaraguan and spoke little English. Mick didn’t mention her again, but after the tour, Marsha knew that she moved to his house in England. 

His publicist sent her an invite to the premiere of his corny movie, “Ned Kelly,” but he didn’t show up. He also invited his parents to the event and it was there she realized that he didn’t tell them that he had a baby on the way. Mick hardly lavished praise on his parents and even once told the press, “I owe them nothing. They are my parents, that is that…but there are no dues to be made by me to them!”

By her third trimester, having a baby became her whole reality and his passing fancy. He started to forget that the baby was HIS idea. 

Despite Marsha carrying his child, practically all references to her and the baby were quickly airbrushed out of his life. Chris O'Dell, Mick’s PA in the early-70s was even quoted as saying, “I never remember him talking about their child. In fact, I wasn’t aware of a baby being around at all. It was almost like [his first child] didn’t exist.”

Marsha was put in a difficult position because it was too late to go back and sometimes he’d phone like nothing ever happened. She claimed his mood would change so quickly, he was like Dr. Jekyll and Mr. Hyde. She also said, “I’ve discovered that he can burn hot and suddenly cool to below zero.“

She started to worry that he didn’t care anymore, so she tried to squeeze in any and every piece of work she possibly could to hold her up during and past her pregnancy (tv shows, photoshoots, etc.). She also volunteered at a local mental-care center in the autistic unit caring for a 12 year old boy to keep from feeling useless.

[BELOW: A heavily pregnant Marsha performing in late 1970.]

At the same time, Mick also did a lot of peculiar interviews, either stating he wasn’t interested in having children or flat out dissing Marsha. During a 1970 interview with London’s Daily Mail newspaper he even said, “For me, life has always got to be on the move and exciting. I love kids, I really do…but it’s not something I’m thinking about.” He of course failed to mention that Marsha was expecting their first child.

[BELOW: Mick during an interview referencing Marsha & his unborn child in 1970.]

Once it was time for her to give birth, a hard-up Marsha was ashamed and reluctant to ask him for any contribution because he never once offered. Mick ultimately gave her a measly £200 to get by, which came with a note saying “I know I haven’t done right by you” and he “loaned” her a ring he always wore.

She had initially planned a natural home delivery to keep the press at bay and because it was the “it” thing to do at the time, but was told by her OB-GYN that her baby was in danger and she had to go to the hospital the next day. 

On November 3rd, she dragged her own luggage, and hailed a taxi to the hospital only to be told there weren’t enough beds. Panicked and scared, she went back home quite sure she was going to die from an unassisted childbirth.

When she went back to the hospital the next day for an induced labor, she checked in with her married name “Ratledge” to protect herself (and Mick). On November 4, 1970 after hours of labor, she gave birth to a girl she named Karis Hunt and phoned Mick first and then her mother. That day was the first time Mick actually told his now girlfriend Bianca that Marsha and a baby existed.

While waiting in the maternity ward, the nurses also forgot to feed her and she was so hungry. But being on The National Health, she didn’t complain.  

When she checked out of the hospital, Mick sent a bouquet of red roses,  a miniature muse figurine for the baby, a silver spoon, and some cheap Indian earrings for Marsha. He “dropped by” two days later to see his baby but was in a hurry to be somewhere else.

10 days later, he paid another rushed visit, but she took him to the side and was kinda like, “What’s up with you? Why don’t you call or come around more often for the baby” in which he snapped and yelled at her, “I never loved you” and that she was “mad to think that he had”. Of course Marsha, stitches still in, burning and all, started to cry which only made him more mad and he threatened to take Karis away from her if he chose. She stopped and said, “Try it! I’d blow your brains out!!”

In that moment, the loyalty she had for him was gone and she pushed forward and tried to find as much work as she could to support herself and her baby.

[BELOW: Marsha & Mick after the birth of their first child Karis Hunt in late 1970.]