In passive nihilistic planning, a war is waged on the unwanted elements of âthe creative cityâ, the poor and marginalized urban spaces, the âugly placesâ, places that may offend the sensibilities of the middle class, and on the âright to stay putâ for marginalized people (Newman & Wyly 2006). Spurred by the logic of the revanchist city (Smith 1996), passive nihilistic planning wages territorial, symbolic and corporeal, class wars â urbicide in Cowardâs (2006) formulation â targeting unwanted/deviant elements, that âpose risks to the creative cityâ, âunattractive placesâ, poor neighbourhoods, segregated and other fringe spaces, with the punitive moral of âzero toleranceâ and violent resolutions of urban conflict. The current militarization of the city and the amalgamation of city branding and military securitization are tangible trajectories of this tendency (Graham 2010). The marketing and branding of cities to service the needs and whims of the affluent sections of people is reliant on arguments stressing surveillance, security and resilience not only against terrorist attacks but almost everything that may disrupt business, leisurely and consumption (Coaffee 2005). At the same time, city marketing and branding have become recurrent elements of the planning apparatus, not least via various planning showrooms and other marketing strategies used in city development processes (Ek 2011). The result is a struggle at several levels over access to urban public spaces, struggles over the nature and meaning of urban commons, such deepened commercialization, exclusion and more or less materially manifested boundary practices (Smith-Bowers & Manzi 2006, Kärrholm 2008), as the public space increasingly is privatized and commercialized, created for some of its inhabitants, destroyed for others. The transformation of the city into a set of isolated and securitized hedonistic enclaves â passive nihilistic planning in action â is an aspect of the actualization of the camp as the political paradigm of the modern (Diken 2004).