02PENCIL, character exploration and dependent muse blog affiliated with foundationhq, mourned and written by river.
ā°Ā¹ skeleton. ā°Ā² dossier. ā°Ā³ musings.
Sade Olutola
Keni
One Nice Bug Per Day
hello vonnie
Show & Tell
Monterey Bay Aquarium
he wasn't even looking at me and he found me
we're not kids anymore.
Lint Roller? I Barely Know Her

Andulka
DEAR READER
Three Goblin Art
I'd rather be in outer space šø
tumblr dot com
PUT YOUR BEARD IN MY MOUTH
styofa doing anything

#extradirty

Janaina Medeiros
cherry valley forever
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@02pencil
02PENCIL, character exploration and dependent muse blog affiliated with foundationhq, mourned and written by river.
ā°Ā¹ skeleton. ā°Ā² dossier. ā°Ā³ musings.

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are u ever sick w longing. and i don't just mean romantic longing. i mean longing for a place you barely get to see, longing for friends you no longer have, longing for feelings you might have left behind in your childhood, longing for creativity, longing for a rich and more expansive life, longing for less inhibition. longing for more passion. longing for ur life to be so incandescent w something it thaws all the frost in ur bones. are u ever so consumed w it it rends ur heart in two. do u understand me
this is not just "look out the window and sigh" longing. i'm talking you're at the grocery store and you're suddenly hit w a wave of grief bc you don't have it. you don't have whatever it is you ache so badly to have. you go about your everyday life and yet it throbs under your skin moment by moment, almost as though it has a life of its own. that's the kind of longing i mean.
Bailey's last assignment had been nothing like "The Broken Scales of Themis."
There was certainly some level of formality to it, but only so much could be managed when half the new recruits were stumbling sideways as waves tipped the ship to and fro. Their commander shouted over the creak of the boat to a small gaggle of newcomers who didn't know the meaning of "sea legs" yet. They'd voiced their understanding of their orders, shaking and wet, while trying to hold down supper and not really understanding much at all.
Even her orientation had felt somehow...less. They'd impressed upon her the importance of what she was to be doing, and there was a good chunk of movement from one place to the next that she simply couldn't remember. She'd learned quickly memories were slippery in organizations built around secrecy. It hadn't killed her excitement, however; she still popped up at the end of orientation with a smile and eagerly accepted her first assignment.
This was different. This was cool eyes watching her movement across the room, a group of strangers all sitting in a circle looking less inclined to introductions and more inclined to simply get down to the brass tacks. On the ship, they'd found time to laugh, to play pranks. Bailey couldn't see that same levity here.
She took her seat, offering a nod to who she assumed was the Commander, and glanced at her fellow teammates. Coworkers? Peers. There was a heaviness to the air that sat on her shoulders, weighing her down into the curve of her seat. She wondered if she could sink right in, wait for the others to finish. But that's not who Bailey Brennan was, and she rolled her shoulders to shake the weight away. This wasn't a hole to get buried in, this was an opportunity. She was so good at grabbing those with both hands. So she sat up straight and held onto the edges of a smile as introductions worked their way around the circle until they made it to her.
"Hiya, I'm Bailey. Urban Myth." Her smile ticked up, just at the edges. She liked the moniker that had been given to her. "I'm a little less Bigfoot," she crooks a thumb towards the one who'd introduced themselves as Loch, "And a little more deep-sea mythology. Think I get more seasick on land than on a boat at this point."
Bailey thought a lot of things, it was sort of a specialty of hers. Think herself silly, think herself into a PhD. Think herself into a foundation that seemed to value her thinking just enough to ship her to the middle of the forest to think on their terms just a little longer. Gosh, she wished she knew just what she was doing, sitting in a room full of people who varied from I shouldn't be here to lighting a cigarette and telling the boss to take five. She just couldn't think herself around that one.
She grins, "Don't think we'll be finding Scylla or Charybdis out here, but I've got you covered, if we do."
bared teeth. mouth open. devoured. digested. always digested. syllables knotted in and through fluorescent billows. dog - eat - dog world. she'd be the cattle. the lamb. scratching the surface, michelle. like you consistently do. but couldn't help it. came with this manner of living. a set circumstance. cards drawn. face - value. here's my jack of spades. now devastate me. bared. arbitrary. punitive. but true. always true.
ABBASI, ROHAN: an introduction, of sorts
Following immediately after Seth.
Itās widely considered bad form to start one's story with their protagonist waking. So let us begin, then, what is most assuredly not a story ā something quite smaller and grander in scale ā with most assuredly not our protagonist ā lacking categorically across the board ā with, of our own forthright admission, an interlude on morning routines and the spiraling outwards of them.
