おとぎばなし (1969)
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おとぎばなし (1969)

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Tree and Wall, Philadelphia
Arnold Newman, 1941
Hillside Fences, Japan Patience series
Josef Hoflehner, 2009
A man feeding swans in the snow, Cracow
Marcin Ryczek
by Adolf Chwala

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Yayoi Kusama, Infinity Nets
rebecca horn, black bath, 1985
泉北竹城台1丁団地(1971〜2) 堺市南区竹城台 2015
Nha cretcheu, my love, being together again will brighten our lives for at least thirty years. I’ll come back to you strong and loving. I wish I could offer you a hundred thousand cigarettes, a dozen fancy dresses, a car, that little lava house you always dreamed of, a threepenny bouquet. But most of all, drink a bottle of good wine and think of me. Here it’s nothing but work. There are over a hundred of us now. Two days ago, for my birthday, I thought about you for a long while. Did my letter arrive safely? Still nothing from you. Some other time. Every day, every minute, I learn beautiful new words for you and me alone made to fit us both, like fine silk pyjamas. Wouldn’t you like that? I can only send you one letter a month. Still nothing from you. Some other time. I often get scared building these walls. me with a pick and cement, you with your silence, a pit so deep, it swallows you up. It hurts to see these horrors that I don’t want to see. Your lovely hair slips through my fingers like dry grass. Often, I feel weak and think I’m going to forget you.
English translation of Pedro Costa’s amalgamation of real letters from Cape Verdean emigrants and one of the last letters the poet Robert Desnos sent to Youki before his death, as it appears in Casa de Lava (1994) and Colossal Youth (2006).
A caminho [On their way]
Adelino Lyon de Castro, 1950

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Paul Winstanley (British, b. 1954), Study for Veil 10, 2001. Oil on linen, 15 x 14 in.
Patti Smith photographed by Judy Linn
Yayoi Kusama (Japanese, b. 1929), The Sea in the Evening Glow (Facing the Imminent Death), 1988. Acrylic on canvas, 161.9 x 130.5 cm.
somewhere near the top of my list of things that leave me almost dead are the early live performances of boots of spanish leather where you can hear the fresh suze wounds

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Night House, Lois Dodd
1975
Emotion, 1966, Nobuhiko Obayashi