Theory of flight, Edouard Taufenbach & Bastien Pourtout
Color Me Curious

if i look back, i am lost
One Nice Bug Per Day

ellievsbear

pixel skylines
𩵠avery cochrane đŠľ

⣠Chile in a Photography âŁ
Mike Driver

Love Begins
let's talk about Bridgerton tea, my ask is open

#extradirty
Doug Jones
Noah Kahan
occasionally subtle
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Lint Roller? I Barely Know Her
NASA
almost home
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Theory of flight, Edouard Taufenbach & Bastien Pourtout

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âOne doesnât need a contemporary sense of gay identity to see that there is something wonderfully queer in Woodâs world. Lay aside the many images with overtly homoerotic subject matter, and you still have a large body of work in which lines are being crossed, categories jumbled and expectations confounded.â Read more on Grant Wood: American Gothic and Other Fables in the Washington Post. Â
[Grant Wood (1891â1942), Spring in Town, 1941. Oil on wood, 26 x 24 1â2 in. (66 x 62.2 cm). Swope Art Museum, Terre Haute, Indiana 1941.30. Š Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY]
Gray Matters at Stand Up Comedy
True
Autumn is a hard time for reading outside đđ

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me af
reblog af
Read it here http://www.thoughts-on.net/everything/#guilt-and-the-female-body
Watch: Gaten Matarazzo opens up about living with cleidocranial dysplasia â and the massive rejection heâs faced
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DRAG THEM NEIL

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This is so accurate it hurts
When Art Lovers Speak Emoji: Cantor Fine Art Turns Famous Artists into Digital Illustrations
âI wear my clothes, my clothes donât wear me.â -CherÂ
Love love love
25 examples of male privilege from a trans guyâs perspective
But just as fascinating as it was to witness my mental and physical changes, it was just as equal of an adjustment to comprehend how other people were responding to me.
In short, I was being treated better by everyday America because people were reading me as a young, white, straight (?!) male. And I recognized many new privileges that came my way because of it.
after a long day being nice
pollynor
Lol

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The women in Sally Nixonâs illustrations donât know that we can see them. Theyâre not posing, smiling, or doing anything all that interesting, and this is what makes Nixonâs works fascinating.
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