Like most mornings, Rohan rises with the bile-bitter tongued feeling that heās already late for something important.
Unlike most mornings, he does so in a bed his body does not recognize and without the usual sunlight streaming across his face. The sky, from what Rohan can see of it, sits lower here than in Arizona, a singular grey plane through which it feels little can escape between. What light does is equally low and flat, casting the as-yet-unfamiliar room in unflattering shades of, well, more grey. Rohan reaches semi-blindly for the bedside lamp for what little it'll help, his face still half-pressed to the pillow and ā a protein bar.
He hadn't dreamed it, then. Seth had been here. The silver, crinkling assault of Kirkland's Worst nestled in the indent only just previously occupied by Rohan's head enough to rematerialize ā something of the morning. God fuck, what time was it?
Rohan swings his legs over the side of the bed. It's cold. Of course it's cold, it's February, and for most of Rohan's life February has meant fucking cold. But Arizona, clearly, has made him soft. Cold-blooded, in need of a large, smooth rock to stretch out on for a few more hours. Missing the same sun he had complained so thoroughly about for so much of the year. Maybe he should think about investing in a sun lamp; any chance Amazon will still honor a two-day delivery?
...
When Rohan does arrive at the right room, it's under frankly more layers than he has any business wearing and would be embarrassed by in nearly any other circumstance. And he still feels cold ā though, if we're to be entirely honest, as much as Rohan is ignorant to it beyond wishing he'd worn another jacket, it likely has more to do with the freezing waves rolling off the rest of the team than any real change in air temperature.
Rohan, for his part, started practically vibrating the second he so much as stepped foot in the building. To say he's operating on a different wavelength than many of his coworkers might be, perhaps, an understatement. He enters brightly, bristling with awareness of each pair of eyes that swivel towards him. This, at least, is in some way familiar. Orientation; a round table of stiff-mouthed and too-rehearsed introductions, even if Rohan is the only one leaking genuine excitement and anxiety on making a good first impression out of every pore.
If there is any hesitation in Rohan's step, it's not in taking his seat. That's easy. He slides into the space held for him, Seth's bag deposited gently on the back of his chair and Rohan's slung the same. A matching pair. He gives Seth a gentle tap on the ankle to say what he needs to and won't in the presence of strangers. Hi. Good morning. Thank you. Don't look at me like that. Pay attention.
Beyond that, Rohan is by all accounts well-behaved and characteristically himself. He does not take notes, does not cross his arms and avert his gaze. Rohan sits forward in his seat, chin propped in hand, making as much direct eye contact with each speaker as they'll allow. In the space between he leans back, settles beside Seth, and allows himself the brief vice of workplace gossip with his best friend.
When his turn comes around, by virtue of it just having been Seth's, Rohan slides again to the very edge of his chair, elbows planted on his knees, and gives a half wave.
"Hi, all," he starts with a smile, trying and failing to meet the eye of everyone left in the room through it. "I'm Rohan. Just Rohan, please. Dr. Abbasi if you feel especially professionally compelled, but really I'd prefer if we kept things more casual and friendly, seeing as it looks like we're going to be spending some serious time together. You're welcome to call me Tree Hugger, if that feels right to you, but you might have to say it a few times to get my attention."
He tries for a self-deprecating smile, drops it, and tries again with something a little more honest and open.
"With that said, please forgive me if I'm slow on the uptake when it comes to call-signs. I'm in my seventh year at the Foundation, but it's all been on the research side of things. Lab work, mostly. I'd be more than happy to go into details with anyone who's interested, as Seth knows I can go on all day about it and then some, but I'll spare you all the gory parts and give you the rundown: I'm a neuroscientist and pharmacology guy by training with a more recent focus on amnestic applications in animal and humanoid SCP recovery. I definitely consider myself a pretty active participant in the Foundation's scientific community. One of my long-term goals that I've had ā pretty much since I started here has been to incorporate academic and modern medical research principals into what we do. It's something I bring to work with me every day and I'm more than excited for the opportunity to continue bringing it but on a much larger scale and alongside all of you.
"So ā yeah. That's about it on my end. Again, pleasure to meet all of you. Please feel free to grab me afterwards for anything or any reason. I'm also on the hunt for a running partner, maybe someone else interested in starting a journal club of sorts ā so. Yeah. Grab me if that's you. Thanks for listening. Onto the next."
consoling. consoling. seemed unconventional. to mull over. to digest. no drawl of ... bullshit. no flesh - out. simple. simple. incorporate academic and modern medical research principles. ethical. at least for the moment. maybe she'd seek him out. systemize and swallow down notions. assimilate. a little ambitious.

