Tokyo Vice Episode 2
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Tokyo Vice Episode 2

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“How much more grievous are the consequences of anger than the causes of it.”
— Marcus Aurelius
“Frightened of change? But what can exist without it? What’s closer to nature’s heart? Can you take a hot bath and leave the firewood as it was? Eat food without transforming it? Can any vital process take place without something being changed? Can’t you see? It’s just the same with you — and just as vital to nature.”
— Marcus Aurelius, Meditations (7.18)
➥ oliver reed as athos - the three musketeers (1973), dir. richard lester.
Oliver Reed.

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Breakfast at Tiffany’s (1961) dir. Blake Edwards
Dali walking his pet anteater in Paris (circa 1969) Credit to: u/gabrieltwin

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This is bloody genius.
Movies turned into the covers of old books by an illustrator Matt Stevens.
What do I always say? Most important thing in this town is, when you’re making money, you buy a house in town. You don’t rent. Hollywood real estate means you live here. You’re not just visiting, not just passing through.
ONCE UPON A TIME... IN HOLLYWOOD 2019 | DIR. QUENTIN TARANTINO
“In fact,” said Mustapha Mond, “you’re claiming the right to be unhappy.” “All right then,” said the Savage defiantly, “I’m claiming the right to be unhappy.” “Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen to- morrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.” There was a long silence. “I claim them all,” said the Savage at last. Mustapha Mond shrugged his shoulders. “You’re welcome,” he said.”
— Aldous Huxley, Brave New World

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Fragmented portrait of Marcus Aurelius. C. 170 AD. Bronze. Musée du Louvre, Paris. Inv. Br 45
myglyptothek: Faces of ancient Rome