🌙

Unfortunately, it didn't live up to expectations. Frankly, I'm not sure more episodes would have helped the series. It's very crudely filmed, the scene transitions aren't smooth, the editing is weird, the music is a bit hit-or-miss—they mixed five tunes into one scene without any smooth transitions. And I still don't like the coloring at all. The scene with Bart's story fell flat because of how it was filmed, even though it should have been a heartbreaking scene that would have spoken volumes about his relationship with religion and God. I like the actors, they try, but, Lord, how poorly it's executed. Sorry, but Itsay, Chicken, and The Best Story are still great miniseries, but Ticket fell short.

Blaming Jojo for the show's failure and asking him to stop working with gl is bullshit (and he himself won't want to be associated with toxic fandom bitches anymore). There were 5 writers (why even bother with that many??), and Jojo wasn't the only one responsible for this. Secondly, why do they even have a table read? Not a single actress and writers at the table read told Jojo, "Man, this smells like bullshit, let's do it differently". I don't think he would have rejected an outside perspective. So everyone at the table read was okay with it. The higher-ups, who definitely should have approved the script, were apparently okay with it too. So maybe we shouldn't blame Jo for everything, but rather their finger stuck up their ass, which kept everyone silent and no one pointed out that the script was bullshit. Everyone was happy with everything, I'll say it again. By the way, if shit happens in iwasy, Jimmy, being a straightforward person, will definitely not stick his finger up his ass and keep quiet, but will directly tell Jojo about the bullshit going on in the script. And we'll thank him for that. And I hope nomnoms won't attack Jo; this fandom hasn't been very tolerant lately either, and they're hounding anyone who thinks differently.

Unpopular opinion: I'm glad tth is only six episodes long. P'Aof's writers don't know how to write 12-part episodes; the script starts to falter toward the end, and the ending is rushed. But with fewer than 10 episodes, the plot doesn't falter, and everything feels smooth. Chicken turned out amazing precisely because it had so few episodes; the script didn't have time to falter. As for other series, they had plot problems due to artificially stretching the plot. I think Ticket would only benefit from a smaller number of episodes.