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Past Lives (2023)
ššš” š. šāššš”šš š. (ššš )šššššš”šš”ššš.
[tw: references to religion, christianity]
NothingĀ isĀ trulyĀ archivedĀ inĀ itsĀ pristine,Ā maidenĀ stateĀ āĀ photosĀ age,Ā digitalĀ filesĀ corrupt,Ā andĀ atomĀ linksĀ corrodeĀ oneĀ byĀ one.Ā PainstakinglyĀ craftedĀ monumentsĀ oxidize,Ā theĀ GreatĀ PyramidsĀ crumbleĀ byĀ theĀ second,Ā andĀ theĀ starsĀ goĀ out. āĀ TheĀ constantĀ ofĀ lifeĀ isĀ theĀ beatingĀ shore,Ā theĀ waves.Ā Movement,Ā change.Ā ErosionĀ chasesĀ Ā heelsĀ likeĀ aĀ madĀ dog.
EvenĀ theĀ mindĀ isĀ subjected.
a glance. the first. the last. the last. familiarity. but look past. look. look. look further, away from here. and so you do. it claws. and claws. and claws until thereās nothing left. until itās warm. always warm. but you choke. on whatever amiability you shouldāve bared. it never does last, does it, michelle? a garish moth drawn to a dying flame. a sacrificial lamb liberated between the pews of a jilted altar. old sport. old sport.
self - para 02: director osterholz.
nauseating. suffocating. you're suffocating. his demeanor. the pitch of his tone. the curvatures of blurred, in - between - the - line features.
you take a step back. back, back, back. you beg to feel the sting of a pillared wall against the base of your spine. but you don't. so instead, you opt for a languid display of revulsion, the corners of your mouth whetted - like and bared into a curl. you can't hide it. you won't hide it.
āsettling in alright?ā
polluted laughter.
āyes, director.ā a bold - faced, shit - eating lie. lie again.
āhow were the bagels?ā
dizzying. taunting you in a way that reaches the very midpoint of a temporal lobe.
hands always bound to the pockets of your slacks. teeth - like rivets finding solace in the flesh of your palm.
you believe you're on the verge of tasting something akin to resentment.
again. again. it what makes a home on the spine of your tongue.
but he just bares a crooked smile in return.
you nod. he departs.
you turn around.
bile.
you make your way to a bathroom stall.
01. no. 2 pencil outfit inspiration.
Have been lurking around this group for a while and wanted to let you know your writing is beautiful! Best wishes :)
youāre so incredibly kind !!! thank you, friend. š„ŗš©·

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š°ššĀ š¾šš,Ā šššššĀ š¾šš:Ā āšššš'šĀ ššĀ šĀ šššš?Ā
tw: Parental Death Mentioned.
TimingĀ wasĀ pivotalĀ whenĀ makingĀ aĀ firstĀ impression.Ā BeingĀ firstĀ soĀ speakĀ showedĀ confidenceĀ withĀ leadershipĀ capabilities-Ā toĀ beĀ theĀ firstĀ oneĀ toĀ breakĀ theĀ silenceĀ whilstĀ settingĀ toneĀ andĀ expectationĀ forĀ theĀ others.Ā However,Ā theĀ drawbacksĀ wereĀ detrimentalĀ asĀ theyĀ areĀ theĀ oneĀ whoĀ mayĀ haveĀ inspiredĀ otherĀ speeches,Ā otherĀ speechesĀ thatĀ couldĀ easilyĀ outshineĀ theirsĀ andĀ beĀ nothingĀ likeĀ aĀ forgottenĀ memory.Ā ManyĀ foolsĀ sawĀ suchĀ gloryĀ inĀ beingĀ first,Ā itĀ wasĀ theĀ wiseĀ ones,Ā suchĀ asĀ herself,Ā knewĀ thatĀ gloryĀ cameĀ inĀ otherĀ ways.Ā
