PHOTO 100 Class work; 10/27

oozey mess

Product Placement
sheepfilms
dirt enthusiast

❣ Chile in a Photography ❣
YOU ARE THE REASON
d e v o n

Andulka
Sade Olutola
Misplaced Lens Cap
Not today Justin

blake kathryn
Show & Tell

izzy's playlists!
Lint Roller? I Barely Know Her
Three Goblin Art
Claire Keane

if i look back, i am lost

@theartofmadeline
hello vonnie

seen from United States
seen from Saudi Arabia
seen from Martinique

seen from United Kingdom
seen from Germany
seen from United Kingdom
seen from United States

seen from United States
seen from Brunei
seen from United States
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seen from United States
seen from South Africa

seen from United States

seen from Chile
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@1994studios
PHOTO 100 Class work; 10/27

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In-Class Exercise; HDR Demo (Surrealism edition)
In-Class Exercise; HDR Demo
Module 09
Lounge, 2016

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“Let’s talk about politics”, 2016
(original, edited)
Talk, 2016
(original, edited)
Unplanned, 2016
(original, edited, black & white edited)
Casual Monday, 2016
(original, edited)
Module 08
Link: https://sites.psu.edu/1994studios/

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Retro, 2016
Glitter, 2016
Spectrum, 2016
Light Painting, 2016
Module 07
(My laptop will not connect to Penn State wifi at the moment, so I am working on this from my cell phone. If there are any spelling errors, I apologize. Also, because I do not have wifi, I will be uploading the images after this post, switching the order in which I usually post them.) Module 07 turned out to be more relaxing and fun than I had intended. Though I was not able to complete this work in class, I had my girlfriend, Jenna, act as my assistant. I took images of three different subjects, all lit at multiple angles. The first cluster of images I took were with orbies (not sure of the spelling!) that I was given by Jenna's younger sister earlier that day. Since I could not do much with the background color (as they were soaking in a white bowl), I lit them from under, the side, and the top. It was very interesting to see the difference the lighting made on how clearly you could see them. The second shoot I did used a craft I made the prior week. I made a calming glitter bottle to help with my anxiety and depression, and I knew that it was going to make an amazing subject for photographing. I lit the bottle the same ways as I did the orbies, but my favorite is the image that lights the bottle from the top (with the lid taken off). The last shoot I took was of a new camera I got from Goodwill. Though I have no idea how to work it yet or if it will even work, I got some great photos of it. The same technique was used for the lighting of the camera, as well.

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Module 05 (cont.)
Module 05 was verh challenging for me becaus my camera is new. Though I knew a good bit about shutter speeds and aperture, I did not know as much as I thought I had. It is nice to know that there is always something left for you to learn. Though I firmly knew that I did not know everything about photography, I was able to understand a lot of new concepts that dealt with things I thought I had under my belt. When it came to taking the photos, though, I knew I was going to struggle. I did just that. I took close to 80 photographs during my photo shoot; however, the five I uploaded are the only ones that turned out relatively good. I had a prolonged issue with figuring out how to chanhe both shutter speed and ISO separately. In manual mode on my camera, when the shutter speed is changed, the ISO changes to match said speed. While that helped in a few cases, most of the images I tried taking of frozen movement came out so dark that the movement was lost in darkness. After hours of standing outside at night fighting my camera, I called it quits for the night and researched how to fix this issue. When I researched how to change shutter speed and ISO separately for my specific camera (Sony a6000), I learned I was not the only one with this issue; however, I also did not find the answer. This led me to taking more time to test out different methods of taking a photo that would appear too dark due to the ISO. After a long night of trying to figure out how my camera functioned, I figured out how to change them separately. Though I was only able to take a few photos, struggling through that obstable helped me with later work, and I have been able to learn other quirky behaviors my camera has.
Module 06
“Why Do People Take Photos?”
The simplest way to explain to someone why people enjoy taking photographs is that photographs capture a fleeting moment of time. Whether a portrait, a photograph of something in movement or a passing emotion, photographs are able to show an aspect of a past point in time. The brilliance of photography is that it is a tool with many uses. In personal uses, photography is different for every single person. One may take photos for later reference in a drawing or writing. You could take photos share important moments of your life with friends and family. Or something looked interesting and maybe other people would think it was cool as well. Photography could be used on vacation to catalogue everything you saw to create a visual storybook of your adventures. Professionally, every photograph has a message to convey to an audience from the photographer. Wedding photographs are meant to show, and preserve for memory, the love of newlyweds. A photographer from a newspaper wants to accurately depict an event that the writer is trying to recreate with words. An advertising firm uses photography to evoke certain emotions to heighten the need for their product. Photography can be either easy or challenging, and the photographer decides which it will be. It is easy to point and shoot, the lighting may be poor and the angle is misleading, but a photo was taken and it can serve a purpose. The art of photography comes from the effort of those who take photos. Wildlife photographers, for instance, can spend weeks in the wilderness waiting for the perfect shot that will grace the cover of National Geographic. Sure, they had seen plenty of animals, but it is impossible to deny the awe when you see a rare leopard emerging from a misty forest at daybreak. People put their lives on the line to photograph volcanic eruptions, hurricanes, tornadoes and other violent weather conditions. Rather than take a shot of a tornado three miles away, photographers will race along deserted roads to capture the perfect moment of pure, unbridled destruction. Dedicated photographers will lie in the dirt, climb rickety fences, perch on the edge of buildings, and dodge traffic to ensure they have the right lighting and an angle that really drives home the intensity of the photo. There is little that can compare to a photograph that a dedicated photographer painstakingly prepared. Candid photos are some of the most powerful pieces produced, and there is little planning that can create the situations they are taken. A photographer will wait; prone on milk crates, camera trained on a group of people, for hours, until her subjects create a composition with value and depth. A simple picture isn’t enough, the lighting, the angle, the composition has to be compelling.