Peder Severin KrĂžyer (Danish 1851-1909), Roses, Marie KrĂžyer Seated in the Deckchair in the Garden, 1893, Oil on canvas

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Peder Severin KrĂžyer (Danish 1851-1909), Roses, Marie KrĂžyer Seated in the Deckchair in the Garden, 1893, Oil on canvas

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Jane Barlow, 2025
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John Collier, 'The Witch,' 1893
Girl in a Blue Sash (19th century) by Wilhelm August Lebrecht Amberg (German, 1822 â1899), oil on canvas, 49.5 x 65 cm. (19.5 x 25.6 in.), Private Collection
Maddalena Penitente (Penitent Magdalene), (Detail), (completed in 2022), by Roberto Ferri (Italian, born 1978), oil on canvas, 119.5 x 162.5 cm (approximately 47 x 64 in), Private Collection

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The Nun of Monza, 1865 by MosĂš Bianchi (Italian, 1840--1904)
Kamila Gruszecka â Incantations (oil on canvas, 2025)
Domenichino, Virgin and Unicorn (Giulia Farnese), ca. 1602
This is a page from a Medieval glossary, a list of words followed by a synonym or an explanation of their meaning. Glossaries are the ancestors of dictionaries, the difference is that dictionaries aim to include all the words in a language, while glossaries were/are made to help students understand a specific Latin text that they studied in school, listing the difficult or outdated words from that text.
The page in this photo is the last surviving page of a glossary that was copied around the year 900 probably to be used in the Barcelona Cathedral's school. It's kept in the Diocesan Archive of Barcelona (Catalonia).
Image source.
A Woman Sitting on the Edge of a Bed, (Detail), (19th century) by an unknown artist of the Spanish School, oil on canvas, approximately 168.5 x 125 cm (66.3 x 49.2 in), Private Collection

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The Intruder, c. 1910 by Leonard Campbell Taylor (English, 1874-1969)
Take the Fair Face of Woman, and Gently Suspending, With Butterflies, Flowers, and Jewels Attending, Thus Your Fairy is Made of Most Beautiful Things (1869) by Sophie Gengembre Anderson (French-born British, 1823 â 1903), oil on canvas, Private Collection
The best notes written in manuscripts by medieval monks
Colophon: a statement at the end of a book containing the scribe or ownerâs name, date of completion, or bitching about how hard it is to write a book in the dark ages
Oh, my hand
The parchment is very hairy
Thank God it will soon be dark
St. Patrick of Armagh, deliver me from writing
Now Iâve written the whole thing; for Christâs sake give me a drink
Oh d fuckin abbot
Massive hangover
Whoever translated these Gospels did a very poor job
Cursed be the pesty cat that urinated over this book during the night
If someone else would like such a handsome book, come and look me up in Paris, across from the Notre Dame cathedral
I shall remember, O Christ, that I am writing of Thee, because I am wrecked today
Do not reproach me concerning the letters, the ink is bad and the parchment scanty and the day is dark
11 golden letters, 8 shilling each; 700 letters with double shafts, 7 shilling for each hundred; and 35 quires of text, each 16 leaves, at 3 shilling each. For such an amount I wonât write again
Here ends the second part of the title work of Brother Thomas Aquinas of the Dominican Order; very long, very verbose; and very tedious for the scribe; thank God, thank God, and again thank God
If anyone take away this book, let him die the death, let him be fried in a pan; let the falling sickness and fever seize him; let him be broken on the wheel, and hanged. Amen
what does oh d fuckin abbot even MEAN
an abbot is the head of a monastery so it just means âfuck my bossâ basically, an abbreviation of âO damned fuckin Abbotâ. this is what it looks like:
Brasenose College MS 7, f.62vÂ
very important, as is to my knowledge first attested instance of word âfuck.â (itâs older, itâs just usually censored in some way)
Young woman reading (also known as A Young Girl Reading) (19th century) by Victor-Gabriel Gilbert (French, 1847 â 1933), oil on canvas, 54.5 Ă 65.5 cm (21.5 x 25.8 in), Private Collection
MORS DIABOLVSQVE COMITANTVR VOLVPTATEM
by Christian Goller (1943â2017)
source

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