Ā ThoseĀ whoĀ followedĀ onĀ fromĀ theĀ firstĀ speakerĀ fallĀ intoĀ twoĀ categories:Ā thoseĀ whoĀ wereĀ inspiredĀ byĀ theĀ firstĀ speechĀ andĀ thoseĀ whoĀ simplyĀ wantedĀ itĀ over.Ā ThoseĀ talksĀ wereĀ onesĀ thatĀ becameĀ mummersĀ asĀ othersĀ wereĀ tooĀ preoccupiedĀ withĀ theirĀ ownĀ performances.Ā AndĀ beingĀ someoneĀ whoĀ aimedĀ toĀ beĀ aĀ finalĀ speakerĀ wasĀ aĀ spotĀ reservedĀ forĀ theĀ shyĀ orĀ timeĀ wasters.Ā Everyone'sĀ attentionĀ spansĀ waveringĀ inĀ theĀ delightĀ thatĀ theĀ showcaseĀ wasĀ drawnĀ toĀ anĀ end.Ā
Ā ForĀ Danica,Ā noneĀ ofĀ thisĀ wouldĀ suffice!Ā IfĀ sheĀ wasĀ toĀ deliverĀ aĀ delectableĀ speech,Ā sheĀ wouldĀ needĀ toĀ beĀ inĀ herĀ sweetĀ spot.Ā UponĀ herĀ calculation,Ā afterĀ twoĀ moreĀ introductionsĀ itĀ wouldĀ beĀ herĀ timeĀ toĀ shine.Ā HerĀ grandĀ momentĀ toĀ paintĀ theĀ greatestĀ speechesĀ amongĀ herĀ co-workers.Ā NotĀ likeĀ someĀ ofĀ themĀ wouldĀ beĀ thatĀ difficultĀ toĀ outshine.Ā
Ā WithĀ herĀ goldenĀ momentĀ creepingĀ in,Ā sheĀ barelyĀ allowedĀ theĀ otherĀ personĀ toĀ finishĀ theirĀ speech,Ā DanicaĀ wasĀ alreadyĀ onĀ herĀ feet.Ā SnappingĀ herĀ notebookĀ shutĀ withĀ aĀ loudĀ thud,Ā loudly,Ā toĀ haveĀ everyone'sĀ undividedĀ attention.Ā WithĀ allĀ eyesĀ wereĀ onĀ her,Ā sheĀ stoodĀ tall,Ā shouldersĀ backĀ whilstĀ smoothingĀ outĀ herĀ blackĀ pencilĀ skirtĀ andĀ tuckingĀ herĀ hairĀ behindĀ herĀ ears.Ā OhĀ howĀ sheĀ feltĀ undressedĀ forĀ thisĀ occasion.Ā IfĀ theyĀ hadĀ onlyĀ allowedĀ herĀ toĀ bringĀ herĀ seventeenĀ casesĀ sheĀ hadĀ meticulouslyĀ packedĀ thenĀ sheĀ wouldĀ trulyĀ beĀ dressedĀ forĀ success.Ā Instead,Ā aĀ simpleĀ capsuleĀ wardrobeĀ wouldĀ haveĀ toĀ suffice.Ā StillĀ DanicaĀ RasquinhaĀ wouldĀ makeĀ doĀ withĀ poiseĀ andĀ grace.Ā
Ā "My,Ā oh,Ā my,Ā whatĀ aĀ charmingĀ teamĀ IĀ thinkĀ weĀ areĀ allĀ goingĀ toĀ makeĀ forĀ theĀ unforeseeableĀ future.Ā HowĀ heartwarmingĀ itĀ isĀ toĀ seeĀ soĀ manyĀ lovelyĀ newĀ facesĀ andĀ charmedĀ toĀ beĀ acquaintedĀ withĀ aĀ fewĀ ofĀ youĀ onceĀ more,"Ā DanicaĀ slowlyĀ beginsĀ herĀ speechĀ makingĀ eyeĀ contactĀ withĀ eachĀ memberĀ toĀ enhanceĀ theĀ naturalĀ connectionĀ withĀ themĀ thatĀ willĀ blossomĀ beautifullyĀ overtime.Ā "Originally,Ā IĀ hadĀ aĀ PowerPointĀ PresentationĀ readyĀ forĀ aĀ momentĀ likeĀ thisĀ butĀ alas,Ā afterĀ notĀ beingĀ briefedĀ onĀ theĀ noĀ techĀ access,Ā IĀ doĀ humblyĀ apologiesĀ forĀ myĀ lackĀ ofĀ preparationĀ andĀ howĀ unpolishedĀ myĀ introductionĀ is."Ā Ā
Ā OnĀ thatĀ note,Ā sheĀ carefullyĀ slidesĀ outĀ personalizedĀ indexĀ cardsĀ fromĀ herĀ journal.Ā TheĀ goldenĀ gildedĀ cursiveĀ embossingĀ shoneĀ slightlyĀ inĀ theĀ florescentĀ lightly.Ā Neatly,Ā DanicaĀ tiredĀ theĀ stackĀ ofĀ cardsĀ inĀ herĀ hands,Ā perfectlyĀ preparedĀ forĀ herĀ unpreparedĀ speech.Ā NoĀ needĀ forĀ herĀ toĀ beĀ nervous,Ā sheĀ totallyĀ hadĀ thisĀ inĀ theĀ bag.Ā EverybodyĀ adoredĀ her.Ā WhoĀ couldn'tĀ adoreĀ her?Ā SheĀ isĀ theĀ epidemyĀ ofĀ excellence.Ā
