∆ ∆ ∆ ∆ ∆ ∆ ZIN TAYLOR

Ambient Tokens, Susan Hobbs Gallery, Toronto, 2025

Four page xerox A4 of annotated list of music played at the After 8 Books launch of Lavender Glass (the music relates to what is mentioned within the text of the book), and a recipe for Lavender Lemonade that was served in a punch bowl.

A haze of influence choreographed into an arm (#5), 2011

September 6

September 6th, 2018

Full of little surprises.

proposing the fabric pattern of dots originated with approximating the fur from a dalmatian. things come from somewhere, no? And those things and that somewhere has a story. drawing with hand-made fabric.

Working on wall drawings for the last few years, getting closer to the point where a more casual slide into a language can happen. One language to make another. The gesture of space and time articulated one way is now articulated in another.

A day shooting with an old digital camera in black and white to make a photo book in a certain style (its like time traveling) while looping in references and image propositions that will transform into narratives of the hazy, maybe even psyche-like, kind.

La Criée - Rennes, France

Installation images of a show in Brussels at the Independent. Presented with Supportico Lopez.

That’s a lot text for a button...

June - September, 2017 (maybe longer...)

Growth on a Form (Snowman) drawing with Black Stool (White Lump). A copy of The Crystal Ship artist book sits on the stool for casual reading.

published by Westfaelischer Kunstverein, Munster 2017

not exactly all 10, as Tumblr restricts it... but a series of collages based as records covers for 10 albums I use to think with, have thought about, and that produce thoughts. 10 records, 10 void flower drawings. Framed within the space of a black dot/void/record-form. Published by CURA Magazine this past winter 2017.