Clair de lune (Moonlight). 1889, oil on canvas.
KIROKAZE

Origami Around
Lint Roller? I Barely Know Her
Cosmic Funnies

Andulka
"I'm Dorothy Gale from Kansas"
noise dept.
trying on a metaphor
todays bird
2025 on Tumblr: Trends That Defined the Year
Today's Document

oozey mess
NASA
we're not kids anymore.

Love Begins
cherry valley forever
Jules of Nature

izzy's playlists!
Xuebing Du

seen from Türkiye

seen from South Korea
seen from United States
seen from Germany
seen from United States
seen from United States
seen from Bangladesh
seen from United States
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seen from Belgium
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seen from Italy

seen from United States
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seen from Germany
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@xanhnomore
Clair de lune (Moonlight). 1889, oil on canvas.

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Community is so important she said self isolatingly
Dog Day Afternoon (1975), dir. Sidney Lumet

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PSA
the internet archive is getting sued for a bajillion dollars. you can voice your support for the archive and its services on change.org here or below.
Defend the Internet Archive
the actual internet archive staff are pushing for signatures, so i figured i would support. + definitely reblog if you feel so inclined.
Machu Picchu
Eugenie de Sade (1973)

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Tomas Sanchez, “En noche clara" (detail), 1996.
head of a mourner, marble statue, spain, c. 1400s.
The invention of the civilian as a "nonpartisan," "neutral" figure has exacerbated the depoliticisation of the Palestinian cause. To be deemed a civilian necessitates that we exist in a mythological dimension where we are without perspective. Our cause, as imagine in this mythology, is no longer understood as a liberation struggle but as a "humanitarian crisis," where revolutionaries are not part and parcel of our nation, motivated by political aspirations and dreams of emancipation. Instead, they are interpreted as rogue actors senselessly wreaking havoc to the dismay of helpless bystanders – the disinterested women and children, the impartial paramedics and journalists. In such ahistorical readings, which obfuscate the power imbalance between the occupier and the occupied, the militant is evacuated outside of the context that gave rise to him or her in the first place; the newscaster is expected to present the killing of her siblings as if she were an unbiased observer; and the nurse whose patient is a beloved coworker maimed by an airstrike is expected to maintain "professionalism," to not seek revenge on the drone operator.
Mohammed El-Kurd, Perfect Victim: and the Politics of Appeal (p. 61)
The trouble with mermaids, Angela Dalinger

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Why?. 1982 (dir. Monica Maurer)
“You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.”
- Ursula K. Le Guin “The Dispossessed”