Ā Ā TakingĀ aĀ deepĀ breath,Ā sheĀ continuesĀ on,"NowĀ IĀ fearĀ thatĀ IĀ needĀ noĀ introductionsĀ toĀ whoĀ IĀ am.Ā Most,Ā ifĀ notĀ allĀ wouldĀ beĀ familiarĀ withĀ myĀ PapaĀ andĀ MamaĀ theĀ lateĀ parentsĀ DrĀ andĀ DrĀ Rasquinha,Ā both,Ā highĀ regarded,Ā esteemed,Ā academicallyĀ brilliantĀ researchersĀ forĀ DepartmentĀ ofĀ MythologyĀ andĀ Folkloristics.Ā NowĀ IĀ amĀ notĀ allowedĀ toĀ evenĀ talkĀ someĀ ofĀ theirĀ spellbindingĀ findings,"Ā sheĀ pausesĀ laughingĀ atĀ herĀ ownĀ joke.Ā OfĀ courseĀ itĀ wasĀ funny!Ā OneĀ shouldĀ neverĀ discloseĀ anyĀ personalĀ informationĀ withĀ theĀ faeĀ afterĀ all!"JustĀ aĀ littleĀ FaeĀ humorĀ forĀ you.Ā IfĀ youĀ know,Ā youĀ knowĀ butĀ shouldĀ certainlyĀ notĀ beĀ disclosingĀ aboutĀ it."Ā
Ā [GiveĀ aĀ playfulĀ littleĀ winkĀ toĀ someoneĀ inĀ theĀ room.]Ā Ā Ā
"GoodnessĀ lookĀ atĀ meĀ prattlingĀ on,Ā doĀ PardonĀ me!Ā IĀ justĀ neverĀ wasteĀ aĀ momentĀ toĀ talkĀ aboutĀ PapaĀ andĀ Mama'sĀ greatestĀ achievements,"Ā sheĀ placesĀ oneĀ handĀ onĀ herĀ heart,Ā aĀ wayĀ toĀ projectĀ sincerity,Ā "SpeakingĀ of...let'sĀ getĀ backĀ toĀ meĀ then,Ā shallĀ we?"Ā
Ā [PaceĀ aroundĀ theĀ spaceĀ withĀ permitted.]Ā Ā Ā Ā
Ā DanicaĀ eyesĀ theĀ spaceĀ inĀ theĀ room,Ā makingĀ theĀ judgementĀ callĀ toĀ paceĀ aroundĀ aĀ little.Ā KeepĀ herĀ audienceĀ engaged,Ā alwaysĀ onĀ theirĀ toes.Ā HerĀ eyesĀ scanĀ asĀ sheĀ mapsĀ theĀ routineĀ asĀ sheĀ startsĀ toĀ paceĀ theĀ room.Ā "ForĀ theĀ sakeĀ ofĀ protocols,Ā pleaseĀ referĀ toĀ myselfĀ asĀ Flimflam.Ā RatherĀ aĀ bewitchingĀ codeĀ name,Ā wouldn'tĀ youĀ say?"Ā DanicaĀ complimentsĀ herĀ ownĀ nickname.Ā NowĀ althoughĀ itĀ isĀ notĀ theĀ mostĀ attractiveĀ codeĀ nameĀ sheĀ hasĀ received,Ā sheĀ knewĀ sheĀ couldĀ makeĀ anythingĀ lookĀ goodĀ onĀ herĀ ifĀ sheĀ triedĀ hardĀ enoughĀ too.Ā "EvidentlyĀ uponĀ speculationsĀ andĀ allĀ theĀ fewĀ wonderousĀ speechesĀ soĀ farĀ IĀ canĀ deduceĀ theseĀ areĀ randomlyĀ assignedĀ withĀ noĀ correlationĀ whatsoeverĀ toĀ whoĀ theyĀ areĀ attachedĀ too,"Ā sheĀ sharedĀ herĀ astuteĀ observationĀ whichĀ surlyĀ shouldĀ getĀ aĀ fewĀ headsĀ nodding.Ā "SoĀ ifĀ youĀ wouldĀ pleaseĀ callĀ meĀ FlimflamĀ evenĀ justĀ FlimĀ orĀ FlamĀ orĀ Flimmy-Ā nowĀ thatĀ isĀ aĀ cuteĀ nicknameĀ wouldn'tĀ mindĀ thatĀ oneĀ singleĀ bit.Ā NotĀ Flammy-Ā somethingĀ aboutĀ thatĀ isĀ ratherĀ repugnant."Ā
Ā SheĀ positionsĀ herselfĀ atĀ herĀ firstĀ spotĀ inĀ theĀ room,Ā haltingĀ toĀ getĀ evenĀ moreĀ personalĀ withĀ herĀ teamĀ members.Ā DanicaĀ leansĀ aĀ littleĀ forward,Ā almostĀ asĀ ifĀ sheĀ isĀ welcomingĀ themĀ inĀ onĀ aĀ littleĀ secret,Ā "Surly,Ā youĀ haveĀ guessedĀ byĀ now,Ā thatĀ IĀ followedĀ inĀ myĀ parentsĀ greatnessĀ continuingĀ onĀ theirĀ legacyĀ asĀ aĀ brighter,Ā bolderĀ flame.Ā I,Ā myselfĀ amĀ aĀ StaffĀ ResearcherĀ forĀ Site-12Ā inĀ theĀ DepartmentĀ ofĀ MythologyĀ andĀ Folkloristic.Ā PartingĀ withĀ myĀ previousĀ teamĀ wasĀ suchĀ sweetĀ sorrow,Ā aĀ placeĀ whereĀ myĀ presenceĀ willĀ trulyĀ beĀ missed."