WHO'S THAT KNOCKING AT MY DOOR

PULVEREM AURUM (Photograph documenting the coalescence of a mirror, honey, gold dust, milk, a bee, and a piece of the forest), Oscar Santillan, 2012-2013

SUNLIGHT IN AN EMPTY ROOM (PASSING CLOUD FOR EMILY DICKINSON, AMHERST, MA, AUGUST 28, 2004) (This work re-creates the effect of a passing cloud in Emily Dickinson’s back yard in Amherst, Massachusetts, based on an August afternoon. The bank of three types of fluorescents generates a simulation of the daylight, and the hanging filters of the “cloud” shift the color and intensity of the sunlight to replicate the shadow cast by a cloud), Spencer Finch, 2004

THE DAY NOBODY DIED, (video) Adam Broomberg & Oliver Chanarin, 2008

Photoshop CS: 1060 by 2744 centimeters, 10 DPC, RGB, square pixels, default gradient "Spectrum", mousedown y=1800 x=6800, mouseup y=8800 x=20180 (Cromojet print on carpet), Cory Arcangel, 2015

Self Portrait of Me Now in Mask, Gillian Wearing, 2011

SCENE II, Barbara Kasten, 2012

Schisms 4 - Sister's head upon my body, Jonny Briggs, 2011

Vaas (1), Femke Dekkers, 2016

Untitled from the series Oysters, Thomas Mailaender

Spring 2010 - Summer 2011 (Mirror in Miami, Patty’s House 5/10/100 - 5/12/10 # 14, Andrea On The Way to Anxiety Of Photography Opening, Mirror Reflecting Black Flat 2), Brendan Fowler, 2011

Untitled from Glory of the Artifice, Christto & Andrew, 2015

Untitled from the series Before the Event: Murder My Sweet, Deniz Yılmazlar, 2012

Portrait Audacieux_Arnaud EECKHOUT, VOID, March 2015 (click here for audio-video)

Exit (Pink slate) from the series Accumulate, Justine Varga, 2014-2015

Background Noise, Ben Alper, 2011-2013

This Painting Should Be Installed by an Accountant, Jonathan Monk, 2011

All the clothes of a woman, Hans-Peter Feldmann, 1970