
⁂

JBB: An Artblog!
Mike Driver

@theartofmadeline

❣ Chile in a Photography ❣

Kiana Khansmith
styofa doing anything
Show & Tell

roma★
Not today Justin
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
NASA
cherry valley forever
Today's Document

Origami Around
trying on a metaphor
PUT YOUR BEARD IN MY MOUTH

seen from United Arab Emirates
seen from Germany
seen from Togo
seen from Indonesia
seen from Türkiye
seen from Philippines
seen from United States
seen from France

seen from United States
seen from Honduras
seen from United States
seen from Brazil
seen from Ireland

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
@05bluecrystalfire

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
It's a bit rainy
Crossbow bolts, sandals, slingshots, and more.
Among the centuries’ worth of eggshells, prey remains, and natural nesting material, researchers identified 226 objects that were either made or altered by humans. These included weaponry like a crossbow bolt and wooden lance, decorated sheep leather, and parts of a slingshot. Using carbon dating, the team determined that the items also had a huge age range. For example, a shoe made from twigs and grass is around 675-years-old, while a basket is estimated to have been woven about 150 years ago. Beyond the manufactured relics of our species’ past, archaeologists also catalogued 2,117 bones, 86 hooves, and 43 eggshells. They even located 11 hair remains among the nesting layers. More analysis will provide a look into the surrounding area’s past environment, as well as its various flora and fauna.
Chance Cooper - Waking Up In Wonderland, 2022 - Acrylic on Canvas
Emmanuel Sougez, Untitled (Flowers in vase), 1930
gelatin silver print embossed photographer’s credit (recto); credited and dated in ink, credited again in pencil and stamped ‘JULIEN LEVY GALLERY/ 602 MADISON AVE/ NEW YORK CITY’ (verso) image/sheet: 13 x 10 in. (33 x 25.4 cm.)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Susan Te Kahurangi King
Ciruelo Cabral
Yurie Sekiya, 2025
Every time it storms i check the radar to see when it’s hitting my friend who also loves storms . It always hits me first tho i feel like
April Werle - Oh, you're back, 2025 - Acrylic and stain on wood panel

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
period pieces only hahahha it's all ive been able to watch recently but they still never really end up being what i want them to be
does anyone have any recs tho
Just watched maurice it was so good i need to read the book
ive kind of been thinking of trying to get my graphic novella thing published. because 1) i dont want to pay to print this myself and 2) it would be me taking a chance and putting myself out there which im trying to do more. i think also part of me enjoys getting rejected because it affirms my belief that i suck. LOL. so even if i get rejected (extremely likely) ill just feel validated.
but also, im like, if you want to get something published by a small publisher, do they ask you to change stuff about the work??? do they edit it??? im maybe open to a couple light suggestions but for the most part i consider this work finished and have no desire to make any big changes unless of course it's an incredible suggestion
i feel like a new york press would be too competitive. right ????? there's 18 million trillion amazing writers and artists in new york. in no world can i compete with them........
Kay Harwood (British, 1978), Never Tear Us Apart, 2020. Graphite, carbon, chalk and gouache on paper, 42 × 29 cm.
Horse figure of the day: Craze Cavally "Bella"
haven't seen this going around here recently, but esims for gaza is operating in the red right now! please consider donating or even signing up for an ongoing donation. keeping lines of communication open for gazans continues to be of the utmost importance in terms of both facilitating the distribution of aid and the documentation of Israel's continued war crimes.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Muirhead Bone (British, 1876-1953), Midnight in Venice, exh. 1932. Coloured chalks, 20 1/2 x 12 1/2 in.
period pieces only hahahha it's all ive been able to watch recently but they still never really end up being what i want them to be
does anyone have any recs tho