Ā sheĀ pullsĀ awayĀ dramaticallyĀ swingingĀ herĀ armĀ toĀ coverĀ herĀ face,Ā atĀ howĀ dishearteningĀ herĀ departureĀ was,Ā howĀ herĀ utterĀ brillianceĀ wouldĀ beĀ missed.Ā Ā "Alas,"Ā DanicaĀ sighsĀ heavily,Ā "IĀ amĀ nowĀ hereĀ readyĀ toĀ shareĀ myĀ brillianceĀ withĀ youĀ all!Ā Oh,Ā IĀ mayĀ addĀ thatĀ IĀ haveĀ casuallyĀ dabbledĀ asĀ aĀ contributorĀ toĀ Observer:Ā AnĀ SCPĀ FoundationĀ Journal.Ā PerhapsĀ someĀ ofĀ youĀ mayĀ beĀ familiarĀ withĀ myĀ workĀ onĀ SCP-5525?Ā OfĀ courseĀ someĀ ofĀ youĀ have,"Ā DanicaĀ gesturesĀ towardsĀ herĀ fellowĀ researchers-Ā maybeĀ somewhereĀ thereĀ wouldĀ beĀ oneĀ ofĀ herĀ biggestĀ readersĀ ,"Ā IĀ haveĀ toĀ sayĀ I'mĀ ratherĀ proudĀ ofĀ theĀ title:Ā SCP-6505Ā Man'sĀ BestĀ FriendĀ HelpingĀ DuringĀ RuffĀ Times.Ā HonestlyĀ giveĀ itĀ aĀ read,Ā it'llĀ leaveĀ youĀ allĀ warmĀ andĀ fluffy.Ā That'sĀ onlyĀ oneĀ amongĀ allĀ myĀ submittedĀ works.Ā NowĀ youĀ mustĀ beĀ thinking,Ā howĀ doesĀ sheĀ findĀ theĀ time?"Ā
Ā [PauseĀ toĀ allowĀ themĀ toĀ contemplateĀ yourĀ workĀ ethicĀ .]Ā Ā Ā
Ā "SpeakingĀ ofĀ myĀ timeĀ here,Ā IĀ doĀ intendĀ toĀ followĀ thisĀ literalĀ mantra,Ā aĀ poeticĀ prosĀ ofĀ excellenceĀ ifĀ youĀ will,"Ā DanicaĀ clearedĀ herĀ throats,"Ā ToĀ beĀ theĀ veryĀ best,Ā likeĀ noĀ oneĀ everĀ was.Ā Ā ItĀ carriesĀ aĀ ratherĀ excellentĀ useĀ ofĀ iambicĀ pentameter,Ā whichĀ makesĀ itĀ ratherĀ memorable.Ā ToĀ me,Ā itĀ isĀ ratherĀ profound,Ā wouldn'tĀ youĀ allĀ consider?"Ā sheĀ speaksĀ toĀ allĀ ofĀ them,"AĀ meansĀ thatĀ weĀ shouldĀ allĀ highlyĀ aspireĀ toĀ be.Ā ForĀ ifĀ itĀ isĀ notĀ greatnessĀ thatĀ weĀ areĀ strivingĀ forĀ inĀ whatĀ weĀ do,Ā whatĀ exactlyĀ isĀ oneĀ doingĀ here?"Ā
Ā [Ā MakeĀ aĀ thoughĀ provokingĀ andĀ inspirationalĀ insightĀ thatĀ theyĀ willĀ thinkĀ aboutĀ forĀ aĀ lifetime.Ā SayĀ itĀ proudly.]Ā
Ā "AndĀ withĀ thatĀ veryĀ thoughtĀ IĀ willĀ leaveĀ youĀ all,"Ā DanicaĀ slightlyĀ bowsĀ toĀ allĀ ofĀ themĀ whilstĀ strategicallyĀ makingĀ herĀ wayĀ backĀ toĀ herĀ seat.Ā "ForĀ anyĀ furtherĀ curiosities,Ā complimentsĀ orĀ conversations,Ā pleaseĀ doĀ notĀ hesitateĀ toĀ comeĀ andĀ findĀ me,Ā I,Ā Flimflam,Ā wouldĀ beĀ moreĀ thanĀ happyĀ toĀ oblige.Ā HoweverĀ pleaseĀ reframeĀ fromĀ chitchatĀ withĀ meĀ beforeĀ myĀ morningĀ cuppaĀ andĀ myĀ eveningĀ tea-Ā bothĀ importantĀ dailyĀ ritualsĀ whereĀ IĀ requireĀ myĀ personalĀ time.Ā ThankĀ yourĀ forĀ obligingĀ andĀ listening.Ā IĀ lookĀ forwardĀ toĀ workingĀ harmoniouslyĀ withĀ youĀ all.Ā MyĀ lovelyĀ team."Ā
FlimflamĀ tucksĀ herselfĀ backĀ intoĀ herĀ sheetĀ asĀ sheĀ looksĀ downĀ atĀ herĀ finalĀ card,Ā hopingĀ herĀ manifestationĀ wouldĀ comeĀ toĀ fruition.
Ā [Hold for applause and/or standing ovation.]
In for the night, Claudia Keep
ššš š, ššššššš š·: ššššš ššššššššššš ššššš¢ šššš; ššššš "šššš š ššš" šššššššš
Since she woke, there's been a fine vibration of nerves working its way down Nadia's spine, belling out to her fingertips. It's a strange neuropathy that she can't place, doesn't think she's felt it before. Maybe it's a side effect of whatever amnestic they must have administered ā that's the only thing that would explain her clouded head, the lapses in time, her lack of dreams (Nadia always dreamed, and always remembered them).
Whatever the cause of the shiver, Nadia focuses all her attention on keeping her feet and legs still under the table, her hands clenched tight around her knees and her eyes absolutely anywhere other than the two familiar faces.
She can't stomach the twin rolls of shame and guilt that tidal over her at the sight of Dr Vera Nair's soft features. And she definitely can't stomach the absolute amolgam of something that comes with the sight of Guā Howell. It comes together as anger (most things do for Nadia) and she doesn't have the best grip over her temper this morning. Punching one of the higher ranking operatives simply because "well, he ghosted me, sir" wasn't likely to be the best of first impressions.
Maybe it was her temper that had her blood tingling in her extremities.
When it comes to her turn for an introduction, Nadia finds a point at middle distance to stare at and shakes off the sense memory of her first day transferring into MTF Xi-13.
"I'm Nadia Atalanta. I guess you're supposed to call me Live Wire but I'll probably be a lot nicer if you just go with Atalanta. I've been with the Foundation almost twenty years now, so I can't wait to get the engraved gold watch for that anniversary." Sarcasm, thick and acerbic, coats her every word. "I've been on Mobile Task Forces my whole time here." Her shoulders rock back a little, posture tensing. "Unless you count the last couple months in the Decommissioning Department. Which I don't."
A few of the earlier operatives have offered where they might be on the daily should anyone need them and Nadia cycles through the most likely options for herself: the gym, her bunk, wandering the forests that surround the base. Eschewing all those, she closes with, "If you need me, don't."
an MTF operative. another hellbent, moralizing ego. another redundant, inessential point - of - view. all started to look the same after a while, strung and blurred together between fine - lines and nullity. but she'll spare live wire the menial observation.
š°š²š 1, šš²š“š½š“ 1 āĀ šøš½ššš¾š³šš²ššøš¾š½š.
AS WITH MOST DAYS āĀ AND AS WITH FUTURE DAYS, THEY'D MUSED ā SLEEP HAD NOT COME EASY. In the absence of any real direction, they'd allowed themselves to be whisked away from one metal hunk of a thing to another, and another, as if to dispel any indulgences in conducting a haphazard geospatial analysis as to where their covert base of operations should be located on the map. Had they hoped Midge would be impressed at the sheer degree to which they'd been obfuscated? The ghastly gray beast was no more hideous and imposing than the intelligence agency where she had once held base, and which had similarly prided itself in holding and trading state secrets.
Midge had maintained a smile through it all, albeit an artless, guileless one, finding these gaps in her memory even more troubling than usual. Not particularly burdened with the weight of being the best example, Midge ā 52 Pickup, wasn't it? she thought ā had donned only the barest of masks: their hair was combed down and let loose over their shoulder, and their shirt, just as gray and as pallid as the building's decor, hung over their frame with no real attempt at being flattering. In doing so, she'd hoped to display a kind of homeliness that was almost displaced in this ugly concrete jungle they were mandated to call home for a year. To signal something like trustworthiness among this new ensemble of comrades whose faces ranged from vaguely familiar to none at all.
She'd sat cross-legged in the plastic chair, balancing the spine of her handy A5 journal on her knee as she scribbled and took note of the code names of the operatives who had gone before her. As expected, their levels of disclosure varied; another introduced themselves, and another, and another, until the burden of introductions finally fell on her lap.
They'd closed their journal shut and made a small wave as their eyes surveyed the room. "Hey, everyone," they began, willing the muscles of her lips to curl upward, until they resembled something like a kindly smile. "I'd say I wish we met in better circumstances, but the next Foundation confab might be a while yet. My name's a bit of a mouthful, so it's easier for all of us if you knew me as Midge. Though, in here, my alias is 52 Pickup āĀ a bit of a mouthful, too, really. Pursuant to protocol, I suppose you could just call me fifty-two."
And, here, she made an exaggerated roll of her eyes and a peal of laughter: "Call sign's easy enough to remember, I suppose. Just take a look at my laugh lines and guess my age. Thanks for that, by the way, supervisors." They'd spoken with an unhurried cadence, relaxing against the shitty plastic seat, "Well, I suppose I should lean into it. I am marching towards mortality as it is. Nothing else of note. I've done clean-up work for the Foundation these past few years and studied for a living for the rest. Hmm, let's see⦠I play the piano, I'm a chain smoker, and I like owls. " She let a sigh escape her lips, then, as she let in the team on a few harmless truths.
"Er, I think that's it." Her lips pulled into a tight smile as she dismissed herself from the routine proceedings, flipping back open her pocket journal and clicking the top cap of her ballpoint pen to resume her notetaking, "Well, I'll see everyone around. And everyone's quite welcome to join me in my search for a smoking area."
knew operatives like 52. worked alongside of them enough to understand the complexity of their hand. face - value. didn't particularly ... enjoy them, per se. alarming candor. effusive. articulate. a lot of candied - eye syllables that meant very little when put into retrospect. just entirely pronounced into a whetted - like void. in a room that was unlikely to swath her in warmth. noted. indifferent.

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self - para 01: logged night terror #14, 3:30 A.M.
youāre choking. on something that tastes akin to hatred. it sprawls to the base of your mouth. cracks the lining of your jaw. limps through the dips of your ribcage. and rots.Ā
because sheās there. and then she isnāt. and it all happens so infuriatingly fast, it leaves you dizzy. aching. searching for the warmth of a palm against the very center of decaying flesh. a carcass.
and you believe, āthis is how it ends. this is how it always ends.āĀ Ā Ā
so you reach out again. sheās not there. you turn on your side. you heave against the pavement. into your hands.
a shrapnel wail. a plea. a palm against dirt.
there is no god. no one can hear you.
āumma?ā it brims off the cheek of your tongue. almost like a sermon. one that rots the inside of crystallized veins, along with your mouth. your teeth.Ā
decaying, fragmented nothingness. a ghost. wandering and slaughtered to pieces.
a crooked laugh. then more. and more. and more. empty palms. the corroded sting of a touch.Ā
you will not survive this.Ā
you gape down. into the abyss. into the whites of an apparition. you thrash. and yell. at nothing. at yourself. at the distorted brick walls closing in around you.Ā
a tear in your infrastructure. Ā
you drag yourself against the pavement, your back splayed against the wall like an insect that doesnāt belong. your hands are covered in self - loathing. you can hear your motherās hum.
you should have paid close attention. i cannot help you if you cannot help yourself.
so you sit there, half - slacked, in all your devastating glory. until a hollowed void washes over you. until your pleas come to an end. until your mother disintegrates.Ā
youāre not entirely sure where she starts or where you end. but she understands. your fate. your fate.Ā
this is how it ends. Ā
and then you awaken. under what you believe is the trunk of a camphor tree. under the whims of a feathered bird that knows entirely too much. your skin swathed in sweat, mirroring the dew against the grass ā completely and unapologetically enveloped in darkness.
so you turn on your side,
and heave.